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Nolan will be announced as the director of Bond 25 between February 27 and March 5. Why those dates? He won't be announced before Feb 27, because Nolan has asked the producers not to make an official announcement before that date. Why would Nolan ask them that? Because he will get nominated for a Best Directing Oscar, which he will want to win. As much as we all love Bond movies, many Academy members look down on them.
If it was announced that Nolan's next movie will be a 007 film right before the Academy members are submitting their final ballots, many of them would be less likely to vote for Nolan, and Nolan knows this, so he asked Barbara Broccoli to wait a bit with the announcement. And the final Oscar voting closes on February 27.
Why March 5? Because that's a day after the Oscar ceremony. As long as their is a chance that Nolan will win Best Directing for Dunkirk (and the movie Best Picture), Barbara Broccoli would obviously want to announce her next director right after the ceremony.
Well hopefully it's not true, but if it is, then it's beyond terrible.
Wouldn t it be easier to make a list of those not on that list?
Austin Power idea for the next movie "The spy who shagged me against my will"?
He probably suffered from some sort of dementia I always presumed. Which a few decades ago could be kept under wraps and today is no longer possible.
He noted that that's what he was hired on to do, and he was responsible for the action of the falling house.
As far as I know, he didn't polish the dialogue, or touch the other acts of the shooting script. If anyone else remembers, or knows differently, please correct me if I'm wrong.
Dialogue is a tricky thing though-- as our directors on this site will tell you (much to the chagrin of the writers). It can be changed on set (the director makes a decision; actors hate or can't deliver what's being said. I know a director that changed practically all the dialogue of the script he was working on. Hell, some lines can be changed doing ADR during the editing process!!
I'm also not sure of how much of Haggis' work was in QoS... a lot changed due to P&W, Haggis, other script doctors, the Writer's Strike, and whatever was changed during the filming...
Here is a link to some discussion on QoS.
http://www.mtv.com/news/1568446/casino-royale-writer-paul-haggis-talks-next-007-flick-my-bond-is-different/
EDIT- and some comments on CR from this site:
https://www.mi6-hq.com/news/index.php?itemid=5651
However, I think the evidence that his contribution to the CR script was substantial. I think a lot of the more psychological and emotional beats in both Bond's arc came from Haggis.
I started a thread which explored those ideas here:
https://www.mi6community.com/discussion/6397/paul-haggis-talks-casino-royale-and-quantum-of-solace#latest
Another great interview:
http://www.grouchoreviews.com/interviews/401
I think Haggis did an amazing job with CR. His script was obviously bought to life by the great direction of Martin Campbell and a truly outstanding performance by Daniel Craig. Undeniably, Haggis was pivotal to getting there, but he was merely a component of a grander effort. I won't let his behaviour tarnish my enjoyment of CR.
It's nice to see that innocent until proven guilty is still a thing, especially considering the circumstances surrounding the allegations.
In the above interview, he only mentions the train scene (two people falling in love-- I like it!!), but nothing else re: CR; But--
In his talk in Toronto he focused on his lone role in fixing the last act (the falling building climax and suicide) . He called the original ending, and I quote, "boring".
(yet, he says he is a Fleming-fan; I have always questioned that as being more lip-service to the fan-base... he seemingly didn't realize that Fleming wrote that "boring" scene in the hotel room!! But P&W did... this tells me, no matter what we feel about these guys, they, AT LEAST, read Fleming, and Haggis didn't; plus it was Haggis himself who wanted the Vesper/child plot in QoS.
IMHO, Haggis isn't being truthful (he's a good writer, in ways (debatable) but isn't a Fleming fan; he didn't know that Vesper killed herself in Fleming's novel in the way P&W depicted, and; comes up with the Vesper/kid story-line for the follow up?..
He also, by his own admission, says, in QoS that he's mixing Fleming with le Carre?? Two writers who are like oil and vinegar??))
I think there's a reason why he wasn't invited back for SF and SP.
Despite innocence or guilt, he, and his writing, comes off as pretentious, artsy shit. And I do say this as a fan of CR and QoS. My like for these films is despite the bullshit Haggis seems to shovel in our faces.
In the end, at the sake of offending anyone-- my opinion only.