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Comments
I've watched Golden Gun more than most, and seen it so many times I couldn't even say, but it's odd I've never seen that before, and will be eager to pay extra attention at a next viewing. I think you concentrate so much on Moore and (Clifton) James, during the sequence in question, anything else that occurs, just goes by the wayside, but will keep an eye out in a next viewing
You are absolutely right, but there is another mystery at the end of OHMSS, the policeman. He doesn't say a word and I would like somebody to identify that uniform, because it looks nothing like Portuguese police or guard, then or now.
interesting you should bring that up here! when I was younger I wanted to write a short story tying ohmss and DAF together. I was, however, at that time still a fan of goofy OTT Bond, and turned the policeman into sherrif Pepper!
Thanks for the comments and ideas for possible mysteries - it's good to talk as Bob Hoskins was often paid to say.
Re use of the word 'kiddies'. It's a term of endearment in the UK albeit somewhat Victorian. I don't care if it reminds anyone of anything, it's a word in the English language and I'm gonna use it. (Unlike 'lol', yet that's accepted.) Chill out! :)
There's a thin line between film convenience, continuity error and genuinely unexplained moments. I think the driving on the left is just convenience. They shut the road off to film the sequence, the British and Australian actors get it, they naturally drive on the left. Doesn't really bother the story. I'm sure they'd have been stopped by the police eventually!
[As a side note: Continuity is the same, I let it go if someone's hair looks different shot by shot or if their hand is up on one angle and down on the other. As a filmmaker myself, to people who are even more pedantic than I am and get flustered (or make BBC3 TV shows) concerning continuity errors, my usual reply is "well you try and do it, then." Things go wrong when you film stuff. They just do. Scenes are shot months apart in different continents! We should just accept it. Camera shadows, boom mic in shot etc - I just say "think you can do better? Knock yourself out!"]
But it's nice to get feedback to these things, it often feels like I'm releasing them into a vacuum like a fart in space. So thanks!