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Comments
Oh come on.. it is a testimony to how much European countries helped their movie industries that some producers managed to benefit from tax cuts and funds by creating French-Italian-Spanish-Austrian-.... co-productions with zero artistic merit, but that could give work to some technicians and studios, and well, fill some late night TV spots for the quotas,and then in the end, earn (very) little money, mostly thanks to the (very) little budget.
"If you like James Bond".. go and watch this trailer :
http://www.dailymotion.com/video/x8vyxi_panther-squad-trailer_shortfilms
The name of the studio creating this useless movie was Eurocine.
Of course co-productions could be use to obtain big budgets for real movies too, but then no one would call "Le Cerveau" (David Niven, Bourvil, Eli Wallach, Jean-Paul Belmondo) Eurotrash I think.
Thunderball had the huge publicity of a real-life event : two weeks after its opening, the US Army lost a H Bomb in the ocean (the Palomares incident). It was unrecovered for two months. Incredible promotion for the movie. All these things are forgotten when people look at the "success" of movies only with Excel sheets full of figures. There's a French hit song which is a diary of 1966 which has a line about this incident and the movie :)
Yes, that's true. I've read articles about the US military losing an H-bomb, at the time around TB's release.
Bloody careless, if you ask me to lose an H-bomb. :-O
I hope not, it's one of my favourite movies. :D
Nevertheless, point taken. I won't be offended next time. @TheWizardOfIce ;)
Perfect response, @Wizard.
I've read elsewhere that Cubby deliberately tried to find actors that weren't as expensive.
One thing I love about the Craig era is that his films have attracted stronger actors than ever before. It's become a calling card for an actor to be in a Bond film in a way it wasn't before.
There are some superb moments in TB, but as a whole it falls short of its three predecessors. It's a film I watched a lot as kid, but when I say a lot, I mean I had it on in the background a lot. It's that kind of film to me. It's got a score that carries you along and some wonderful scenes, but is brought down by some turgid and elongated passages. Everyone is functioning at their highest level, Connery, Young, Barry, Adam etc, but as we've come to realise, sometimes the best of the canon occur when things go (sometimes inadvertently) off piste.