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Comments
You clearly never had the Queen walk past you to talk to Orson Welles instead. What a trauma that must have been.
I would go so far as to say Woody Allen is probably the best thing about that movie to be honest.
CR67 is a labour of confusion.
NSNA is a labour of hatred.
1 NSNA
2 CR54
3 CR 67
Woody Allen is a midget comedian in the film who didn't take himself too seriously. Sellers was just awful and pretending to be something he could never pull off.
I think it's fair to say neither of them are exactly normal guys.
"'He causes pain to everyone who gets close to him ... Even when you're the victim of his outrageous behaviour, his selfishness, or one of his tantrums, you always found yourself smiling about it afterwards, even if you had to do it through gritted tears".
—Spike Milligan on Peter Sellers
He sounds like a twat.
But Fleming himself was creepier than that at times. From the description of Goldfinger's (ahem) proclivities to Rosa Klebb trying (and failing) to seduce Tatiana Romanova, to Milton Krest's stingray tail, his novels are full of moments like these.
Peter also appears to have some narcissistic features.
Britt says she thought was mental in an interview: “I think today we would say he was bipolar, although that word is bandied about so often. He had mental problems and he should have been on therapy. If I’d met him today I would know so much more, but I didn’t. I had no experience of that sort of life but I learnt very quickly.”
Fleming made much more of it in the FRWL novel of course but I suppose that was as far as they could go in a 1963 film!
I swear that Silva was about to kiss M in their last confrontation together, in the church.