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Comments
http://www.mi6-hq.com/sections/articles/collecting_james_bond_theme_jubilee.php3?t=&s=&id=03185
Keep it simple, keep it classy, don't over-do it. Those are the secrets, in my opinion, to a good arrangement of the Bond-theme. I will not be spending my money on this one.
well ?? it's an appallingly unoriginal version of the Bond theme. Arnold has been putting his Vic Flick guitar everywhere. He has failed to do the most important thing of all with the Bond theme in 2006.
OK, I'll bite. What should Arnold done to the theme in 2006?
Each Bond had his signature Bond theme. Connery with guitars, Lazenby with synths, Moore with strings, and Dalton with electronic beat. Serra continued that trend with giving a unique Bond theme with drums for Brosnan. But what has Arnold done ? Guitars, guitars and guitars. He has factually failed to give Craig his signature Bond theme, since he only gave him the Vic Flick guitar already used in TWINE.
No matter how much you love Arnold, you have to admit he is a hack at versality, and completly failed in the Bond theme department. There are hundreds of existing arguments, how hard could it have been for Arnold to pick only *one* of them instead of the already used Vic Flick guitar ? As it stands, the CR end credits Bond theme is a catastrophe, an infamy.
I guarantee you'll get something unique with Newman. That theme will forever be Craig's, whether or not it continues.
I hope so. I don't want Craig's era ruined by Arnold's appalling music, and his hack status at versatility.
I mean really, surely it wouldn't have killed Arnold to come up with another instrument than the Vic Flick guitar ? Is he such a hack and an incompetent composer he can only compose the Bond theme for the guitar ?
He seems rather naive when it comes to Bond. I don't feel like he's ever been a fan of the films, and he only got the job for creating a hack CD of rehashed, electronic classics. While my favorite work of him has been on Craig's era, I don't think he knows the Bond sound, and frankly hasn't tried to create it/one. He pales in comparison to all other composers.
At least Serra brought something new, and would have created EXTREMELY unique sounds.
Excuse me? Are you that eager for a fight. I said, and I quote, 'Serra would have created EXTREMELY unique sounds.'
Does that sound like I said they'd all be like GE? Why have the mods allowed you to stay on these boards. Your just insulting.
I wasn't talking about you. I was saying 'you' as in 'anyone'. Basicly I said 'if anyone believes Serra would have re-done a GE-esque soundtrack for TND, he's a bit daft.'
I didn't mean *YOU* were the daft person, I was saying 'you' in a general sense. I thought of that sentence in french, and translated it litteraly in english.... I see now that it wasn't proper english. Sorry if you were offended, I wasn't saying *you* were daft, but *anyone* who thought Serra would do a GE #2 was daft.
''Serra would have created EXTREMELY unique sounds.'' that's what you said. A very simply sentence to understand... what makes you think I would insult you for the saying the very opposite of that sentence ? I would be the daft one if I didn't unserstand your post. But I did understand your post, and I wasn't calling you daft, @JWESTBROOK.
I must be daft then because I have no faith that Serra would have composed a better score for TND. It might have been "different" but so was GE... as in awfully different to the canon.