To be specific here I am referring to what one might call the fakery of the occult present at times in Live and Let Die (1973). By this I mean those scenes in the film where instead of the occult being used naturally as if it exists for real (e.g. Solitaire using ESP and reading the tarot cards and telling of Bond's arrival etc., Baron Samedi's return from the dead at the end) there is the use of fakery of the occult.
For example, the scarecrows with built-in surveillance cameras and guns (one of which is used to kill Rosie Carver) and most especially the robotic version of Baron Samedi that rises out of the ground (rather like the Devil) only for Bond to fire his revolver at it and blow its head off. We see that instead of Baron Samedi rising from the ground in an occult manner he is actually on a lift that brings him to the surface from Dr Kananga's underground base. It's always struck me as a very weird and unexplained moment from the film.
What I'm left wondering is was the writer/director trying to suggest that the occult is real or the occult is fake and used to keep the superstitious and devout Voodoo natives of the islands of San Monique in check through "the voodoo threat of Baron Samedi" as in the original Bond novel with Mr Big as the villain? Was this a White Man casting doubt on the real power of Voodoo as a religion and practice or that Kananga added to the natural power of Voodoo with a little occult fakery of his own just for good measure?
I'd love to hear your thoughts on this one, as always! :)
Comments
His relationship with Solitaire is stranger since it indicates he actually has some belief in her "abilities" as well. LALD is rather unique in this respect in that it shows the cynical use of religion to control people but doesn't entirely discredit Solitarie's supposed psychic powers.
Yep. This was the case in the novel and the film. Plus Bond films to a certain degree are grounded in reality and the occult is quite frankly bollocks (and isn't).
Actually, in some parts of Haiti, it is serious stuff.
I think this is something where there was a hint of reality. I've reads accounts where behind closed doors this kinda stuff is taken way more seriously and I'm sure Fleming probably was aware of such things especially back then. "PSIINT" as it's called is real, the whole "men who stare at goats" kinda thing. Solitaire would be considered a remote viewer. Whether it really works or exactly how doesn't matter as long as they produce results.
I've read the book Psi-Spies by Jim Marrs, it's an interesting subject and apparently at one point it was taken seriously. There's some other stuff I've heard first hand from a friend, someone in US Army Intelligence but I don't know if I was supposed to be told but there are remote viewers still in use. I'm not saying this "psychic stuff" is true but it's a real thing. It's interesting and I'm glad Fleming touched on it in LALD.
This.
Plus, Bond films were always a playground for techno gadgets.
Plus, wouldn't the distributors have had trouble in the 70s to sell a film with occult stuff depicted as real to kids, who I presume were already then a big part of the target audience? Especially from DAF on the direction was more camp than anything else. Realistic occult didn't really fit with that concept.
Speaking of the movie, Jane Seymour will be the star of an episode of "Who Do You Think You Are" this year. I won't miss it.
It may well be in less educated cultures. I do fine the occult interesting, but taking it as real in Bond is a no no.
I too, am intrigued by Voodoo, mainly due to Fleming's writing. When he's going on about Voodoo in that extended passage, one can feel a sense of uneasiness, both you as a reader, and Bond as a reader. It's almost palpable.
I don't think that was the intention old boy. LALD isn't too deep of a movie to suggest something like that.
Incidentally, I had a dream about Spectre, in which the film what all supernatural on our asses, kinda like LALD, but more weirder and more extreme. As I watched the movie, it devolved into a supernatural freak feast, and I realised that I was not enjoying Spectre. A premonition, maybe? Hopefully that will not be the case later this year.