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Comments
You know, having just two centered columns crawling over the screen, one with the crew listing and the other one with the names.
Since GoldenEye they had been arranged differently, like in groups of centered paragraphs, if that makes any sense.
That is awesome! :D
Yeah, here it's about 15 seconds of the song over the film before the title sequence kicks in. Not to mention a rather lovely segue cue from Newman.
that duration is exactly the intro/teaser of the song.
I actually think the song is superb in the context of the film
a nod to
Watched it again last night - and I have to say (IMHO) that song still stinks! Would really have preferred an OHMSS-type instrumental.
And even though I think Kleinman does his finest work for SP, again I didn't like the shots of Daniel with his shirt off and babes on either side! Kind of a Doc Savage/Garth vibe, and it didn't fit in with the rest of this superb sequence.
Oh, I must mention one other good thing about MK12, I loved their insert titles for the various locations, Italy, London, Porto Prince. Compared to SP rather dull typefaces for Rome, Austria etc.!
http://www.forbes.com/sites/ianmorris/2015/10/30/james-bond-spectre-behind-the-scenes-of-the-famous-007-title-sequences/
Update:
2 More interviews from Kleinman:
http://www.thevideomode.com/news/daniel-kleinman-the-man-behind-the-james-bond-opening-credits-1598/
http://lbbonline.com/news/danny-kleinman-and-the-james-bond-spectre-cal/
all but QoS.
It's a little off, i'd rather had the screen cut to black instead of freezing the image, and bond should have said something snappier.
But the transition from the TS to the rest of the movie is quite good imo, I love that shot.
The titles are the best of the Craig era.
Perhaps it's my mistake then, I was new to Bond fandom in 2004 and mostly spent the time between 2005-2008 warding off trolls on IMDb. Didn't join here until later. IMDb and MI6 are two vastly different beasts in that regard. I also distinctly remember Brosnan's Bond being well received when I got into Bond (especially TWINE, which has considerably dropped in pedigree throughout the years).
The visuals are clearly the best ever, Sam Smith's WOTW is working 100%.
I hope all the critics of Sam Smith's WOTW choke on their harsh words when seeing the title sequence.