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Comments
Of course, that might just be an urban legend.
As far as Sean Connery inspiring Bond's Scottish heritage, it has now been disproved as Fleming's reference notes make it clear he had worked on this notion long before Sean arrived on the scene, and considering Fleming's own thoroughly Scottish background this is hardly surprising.
Watching it recently however, I've really come to appreciate it for its simplicity of Bond basically being a detective, but set in a time when the world of espionage and MI6 was at it's most interesting.
Fleming hob-knobbed with an upper class crowd. He desperately wanted to strike it rich with Bond and combine substantial wealth with his upper-crust status and novelist celebrity. That's what I read in my various Fleming bios.
Fleming's personal thoughts aside, DN has always been one of my most favored films of the series. One of the main reasons that I have always preferred DN to much of the series is because it is a tough little thriller, perhaps lacking the Hollywood polish of GF and the grand, sweeping feel of YOLT or TSWLM but very rich with character, attitude, and style and containing a rough edge and feel that is more in-tune with the hardboiled detective genre (Bogart could have felt at home in the film). Very few other 007 films in the series can even be compared to it.
Nonetheless, I agree that DN is one of the best films in the series.
David Niven did a Bond spoof and we all know how far that got off the ground. I don't think between 1962-1967 Niven aged that much. But I do not see Bond in him. Maybe Fleming was drunk when he suggested David Niven?:)
I think he was mates with Niven and thought he'd be right for the part. Shows how Fleming's own image of the character differed. He obviously wanted his Bond a bit older.
Amusing thought. Niven and Coward in Dr.No.