The most ridiculous Bond theory you heard/read

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  • DragonpolDragonpol https://thebondologistblog.blogspot.com
    edited August 2013 Posts: 18,281
    I heard James Bond did it with a guy once......... that's not true though.

    I heard that was BS and spam ham. A little bird told me that at the bottom of the garden.
  • Posts: 15,124
    QBranch wrote:
    Somebody find the CIA gun smuggling info, please! I have to leave for work soon but I'd love to finally read that one.
    I remember this rumour, and so I went searching for the source. Interestingly enough, the only place I could find any info was on the Craignotbond site. And because I refuse to add a direct link to that childish site, I've copy/pasted the excerpt:

    Turkish News Paper Claims Bond Movie Set Being Used To Smuggle Arms

    April 2, 2012

    File this one under strange next to the tinfoil hats. Besides the idea of Ms Broccoli’s EON Productions cooperating with the CIA on anything like this being extremely unlikely bordering on insane, the activities described sound like average goings on at a movie set.

    A shocking allegation hit Turkish media about the new James Bond movie SKYFALL. IHA news agency reports that Skyfall set is being used to transport arms for Syrian dissidents who are fighting Ashad soldiers. It turns out not the scenario of the movie but itself is absolute spy scene.
    The new Bond movie is currently being shot in Adana province of Turkey, where also the İncirlik air base of the Unatidet State is located. For the Skyfall shooting, main railway line of the city has been shotdown for several days. A local paper of Adana hit the shelves today claiming that shooting of tha Skyfall is a cover up for arm transportation to Syria by CIA. The paper darws attention to the fact that 13 minutes of the movie is being shot here but the star of the movie, Daniel Craig is nowhere to be found. One of the bussiest highway of the city and the railroad has been shot for several days in Adana. The paper says truck loads of stuff is being brought to the movie set and in which no media is allowed. İhlas news agency reminds the detail of the local paper being visited recently by Israel’s ambassador to Turkey, Gabi Levi.

    Now. That is not merely a theory, that's a urban legend! Thanks for finding it.
  • doubleoegodoubleoego #LightWork
    Posts: 11,139
    That Dench's M from the Brosnan era is one and the same as her M in the Craig era.
  • 4EverBonded4EverBonded the Ballrooms of Mars
    Posts: 12,480
    QBranch wrote:
    Somebody find the CIA gun smuggling info, please! I have to leave for work soon but I'd love to finally read that one.
    I remember this rumour, and so I went searching for the source. Interestingly enough, the only place I could find any info was on the Craignotbond site. And because I refuse to add a direct link to that childish site, I've copy/pasted the excerpt:

    Turkish News Paper Claims Bond Movie Set Being Used To Smuggle Arms

    April 2, 2012

    File this one under strange next to the tinfoil hats. Besides the idea of Ms Broccoli’s EON Productions cooperating with the CIA on anything like this being extremely unlikely bordering on insane, the activities described sound like average goings on at a movie set.

    A shocking allegation hit Turkish media about the new James Bond movie SKYFALL. IHA news agency reports that Skyfall set is being used to transport arms for Syrian dissidents who are fighting Ashad soldiers. It turns out not the scenario of the movie but itself is absolute spy scene.
    The new Bond movie is currently being shot in Adana province of Turkey, where also the İncirlik air base of the Unatidet State is located. For the Skyfall shooting, main railway line of the city has been shotdown for several days. A local paper of Adana hit the shelves today claiming that shooting of tha Skyfall is a cover up for arm transportation to Syria by CIA. The paper darws attention to the fact that 13 minutes of the movie is being shot here but the star of the movie, Daniel Craig is nowhere to be found. One of the bussiest highway of the city and the railroad has been shot for several days in Adana. The paper says truck loads of stuff is being brought to the movie set and in which no media is allowed. İhlas news agency reminds the detail of the local paper being visited recently by Israel’s ambassador to Turkey, Gabi Levi.

    Thanks ever so much for finding this! My curiosity is now satisfied where this came from and what it basically was about. Pretty funny actually.
  • Posts: 5,994
    Not so much a theory than a misconception:

    "The pre-title scenes have nothing to do with the main plot of the movies"

    Well, way back in the old forum, I proved that the majority of the pre-title scenes had something to do with the plot of the movie, and that the ones that didn't could be counted on the fingers of one hand (GF, TB, FYEO, OP, CR '06).
  • Posts: 15,124
    doubleoego wrote:
    That Dench's M from the Brosnan era is one and the same as her M in the Craig era.

    That depends how you take it. I always thought she was sort of the same, but in another continuity.
  • 0BradyM0Bondfanatic70BradyM0Bondfanatic7 Quantum Floral Arrangements: "We Have Petals Everywhere"
    Posts: 28,694
    This is a great thread, but too many of the posts here have been pointless piece measuring contests. Some of you gentlemen are way too classy to be mixing words with thick-headed ruffians. Just ignore them.

    Back on topic:

    There is a theory that between YOLT and OHMSS Bond has plastic surgery, explaining why Blofeld doesn't recognize Bond when at Piz Gloria and it also plays on Lazenby being a fill-in for Sean. Pretty wacky, but the producers did consider the surgery angle. OHMSS can leave you scratching your head at times, that is for sure.

    I can't really think of that many other crazy theories at the moment. I do have a theory of my own about GF that I like to think about every time I re-watch that film, but it isn't a highly-publicized theory like some of these others we have been discussing because it is just my personal fantasy.

    I will try to think of any more I have heard.
  • Posts: 15,124
    This is a great thread, but too many of the posts here have been pointless piece measuring contests. Some of you gentlemen are way too classy to be mixing words with thick-headed ruffians. Just ignore them.

    Back on topic:

    There is a theory that between YOLT and OHMSS Bond has plastic surgery, explaining why Blofeld doesn't recognize Bond when at Piz Gloria and it also plays on Lazenby being a fill-in for Sean. Pretty wacky, but the producers did consider the surgery angle. OHMSS can leave you scratching your head at times, that is for sure.

    I can't really think of that many other crazy theories at the moment. I do have a theory of my own about GF that I like to think about every time I re-watch that film, but it isn't a highly-publicized theory like some of these others we have been discussing because it is just my personal fantasy.

    I will try to think of any more I have heard.

    I always tried to explain Blofeld not recognizing Bond in OHMSS by coming back to the books and tweak in a bit of retcon in the movies: in the novel YOLT Bond is disguised as a Japanese and Blofeld is not certain he is Bond. So I presume in YOLT the movie Bond had still some of his makeup on. Far from a perfect explanation, but it makes more sense than the codename theory.
  • Samuel001Samuel001 Moderator
    Posts: 13,355
    Gerard wrote:
    Not so much a theory than a misconception:

    "The pre-title scenes have nothing to do with the main plot of the movies"

    Well, way back in the old forum, I proved that the majority of the pre-title scenes had something to do with the plot of the movie, and that the ones that didn't could be counted on the fingers of one hand (GF, TB, FYEO, OP, CR '06).

    For Your Eyes Only and Octopussy don't, the other three link to the rest of the story.
  • DragonpolDragonpol https://thebondologistblog.blogspot.com
    Posts: 18,281
    doubleoego wrote:
    That Dench's M from the Brosnan era is one and the same as her M in the Craig era.

    That's at least debatable, I suppose, though I do see your point very clearly.
  • Posts: 5,994
    Samuel001 wrote:
    Gerard wrote:
    Not so much a theory than a misconception:

    "The pre-title scenes have nothing to do with the main plot of the movies"

    Well, way back in the old forum, I proved that the majority of the pre-title scenes had something to do with the plot of the movie, and that the ones that didn't could be counted on the fingers of one hand (GF, TB, FYEO, OP, CR '06).

    For Your Eyes Only and Octopussy don't, the other three link to the rest of the story.

    Your mileage may vary, but:

    a) The drug shipment Bond destroys in the PTS of GF doesn't have anything to do with his attempts to destroy Goldfinger in the rest of the movie.

    b) Even if Boitard works for SPECTRE, eliminating him doesn't give Bond any clue as to what SPECTRE will do next.

    c) Unless you can prove that the two men Bond Kills at the beginning of CR '06 are in any way linked to le Chiffre's plot, I still say that it's unrelated.
  • Samuel001Samuel001 Moderator
    edited August 2013 Posts: 13,355
    Gerard wrote:
    Samuel001 wrote:
    Gerard wrote:
    Not so much a theory than a misconception:

    "The pre-title scenes have nothing to do with the main plot of the movies"

    Well, way back in the old forum, I proved that the majority of the pre-title scenes had something to do with the plot of the movie, and that the ones that didn't could be counted on the fingers of one hand (GF, TB, FYEO, OP, CR '06).

    For Your Eyes Only and Octopussy don't, the other three link to the rest of the story.

    Your mileage may vary, but:

    a) The drug shipment Bond destroys in the PTS of GF doesn't have anything to do with his attempts to destroy Goldfinger in the rest of the movie.

    b) Even if Boitard works for SPECTRE, eliminating him doesn't give Bond any clue as to what SPECTRE will do next.

    c) Unless you can prove that the two men Bond Kills at the beginning of CR '06 are in any way linked to le Chiffre's plot, I still say that it's unrelated.

    Bond mentions he's on his way to Miami, or someone does. That's where he is after the PTS. Boitard's death ties into what SPECTRE do during the course of the film and is mentioned by Blofeld. Bond's two kills lead to him being promoted.

    For Your Eyes Only and Octopussy are the only two that are "completely unrelated" as you said in your quote. That is what I meant. They are the only two that have nothing to do with the main plot of the movie at all.
  • 002002
    Posts: 581
    Simple James Bond is a timelord with his memory erased by the time lords and exiled to earth with a mind lock on his memories of Gallifrey or his "previous life" though perhaps he does have some sort of method of traveling to diffrent peroids (ill explain that below)

    his background about his parents are fabrications created by the timelords; the memories of Kincade are the results of Indoctrination by the timelords (new memories)
    basically it explains how Bond has changed faces- time travel can explain that the Connery drastically changes from You Only Live Twice to Diamonds are Forever and then to Never Say Never Agian...

    Connery's Bond timeline is From Dr. No- You Only Live Twice (he then departs- which a newer incarnation of Bond- aka Lazenby arrives- if you hear the hints from Moneypenny "still the same James" means that he is indeed diffrent to the Connery Bond- im assuming the british goverment knows about the exterteristial and well yeah

    Now Lazenby's Bond after the events of OHMSS either commits sucide, goes on another adventure which due to time travel- Connery's Bond turns up for The DAF Mission and then afterwards disapears on unseen adventures until 1983's Never Say Never Agian which could be the result of a timeline change or perhaps the events of NSNA happen before Octopussy which explains that the Edward Fox M is replaced with the Robert Brown M and the double O Section is reopened

    Anyway back on track Bond regenerates from Lazenby to Moore who until the events of A View to a Kill where things get sketchy he regenerates into Dalton who after the events of The Living Daylights goes on unseen adventures where The Brosnan bond travels back in time to 1986 where he does the mission in Goldeneye...he completes the mission and then travels forwards 9 years later (which explains how physically unchanged Brosnans Bond is from 1986 to 1995) and in 1989 Dalton's Bond does the Licence to Kill mission and leaves the service only to get reinstated for the unseen Property of a Lady mission in 1993...then after that regenerates into Brosnan

    So Between Goldeneye and Tommorow Never Dies and The World is Not Enough all his missions Brosnan's appearence greatly changes due to offscreen adventures- when we come to Die Another Day he is notiably older than his other adventures within the 7 years (1995-2002) to explain the whole two hearts of a timelord- its possible that he had his heart ripped out- Gallifreyians can substain with one heart (its probarly explained on another adventure) anyway that explains his x-ray in Die Another Day it also explains how is internal organs are unaffected and how Bond coped in Korea for 18 months

    anyway after The Everything or Nothing assignment in 2004 things get sketchy- its possible that Brosnan regnerated into Craig's Bond and lost his memories from Connery- Brosnan, during that time things changed at Mi6 and Judi Dench's M was in charge (note she served a decade at Mi6 by that point)

    anyway M treated Craig's Bond diffrently due to his amnesia and wasnt sure of him until the end of The Casino Royale/Qantum of Solace assignments and after that and unseen adventures (possibily Craig getting his memories back of his past missions which explains how he went from a Rookie to a Veteran in just 3 films) and yeah it concluded with the skyfall mission and The new M Gareth Mallory taking over...

    Yes i know what you are going to say Shouldnt M and Moneypenny and Felix Leiter be timelords too as they changed apperances:

    M's easily change From Benerard Lee's M (who either retires or dies before the events of FYEO) goes to Edward Fox's M (who probarly during a finatial crisis at MI6 or from his attiude gets fired) to Robert Brown's M- Admiral Hargreaves (same character possibly later promoted as M in his future Bond stories) who after the events of Property of a Lady gets succeeded by Judi Dench's M before the events of Goldeneye hence why she is evaulating the new Brosnan Bond

    Moneypenny is obvisously a codename as there are 4 versions of her
    The Lois Maxwell Moneypenny from Dr No to A View to a Kill (who probarly left or got promoted) was then suceded by Caroline Bliss Moneypenny (who probarly either gets Fired by M or leaves replaced by Samantha Bond's Moneypenny who probarly leaves after the events of Die Another Day

    Eve obviously inherits the assistant job from Villers (M's personal assistant in CR) and after the events of Skyfall gets the office job- perhaps Eve's last name of Moneypenny isnt her real name as the pause she gives says that she is the newest MP which Bond gives a look realising the other Moneypennys and then see's her potential as a new moneypenny diffrent from the others (hence due to her background and such including field work)

    * note the Moneypenny in Never Say Never Agian was perhaps a substitute while Lois Moneypenny was either on Leave or something else

    Felix leiter is obviously a codename in the CIA aswell- and that David Hendersons Felix is obviously the same in LTK and LALD, it also explains The Felix Leiter's in both Never Say Never Agian and Casino Royale/Qantum of Solace.

  • Posts: 5,994
    Samuel001 wrote:

    Bond mentions he's on his way to Miami, or someone does. That's where he is after the PTS. Boitard's death ties into what SPECTRE do during the course of the film and is mentioned by Blofeld. Bond's two kills lead to him being promoted.

    For Your Eyes Only and Octopussy are the only two that are "completely unrelated" as you said in your quote. That is what I meant. They are the only two that have nothing to do with the main plot of the movie at all.

    Well, Dr. No's death is mentioned by Kronsteen (or Blofeld) in FRWL, but that doesn't mean that DN is the pre-title sequence for FRWL, or that Bond's mission in DN is in any way related to his mission in FRWL. His execution of Boitard in TB is just that : a mission unrelated to what follows. Same for GF: Bond is just enjoying a bit of R & R in Miami after having put a smuggling operation to a fiery end when the order to get interested in Goldfinger arrives. And his two kills in CR are unrelated to what happen after that. It's just the visual equivalent to the converzsation with Vesper in the novel, where he explains how he got his double 0. I stand my case, but you can feel free to disagree.

    On the other hand, one theory that appeared here was that M was either Bond's or Silva's mother. Totally debunked, of course. If M was Bond's mother, Kincade would have recognized her, and she would have known about the priest hole.
  • Posts: 15,124
    Gerard wrote:
    Samuel001 wrote:
    On the other hand, one theory that appeared here was that M was either Bond's or Silva's mother. Totally debunked, of course. If M was Bond's mother, Kincade would have recognized her, and she would have known about the priest hole.

    And it is a ridiculous theory at the face of it. I remember especially M being Silva's mother, simply because he mentions her as "mummy". But that he feels like a prodigal son to her is of course completely his assumption. That some people even believed he was speaking literally is baffling. Actually, that is also pretty close to the codename theory, come to think of it.
  • Samuel001Samuel001 Moderator
    Posts: 13,355
    Gerard wrote:
    Samuel001 wrote:

    Bond mentions he's on his way to Miami, or someone does. That's where he is after the PTS. Boitard's death ties into what SPECTRE do during the course of the film and is mentioned by Blofeld. Bond's two kills lead to him being promoted.

    For Your Eyes Only and Octopussy are the only two that are "completely unrelated" as you said in your quote. That is what I meant. They are the only two that have nothing to do with the main plot of the movie at all.

    Well, Dr. No's death is mentioned by Kronsteen (or Blofeld) in FRWL, but that doesn't mean that DN is the pre-title sequence for FRWL, or that Bond's mission in DN is in any way related to his mission in FRWL. His execution of Boitard in TB is just that : a mission unrelated to what follows. Same for GF: Bond is just enjoying a bit of R & R in Miami after having put a smuggling operation to a fiery end when the order to get interested in Goldfinger arrives. And his two kills in CR are unrelated to what happen after that. It's just the visual equivalent to the converzsation with Vesper in the novel, where he explains how he got his double 0. I stand my case, but you can feel free to disagree.

    They have a connection. That is all I'm saying and I'm sure countless others would agree.
  • [quote="0BradyM0Bondfanatic7"I can't really think of that many other crazy theories at the moment. I do have a theory of my own about GF that I like to think about every time I re-watch that film, but it isn't a highly-publicized theory like some of these others we have been discussing because it is just my personal fantasy.
    [/quote]

    I'm interested. It can't be any sillier than the rest of these theories.

    And the PTS of Tomorrow Never Dies isn't much more connected to its main plot than Goldfinger's, Thunderball's, or Casino Royale's. Gupta's in it, but that's about it. Not much different from getting Bond to Miami or showing him become a 00.

  • edited August 2013 Posts: 6,396
    Samuel001 wrote:
    Gerard wrote:
    Samuel001 wrote:
    Gerard wrote:
    Not so much a theory than a misconception:

    "The pre-title scenes have nothing to do with the main plot of the movies"

    Well, way back in the old forum, I proved that the majority of the pre-title scenes had something to do with the plot of the movie, and that the ones that didn't could be counted on the fingers of one hand (GF, TB, FYEO, OP, CR '06).

    For Your Eyes Only and Octopussy don't, the other three link to the rest of the story.

    Your mileage may vary, but:

    a) The drug shipment Bond destroys in the PTS of GF doesn't have anything to do with his attempts to destroy Goldfinger in the rest of the movie.

    b) Even if Boitard works for SPECTRE, eliminating him doesn't give Bond any clue as to what SPECTRE will do next.

    c) Unless you can prove that the two men Bond Kills at the beginning of CR '06 are in any way linked to le Chiffre's plot, I still say that it's unrelated.

    Bond mentions he's on his way to Miami, or someone does. That's where he is after the PTS. Boitard's death ties into what SPECTRE do during the course of the film and is mentioned by Blofeld. Bond's two kills lead to him being promoted.

    For Your Eyes Only and Octopussy are the only two that are "completely unrelated" as you said in your quote. That is what I meant. They are the only two that have nothing to do with the main plot of the movie at all.

    I'm sorry but I also couldn't disagree with you more on this. Neither GF or TB's PTS have anything to do with the main plot whatsoever. To say that because it is mentioned in GF that "there is a plane waiting to take you to Miami" is a plot thread is stretching it thin to say the least!

    And sure, Bouvar is spoken of by Blofeld in TB when Largo first enters the room, but this:

    "I regret to inform you all of the death of Spectre No. 6. Colonel Jacques Bouvar was killed by an unknown assassin. His services will be greatly missed". does not constitute is any way as plot exposition.

    Had Largo's plan to steal the two atomic bombs been a form of payback for the death of Bouvar, then yes it would be intrinsically linked to the plot.

    As for CR, it is an important moment in Bond's character arc but it in no way contributes towards the central story.
  • Samuel001Samuel001 Moderator
    edited August 2013 Posts: 13,355
    So you'd argue there is no connection, none whatsoever like Octopussy? They have nothing to do with the rest of the film?

    There is a link, no matter how big or small between the two but believe what you want, there's fine by me. Which other PTS are not connectioned to the rest of the film for you @WillyGalore?
  • Posts: 6,396
    Samuel001 wrote:
    So you'd argue there is no connection, none whatsoever like Octopussy?

    There is a link, no matter how big or small between the two but believe what you want, there's fine by me. Which other PTS are not connectioned to the rest of the film for you @WillyGalore?

    Yes there could very well be a link, but I would most certainly argue that there is no connection of what happens in the PTS to the plot of those movies, which was the basis for your original discussion.
  • Samuel001Samuel001 Moderator
    edited August 2013 Posts: 13,355
    I suppose you could also add From Russia With Love to that list too, then. It is just a random training scene for Grant. You could miss it like the rest of those menioned and still know what's going on. Many have a slight or not very long-lasting impact on the films but I suppose that is the point.
  • Posts: 6,396
    Samuel001 wrote:
    I suppose you could also add From Russia With Love to that list too, then. It is just a random training scene for Grant. You could miss it like the rest of those menioned and still know what's going on. Many have a slight or not very long-lasting impact on the films but I suppose that is the point.

    Yes quite possibly, it does introduce a major character at Grant's watch is a minor plot point, which is brought back into play later on in the movie in his fight with Bond but it's a sequence that adds nothing in terms of main plotting.

    Even DAF and TND have a little connection to the plot and wouldn't really be missed if they didn't make it into the film.

    It is interesting to see how the PTS have evolved over the years. They started off with the intention of being a "five minute film within-a-film" to whet the audiences' appetite for things to come over the next couple of hours.

    They are mostly written with the intention of driving the narrative forward these days.
  • Samuel001Samuel001 Moderator
    Posts: 13,355
    Quite. We will never get another Octopussy which despite being very well done and entertaining is no doubt seen as a waste of five minutes today.
  • Samuel001 wrote:
    I suppose you could also add From Russia With Love to that list too, then. It is just a random training scene for Grant. You could miss it like the rest of those menioned and still know what's going on. Many have a slight or not very long-lasting impact on the films but I suppose that is the point.

    Yes quite possibly, it does introduce a major character at Grant's watch is a minor plot point, which is brought back into play later on in the movie in his fight with Bond but it's a sequence that adds nothing in terms of main plotting.

    Even DAF and TND have a little connection to the plot and wouldn't really be missed if they didn't make it into the film.

    It is interesting to see how the PTS have evolved over the years. They started off with the intention of being a "five minute film within-a-film" to whet the audiences' appetite for things to come over the next couple of hours.

    They are mostly written with the intention of driving the narrative forward these days.

    It's been said that The Spy Who Loved Me was the movie that was the most responsible for this change. It was probably the most plot-heavy PTS to that point and ended with a huge stunt, without telling a story the way that, say, Goldfinger's did.

    All the same, he best (The Spy Who Loved Me, GoldenEye, Casino Royale) are able to do both, which is quite an admirable feat.
  • edited August 2013 Posts: 6,396

    It's been said that The Spy Who Loved Me was the movie that was the most responsible for this change. It was probably the most plot-heavy PTS to that point and ended with a huge stunt, without telling a story the way that, say, Goldfinger's did.

    All the same, he best (The Spy Who Loved Me, GoldenEye, Casino Royale) are able to do both, which is quite an admirable feat.

    It's really interesting you say TSWLM because apart from being my favourite PTS of all time with arguably features The Greatest Stunt In Movie History, it is a PTS split in two parts. The first part (British & Russian submarines go missing) is the set up of the plot and the second (Bond & Sergei's conflicting missions in Austria) is the set up to the sub-plot, which is Anya's quest to avenge her lover's murder.
  • DragonpolDragonpol https://thebondologistblog.blogspot.com
    Posts: 18,281

    It's been said that The Spy Who Loved Me was the movie that was the most responsible for this change. It was probably the most plot-heavy PTS to that point and ended with a huge stunt, without telling a story the way that, say, Goldfinger's did.

    All the same, he best (The Spy Who Loved Me, GoldenEye, Casino Royale) are able to do both, which is quite an admirable feat.

    It's really interesting you say TSWLM because apart from being my favourite PTS of all time with arguably features The Greatest Stunt In Movie History, it is a PTS split in two parts. The first part (British & Russian submarines go missing) is the set up of the plot and the second (Bond & Sergei's conflicting missions in Austria) is the set up to the sub-plot, which is Anya's quest to avenge her lover's murder.

    Yes, I'd not thought of it that way before, but you are right. This is what separates TSWLM from YOLT - the love story and the sub-plot adds more drama to avoid it being an all-out action-fest devoid of any interest in characterisation and character development.
  • Posts: 6,396
    Dragonpol wrote:

    It's been said that The Spy Who Loved Me was the movie that was the most responsible for this change. It was probably the most plot-heavy PTS to that point and ended with a huge stunt, without telling a story the way that, say, Goldfinger's did.

    All the same, he best (The Spy Who Loved Me, GoldenEye, Casino Royale) are able to do both, which is quite an admirable feat.

    It's really interesting you say TSWLM because apart from being my favourite PTS of all time with arguably features The Greatest Stunt In Movie History, it is a PTS split in two parts. The first part (British & Russian submarines go missing) is the set up of the plot and the second (Bond & Sergei's conflicting missions in Austria) is the set up to the sub-plot, which is Anya's quest to avenge her lover's murder.

    Yes, I'd not thought of it that way before, but you are right. This is what separates TSWLM from YOLT - the love story and the sub-plot adds more drama to avoid it being an all-out action-fest devoid of any interest in characterisation and character development.

    Yes it's one of the greatest criticisms of TSWLM that it's plot is a near carbon copy of YOLT, which is hard to disagree with. The main difference though is that I consider TSWLM to me the much more entertaining and better made film overall. The sub plot mentioned gives the film another layer and at least Moore gives a performance that shows he's at the top of his game, whilst Connery in YOLT clearly had enough of Bond by that point.
  • DragonpolDragonpol https://thebondologistblog.blogspot.com
    Posts: 18,281
    Dragonpol wrote:

    It's been said that The Spy Who Loved Me was the movie that was the most responsible for this change. It was probably the most plot-heavy PTS to that point and ended with a huge stunt, without telling a story the way that, say, Goldfinger's did.

    All the same, he best (The Spy Who Loved Me, GoldenEye, Casino Royale) are able to do both, which is quite an admirable feat.

    It's really interesting you say TSWLM because apart from being my favourite PTS of all time with arguably features The Greatest Stunt In Movie History, it is a PTS split in two parts. The first part (British & Russian submarines go missing) is the set up of the plot and the second (Bond & Sergei's conflicting missions in Austria) is the set up to the sub-plot, which is Anya's quest to avenge her lover's murder.

    Yes, I'd not thought of it that way before, but you are right. This is what separates TSWLM from YOLT - the love story and the sub-plot adds more drama to avoid it being an all-out action-fest devoid of any interest in characterisation and character development.

    Yes it's one of the greatest criticisms of TSWLM that it's plot is a near carbon copy of YOLT, which is hard to disagree with. The main difference though is that I consider TSWLM to me the much more entertaining and better made film overall. The sub plot mentioned gives the film another layer and at least Moore gives a performance that shows he's at the top of his game, whilst Connery in YOLT clearly had enough of Bond by that point.

    Agreed very much there, Herr Galore! :) TSWLM is indeed a much better film than YOLT, as are most of the Bond films. We agree on most of the bottom Bond films. I recall your saying in a PM.

    I have a few off-beat things to say regarding TSWLM on my blog at some point. You may find them interesting.
  • As far as Bond films having unrelated PTS, Goldfinger's surely had nothing to do with the main plot. But it was an unbelievably cool way to introduce the "superspy". FYEO, OP, and CR were also unrelated, DN never had one of course, and TB's is marginal at best and not at all if Col. Bouvar isn't later mentioned by Blofeld. Otherwise there's mostly been ties in some way to what was to come.
  • edited August 2013 Posts: 135
    As far as Bond films having unrelated PTS, Goldfinger's surely had nothing to do with the main plot. But it was an unbelievably cool way to introduce the "superspy". FYEO, OP, and CR were also unrelated, DN never had one of course, and TB's is marginal at best and not at all if Col. Bouvar isn't later mentioned by Blofeld. Otherwise there's mostly been ties in some way to what was to come.
    I agree, although all that is debatable.
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