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Comments
Thus I will retreat to Moonraker, although both TLD and GE I think are worthy of consideration.
I would say Moonraker.
Forget about that for the future. Hollywood is in trouble and don't expect a Bond film before 2016. Scripts are going to be based on cost not creativity.
or
GoldenEye or Tomorrow Never Dies - large set pieces make them epics.
TLD is a fine nomination considering it was the last film of the "classic" era to use a Fleming title, the old crew, etc.
GE embraces the Bond traditions of old, but also regurgitates a lot of them.
TND is an underrated retro homage to the YOLT-style film, chock full of big action, bit characters, a big story, etc.
DAD is an OTT film, but is also very cheaply made and not "epic" per se.
CR is an epic nearly on OHMSS level, re-imagining the Bond mythos within a modern context and is directed and shot with great aplomb by Campbell and Meheux. Also has what is is many ways the Bond romance of the series, book or film.
SF covers a lot the same ground as CR, but Mendes direction of an actually small storyline and Deakins' cinematography is what makes the film "grand".
Can't disagree with that. CR gets my vote for most recent outing to have the ingredients decribed.
I concur.
Yes, I was thinking of adding it myself as it too has an epic scale, much more than the other Craig Bond films IMHO.
The others mentioned, IMO, don't feature a clash between large opposing military or paramilitary forces, they lack the sweeping score, or they contain too much whimsy/silliness.
What about MR space marines battle or are you trying to forget about that one?!
;)
MR is the epitome of 'grand' film making. The scale of it is still impressive IMO.
Indeed, it surely delivers 'grandness' better than any other.
I dislike MR, but yes, it may have been the last "grand" Bond movie. I don't think they will go back any time soon, for better or worse. I'd love a TB-like Bond movie again, however I don't miss sci-fi fest like MR or YOLT.
MR would qualify were it not for a superabundance of silliness in the first half of the film. IMO, a grand film is one where the tone is quite serious throughout.
I can roll with that, although if MR is disqualified for silliness, how does Spy qualify?
eg. I think the Rog and Anya van-hi-jinks with Jaws at the pyramids, is the ultimate in Rog-Bond groaner moments.
If certainly does not belong with TB, YOLT and TSWLM which most people seem to be regarding as grand.
If TLD is 'grand' then so is FRWL.
Does grand mean big sets, epic scope and scale and massive set pieces? TLD hardly fits this model does it?
I prefer to thing of 'grand' more in the David Lean sense ie storytelling on a large scale with moments of drama, intrigue, romance and excitement. By that definition TLD qualifies but CR does everything TLD does but more recently hence I would regard it as the last grand Bond film.
There's a case to be made for SF I suppose (certainly in terms of scope and cinematography) but without a proper heroine it doesn't quite tick the right boxes for me to be considered in the grand category.