No Time To Die: Production Diary

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Comments

  • edited December 2017 Posts: 4,619
    Dennison wrote: »
    Yeah TLJ is a worse Star Wars Film than SF or SP are Bond films

    TLJ is awesome - die hard fans (I'm not one) are disappointed because they've spent the last two years pontificating on the internet, creating a mass sense of expectation of what they were expecting to see - leading to inevitable disappointment - perhaps there's a lesson there for us as we await Bond 25.

    Inevitable? Why did the mass sense of expectation preceding The Force Awakens not leave to disappointment then?
    Tuck91 wrote: »
    Bond 25 will be on par with Skyfall but wont fall into Casino Royale critical acclaim IMO. its hard to close out with a critically acclaimed final installment.
    Well, if Bond 25 will be on par with Skyfall then it WILL fall into Casino Royale critical acclaim.
    http://www.metacritic.com/movie/casino-royale
    http://www.metacritic.com/movie/skyfall
  • Mendes4LyfeMendes4Lyfe The long road ahead
    Posts: 8,440
    While a good choice, even Villeneuve cannot save Bond 25.
    No matter who will end up directing Bond 25, it's pretty much guaranteed the movie will be better than both QOS and SP.

    Actually the opposite is true
    Dennison wrote: »
    Yeah TLJ is a worse Star Wars Film than SF or SP are Bond films

    TLJ is awesome - die hard fans (I'm not one) are disappointed because they've spent the last two years pontificating on the internet, creating a mass sense of expectation of what they were expecting to see - leading to inevitable disappointment - perhaps there's a lesson there for us as we await Bond 25.

    Inevitable? Why did the mass sense of expectation preceding The Force Awakens not leave to disappointment then?

    It did.
  • Bounine wrote: »
    If they bring Spectre back, I can’t see why they can’t reveal the real Blofeld, in shadow, at the end of the film and introduce dialogue stating that the other chap was just a smoke screen and even subtly allude to the fact that Waltz’s character was a psychopathic liar, in reference to the stupid backstory we were fed in Spectre.

    Yes please! Anything along those lines. I would take almost any idea that erases brothergate.
  • ClarkDevlinClarkDevlin Martinis, Girls and Guns
    Posts: 15,423
    Bounine wrote: »
    If they bring Spectre back, I can’t see why they can’t reveal the real Blofeld, in shadow, at the end of the film and introduce dialogue stating that the other chap was just a smoke screen and even subtly allude to the fact that Waltz’s character was a psychopathic liar, in reference to the stupid backstory we were fed in Spectre.

    Yes please! Anything along those lines. I would take almost any idea that erases brothergate.
    Better make that two!
  • edited December 2017 Posts: 4,619
    Dennison wrote: »
    Yeah TLJ is a worse Star Wars Film than SF or SP are Bond films

    TLJ is awesome - die hard fans (I'm not one) are disappointed because they've spent the last two years pontificating on the internet, creating a mass sense of expectation of what they were expecting to see - leading to inevitable disappointment - perhaps there's a lesson there for us as we await Bond 25.

    Inevitable? Why did the mass sense of expectation preceding The Force Awakens not leave to disappointment then?

    It did.

    It did not. Compare how viewers generally reacted to TFA to how viewers reacted to TLJ.

  • edited December 2017 Posts: 5,767
    Bounine wrote: »
    If they bring Spectre back, I can’t see why they can’t reveal the real Blofeld, in shadow, at the end of the film and introduce dialogue stating that the other chap was just a smoke screen and even subtly allude to the fact that Waltz’s character was a psychopathic liar, in reference to the stupid backstory we were fed in Spectre.
    Smells like bad retconning all over again. What´s wrong with just forgetting SP?

  • bondjamesbondjames You were expecting someone else?
    Posts: 23,883
    @Bounine , a few members have suggested this idea before. The issue then is why would Oberhauser have made such a big deal of being Blofeld to Bond? It doesn't make any sense because the name meant nothing to Bond - he knew him only as Oberhauser. Unless Franz likes to play act as the head honcho for fun.

    Also, what about Q's idiotic computer analysis of the ring which connects everybody. That still exists.
  • peterpeter Toronto
    Posts: 9,511
    I'd bet SPECTRE has little to nothing to do with 25.
  • bondjames wrote: »
    @Bounine , a few members have suggested this idea before. The issue then is why would Oberhauser have made such a big deal of being Blofeld to Bond? It doesn't make any sense because the name meant nothing to Bond - he knew him only as Oberhauser. Unless Franz likes to play act as the head honcho for fun.

    Also, what about Q's idiotic computer analysis of the ring which connects everybody. That still exists.

    Ah, here we go again. Every time we dig into SP in any depth I get frustrated with how that film turned out. Partially because of the film itself (it had the potential, I think, to be so much better than it was), but also because of the way in which it has painted EON into a corner and made things more difficult for future films.

  • Posts: 3,333
    Dennison wrote: »
    Yeah TLJ is a worse Star Wars Film than SF or SP are Bond films

    TLJ is awesome - die hard fans (I'm not one) are disappointed because they've spent the last two years pontificating on the internet, creating a mass sense of expectation of what they were expecting to see - leading to inevitable disappointment - perhaps there's a lesson there for us as we await Bond 25.
    I'm not really sure what constitutes a "die-hard fan"? Is it someone that sleeps in Star Wars themed bed linen, has a Wookie tattoo on their jacksie and has also named their firstborn after a character from the movie? I have a few collectables from the original movie, such as the original lobby theatre posters (worth quite a bit of dough now), autographs, cinema programmes, etc. Why can't people just be straightforward fans without there being the need to add further superlatives to create sub-divisions? I'd call myself a fan of the original SW movies and I also happen to appreciate the prequels for what they are. And to be honest, I haven't given the sequel to Force Awakens one second thought since watching it... and yet, I still have expectations when settling down to watch the next instalment. That is only natural. If they're not met, that hasn't got anything to do with my own expectations, but more to do with the story, direction and casting; the main ingredients that determine whether I think a movie is good or not. If we're going to subdivide the fanbase then I think there's a better distinction that can be made: those that like the new Disney juggernaut and those that don't.

    It does seem that those that liked TLJ are having to make excuses for those that didn't. Personally, I think it's marvellous that you enjoyed TLJ. Good for you. You're a movie studio's dream: someone that is easily pleased by whatever they decide to serve up. Without wanting to sound too cocky, I'm afraid it takes more than simply hearing John Williams musical cues, and watching super-fast spaceships and explosions to satisfy me. For the record, I'm with Mark Hamill on this particular movie. I think it's refreshing to hear an actor talk out against a movie that he's supposed to be promoting. Though I'm sure the Disney fans have already got an excuse ready for why he's dissatisfied with the movie. It's only to be expected.

    With regards to Bond 25, I have expectations there too. But I haven't gone so far as pontificate on what that story might be yet. That's not my role, nor my job. But if the story turns out to be a rehash of a previous Bond, or a poorly told story and the acting unsatisfactory, then it's my prerogative to say so.
  • doubleoegodoubleoego #LightWork
    Posts: 11,139
    bondjames wrote: »
    His favourite films are “Goldfinger,” “Thunderball,” “The Spy Who Loved Me,” and “Casino Royale” by the way, and the first one he saw was "The Man With The Golden Gun". Very encouraging as far as I'm concerned.

    Incredibly encouraging. His favourites are event, game changers within the film series. His instincts on the sort of Bond film he can craft appear to be trustworthy.
  • doubleoegodoubleoego #LightWork
    edited December 2017 Posts: 11,139
    bondjames wrote: »
    @Bounine , a few members have suggested this idea before. The issue then is why would Oberhauser have made such a big deal of being Blofeld to Bond? It doesn't make any sense because the name meant nothing to Bond - he knew him only as Oberhauser. Unless Franz likes to play act as the head honcho for fun.

    Also, what about Q's idiotic computer analysis of the ring which connects everybody. That still exists.

    I read a few people suggesting Oberhauser could have pulled an, "I am Spartacus" type stunt. The Blofeld name reveal meant nothing to Bond in SP but if Bond comes across a big bad that uses the name Blofeld again, the name will have meaning and carry a lot more weight assuming the gravity of the plot is juicy enough. Kind of like thecwhite Ra's Al Ghul and "I am Neegan" shtick. I can see this working only if the writing's handled with exceptional finesse.
  • Posts: 5,767
    Forster said he wasn´t a Bond fan, yet he made a much better Bond film than self-claimed Bond fan Mendes. I believe Villeneuve his fanboy enthusiasm, but I doubt that he would produce anything to my liking.
  • WalecsWalecs On Her Majesty's Secret Service
    Posts: 3,157
    boldfinger wrote: »
    Forster said he wasn´t a Bond fan, yet he made a much better Bond film than self-claimed Bond fan Mendes. I believe Villeneuve his fanboy enthusiasm, but I doubt that he would produce anything to my liking.

    100% agreed
  • Posts: 1,680
    The Last Jedi was pretentious in its own unique way, I had a feeling Johnson wouldnt deliver. He butchered Lukes character & there were a lot of cartoonish things about the film. The Force Awakens was a better more well constructed film, good thing JJ is doing the next one.
  • mattjoesmattjoes Pay more attention to your chef
    Posts: 7,057
    bondjames wrote: »
    @mattjoes, re: the DB5, I think there are two elements to it in SF. There is the car itself, which as I said represents an anachronism, like Bond in the film. Something old in a new world, but not necessarily something bad (after all, it can't be tracked unlike the new cars).

    Then we have the gadgets in the car (which surprised me, because I thought this was Bond's personal car rather than office equipment up to this film), which cause trouble for Silva's crew and lead to it being destroyed (would they have bothered to destroy it if it had not been used as an offensive weapon I wonder?). So I don't see the destruction of the DB5 in SF as being symbolic of the end of something. Just a car which Bond (and the audience) have a connection to being destroyed. Not only a 'fan service' moment as I said earlier, but also an 'emotional' moment for both Bond and the audience. Sure, the car returned in SP, but since it was a 'company car' (as evidenced by the machinery) that wasn't really unexpected. After all, this isn't the first time a Bond car has been 'put back together' (e.g. FYEO Lotus, albeit with a new paint job).

    I believe the old look office in SF is very symbolic and a direct and obvious contrast to the excessive tech at the start of the film which despite all its fanciness resulted in Bond getting shot. It's deliberate to once again play into the old ways (and old agents) are best theme of the film, while also signifying the obvious connection with the older Bond films. So it serves two purposes.

    Anyway, that's how I see it but it's interesting that we can both have quite different perceptions of these things. That's the sign of an interesting film in my opinion.

    EDIT: Sorry for going off topic.

    @bondjames Well, reading your words, especially the part about the car being untraceable --which I admit I'd forgotten--, I think you're right about the car not being a metaphor for "leaving things behind." And you talk about the gadgets, which makes me think that their appearance so late in the film is meant to stand in contrast to Q's gun and radio at the beginning. It's perhaps an acknowledgement that gadgets do have their place in the world of Bond. About the office, it's perhaps meant to be a reaffirmation of those themes, of there being things --old ways-- that need not be left behind. If that's the case, then what Skyfall posits is that yes, the world has changed in some respects --new bad guys, new Q-- but not in others.

    Hmm, now I sound like I hold the opposite position. :-/
  • Posts: 4,617
    One of the issues re the name of the last movie also being the name of the organisation is that, if the next movie involves SPECTRE, they will have to use the word within the dialogue. Either conciously or at a subliminal level, this will remind viewers of the previous movie and who the boss was/is. IMHO, I dont think we need this so best just to drop the whole thing and move on. If we can have a really great PTS and a great new theme, I think it is possible to move on very quickly.
  • Posts: 1,031
    bondsum wrote: »
    Dennison wrote: »
    Yeah TLJ is a worse Star Wars Film than SF or SP are Bond films

    TLJ is awesome - die hard fans (I'm not one) are disappointed because they've spent the last two years pontificating on the internet, creating a mass sense of expectation of what they were expecting to see - leading to inevitable disappointment - perhaps there's a lesson there for us as we await Bond 25.
    I'm not really sure what constitutes a "die-hard fan"? Is it someone that sleeps in Star Wars themed bed linen, has a Wookie tattoo on their jacksie and has also named their firstborn after a character from the movie? I have a few collectables from the original movie, such as the original lobby theatre posters (worth quite a bit of dough now), autographs, cinema programmes, etc. Why can't people just be straightforward fans without there being the need to add further superlatives to create sub-divisions? I'd call myself a fan of the original SW movies and I also happen to appreciate the prequels for what they are. And to be honest, I haven't given the sequel to Force Awakens one second thought since watching it... and yet, I still have expectations when settling down to watch the next instalment. That is only natural. If they're not met, that hasn't got anything to do with my own expectations, but more to do with the story, direction and casting; the main ingredients that determine whether I think a movie is good or not. If we're going to subdivide the fanbase then I think there's a better distinction that can be made: those that like the new Disney juggernaut and those that don't.

    It does seem that those that liked TLJ are having to make excuses for those that didn't. Personally, I think it's marvellous that you enjoyed TLJ. Good for you. You're a movie studio's dream: someone that is easily pleased by whatever they decide to serve up. Without wanting to sound too cocky, I'm afraid it takes more than simply hearing John Williams musical cues, and watching super-fast spaceships and explosions to satisfy me. For the record, I'm with Mark Hamill on this particular movie. I think it's refreshing to hear an actor talk out against a movie that he's supposed to be promoting. Though I'm sure the Disney fans have already got an excuse ready for why he's dissatisfied with the movie. It's only to be expected.

    With regards to Bond 25, I have expectations there too. But I haven't gone so far as pontificate on what that story might be yet. That's not my role, nor my job. But if the story turns out to be a rehash of a previous Bond, or a poorly told story and the acting unsatisfactory, then it's my prerogative to say so.

    Long post - sorry didn't read all of that. But okay, whatever you say.
  • Posts: 2,599
    @bondjames @boldfinger I think that with Spectre and all of its history it would be a shame to get rid of them. At least keep Spectre and forget about Blofeld. Have a new head.

    If Blofeld is kept, they could come up with some sort of plot that references the fact that Waltz was trying to protect the real Blofeld because of a dire plan! :) Anyway, I don’t think they’ll do it but they could have a new head of Spectre. It would be a shame to forget about his organization. Have them show up every second or third film.
  • bondjamesbondjames You were expecting someone else?
    Posts: 23,883
    I'm pretty certain we'll see Spectre again at some point @Bounine. However, I have a feeling they will retire it for a while and relaunch during the new actor's tenure. They hopefully have learned their lesson and will ensure that the next time we see the organization it will be in a film and with a crime more worthy of its reputation.

    @mattjoes, our back and forth on the car and the office has made me realize it really can be interpreted in a few different ways. SF is an interesting film that way.
  • edited December 2017 Posts: 12,516
    2019 has the potential to be an incredible movie year (Glass, The Irishman, Star Wars 9, It Part 2, Bond 25, etc.).
  • Posts: 2,599
    bondjames wrote: »
    I'm pretty certain we'll see Spectre again at some point @Bounine. However, I have a feeling they will retire it for a while and relaunch during the new actor's tenure. They hopefully have learned their lesson and will ensure that the next time we see the organization it will be in a film and with a crime more worthy of its reputation.

    @mattjoes, our back and forth on the car and the office has made me realize it really can be interpreted in a few different ways. SF is an interesting film that way.

    You’re probably right about that especially seeing Waltz isn’t returning. Did Waltz say he wouldn’t return after being asked by Eon, did Eon not want him back or did he just state that he wasn’t interested in returning without any discussion with the producers?
  • bondjamesbondjames You were expecting someone else?
    Posts: 23,883
    Bounine wrote: »
    bondjames wrote: »
    I'm pretty certain we'll see Spectre again at some point @Bounine. However, I have a feeling they will retire it for a while and relaunch during the new actor's tenure. They hopefully have learned their lesson and will ensure that the next time we see the organization it will be in a film and with a crime more worthy of its reputation.

    @mattjoes, our back and forth on the car and the office has made me realize it really can be interpreted in a few different ways. SF is an interesting film that way.

    You’re probably right about that especially seeing Waltz isn’t returning. Did Waltz say he wouldn’t return after being asked by Eon, did Eon not want him back or did he just state that he wasn’t interested in returning without any discussion with the producers?
    I don't think he has been explicit about why, but he did indicate that he was keen to return at one point. So it wasn't his choice. Some have speculated that he is being recast because he said something about "it being a tradition" (I'm paraphrasing) but I don't think much more is known about what he meant by that as he could have been talking about it being a tradition to have a new villain in each film.
  • Posts: 2,599
    “I don't think he has been explicit about why, but he did indicate that he was keen to return at one point. So it wasn't his choice.”

    Yeah, I was wondering about that.

    Merry Christmas and a Happy New Year to all!
  • mattjoes wrote: »
    bondjames wrote: »
    @mattjoes, re: the DB5, I think there are two elements to it in SF. There is the car itself, which as I said represents an anachronism, like Bond in the film. Something old in a new world, but not necessarily something bad (after all, it can't be tracked unlike the new cars).

    Then we have the gadgets in the car (which surprised me, because I thought this was Bond's personal car rather than office equipment up to this film), which cause trouble for Silva's crew and lead to it being destroyed (would they have bothered to destroy it if it had not been used as an offensive weapon I wonder?). So I don't see the destruction of the DB5 in SF as being symbolic of the end of something. Just a car which Bond (and the audience) have a connection to being destroyed. Not only a 'fan service' moment as I said earlier, but also an 'emotional' moment for both Bond and the audience. Sure, the car returned in SP, but since it was a 'company car' (as evidenced by the machinery) that wasn't really unexpected. After all, this isn't the first time a Bond car has been 'put back together' (e.g. FYEO Lotus, albeit with a new paint job).

    I believe the old look office in SF is very symbolic and a direct and obvious contrast to the excessive tech at the start of the film which despite all its fanciness resulted in Bond getting shot. It's deliberate to once again play into the old ways (and old agents) are best theme of the film, while also signifying the obvious connection with the older Bond films. So it serves two purposes.

    Anyway, that's how I see it but it's interesting that we can both have quite different perceptions of these things. That's the sign of an interesting film in my opinion.

    EDIT: Sorry for going off topic.

    @bondjames Well, reading your words, especially the part about the car being untraceable --which I admit I'd forgotten--, I think you're right about the car not being a metaphor for "leaving things behind." And you talk about the gadgets, which makes me think that their appearance so late in the film is meant to stand in contrast to Q's gun and radio at the beginning. It's perhaps an acknowledgement that gadgets do have their place in the world of Bond. About the office, it's perhaps meant to be a reaffirmation of those themes, of there being things --old ways-- that need not be left behind. If that's the case, then what Skyfall posits is that yes, the world has changed in some respects --new bad guys, new Q-- but not in others.

    Hmm, now I sound like I hold the opposite position. :-/

    Still, and most of all, the existence of the Goldfinger DB 5 in the reboot universe is a straight in your face insult of the audiences intellect. You might say it doesn't matter in a movie that is full of those kind of insults, but still I find it very very much annoying. I couldn't almost believe it when I saw it in the cinema.
  • SeanCraigSeanCraig Germany
    Posts: 732
    The DB5 worked extremely well in CR - it was pure fanservice in SF and SP and made no sense besides that (even I liked to see it in SF)
  • TripAcesTripAces Universal Exports
    edited December 2017 Posts: 4,588
    Bounine wrote: »
    If they bring Spectre back, I can’t see why they can’t reveal the real Blofeld, in shadow, at the end of the film and introduce dialogue stating that the other chap was just a smoke screen and even subtly allude to the fact that Waltz’s character was a psychopathic liar, in reference to the stupid backstory we were fed in Spectre.

    Yes please! Anything along those lines. I would take almost any idea that erases brothergate.

    We can't erase it, but we can make better sense of it. I have said all along that the best way to work around this connection is that it's no coincidence.

    What if...

    --Bond's adoption by Oberhauser put him on MI6's radar?
    --MI6 began courting him early on and recruited him to infiltrate Oberhauser's organization? This would be similar to The Departed.
    --This line takes on bigger implications: "Orphans always did make the best recruits" (M, in Skyfall)?
    --And this line, too: "I never really had a choice" (Bond, about becoming an assassin)?
    --The box of belongings, delivered by Moneypenny, was NOT retrieved from Skyfall; but rather was retrieved from M's office after the explosion?
    --M learned that younger Oberhauser was still alive and this left her in a bind: should she let Bond do the job he was recruited to do (infiltrate Spectre), even at the risk of damaging him psychologically? She left a trail of clues for him(video, box of belongings).

    All of this would add to the Bond origin story that many would rather be left alone; but EON opened this can of worms, and the above scenario would best clean up the mess.



  • Heal the franchise from the rapes it has suffered in the last two movies by raping it even harder is not my idea of making things better.
  • Posts: 5,767
    They should do what they should have done already with Quantum: See what´s good about it and build upon that. And not be in awe of audiences not liking this or that and trying to hide it in the next film while simultaneously doing the same mistakes all over again in another corner.
  • ShardlakeShardlake Leeds, West Yorkshire, England
    Posts: 4,043
    Get DC's out the way, it's looking likely they might ignore SP and give DC a possible standalone or have a distant association.

    I'm surprised that they are going down this route as I expected them to carry on the thread of SPECTRE. Then again they may well still do that and Waltz is being deliberately being coy knowing how his supposed twist was the worst kept secret in 2015.

    I'm really not sure what is happening I'm still recovering from the reverberations of what SP did, I really like SF but have downgraded it on my last viewing but still think it's much more satisfying than SP is.

    That aside I think I'll be much more relieved once Bond is recast and we reset. I really can't see them carrying DC's timeline on.

    I just hope DC can redeem himself and go out on a high.

    The choice of director will be a good guage of where this is going, be it Denis, Nolan, Yann or Mckenzie?

    I'm not mentioning the other option because I certainly hope he does not return. I think it's either of the 4 above or they've kept the actual director so far under the radar we'll all get a shock when it's announced.

    That being said I think that is unlikely and the name is out there already.

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