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"I got word from someone close to EON this morning that the reason they never committed to the Purvis and Wade script and why production only just started on the Danny Boyle script is due to prior commitments. Supposedly, The Rhythm Section and Film Stars were the priority going into the new year. Bond 25 work only officially begins April. I presume this is when Eon go full-time on Bond. But the delays to The Rhythm Section have made Eon rethink hence why Danny was engaged at this late stage. I’d bet any money that had Eon not had this impromptu gap, we’d get the Yann Demange/Purvis & Wade film. Blame Blake Lively’s hand….."
Without question, Harris is my favourite MP.
Interestingly, both Boyle and Harris have a relationship working together. She was in both 28 Days Later and Frankenstein. So Bond 25 will provide a reunion for the pair.
Who do you think Danny would cast as a Bond girl? I’d be overjoyed if he cast Frieda Pinto. She was heavily rumoured by the tabloids after Slumdog. I imagine he may want to go down the Mendes route and get someone a little starry:
So does this mean they will not be starting pre-production in April?
There’s no ‘general negativity’ coming from your quarters. It’s all very targeted, specific and bilious and immediately discounts any rational counter arguments.
I’m fully aware of the ‘general negativity’ and on some points I entirely agree.
Nothing about my post suggests applauding and praising EON, I very specifically outline what I think is happening, why I think it is happening and why, for those who may feel negatively about the situation, all hope may not necessarily be lost. For you I’m sure it is, so feel free to ignore my posts.
And if they are behind schedule, I imagine Showtime will be none to please. I for one was looking forward to 'Purity', and wonder now, where that is on the priority list.
Just based on that it's hard to know if Bond is more or less of a priority now compared to before the injury. It's a bit confusing. So if Blake wasn't injured they would go ahead as planned with Demange, but now instead they are pursuing a much pickier director with less time to work with? I still don't know what happens if talks with Boyle break down , since nothing is remotely official. Do they go back to Demange with their tail between their legs, give Sam a call? For the type of talent they are looking for time is running out, and the plan at the moment seems to be wait for this Hodge to write his script and then go from there. That seems like an awfully risky position to put yourself in if your EON.
From my perspective the Boyle news is highly encouraging, because the release date P&W announcement in July, subsequent Craig announcement in August and rumours of Villeneuve all left me less than enthused (to put it mildly).
I don't know much about him (just as I knew little about Mendes prior to SF), but from what I've read and seen, I think Boyle can create an interesting Bond film with character. That's perhaps the best we can hope for with B25, before a substantial and much overdue reset arrives for B26.
Post 25, can you you imagine the years of speculation around here that this will bring? :)
I’m not sure how true these Boyle rumours are, but his involvement in some capacity seems plausible. I agree that he could create something interesting and it needs something like this to lend much needed marketing thrust.
Agreed, although it's still not quite enough in my opinion. I think they are really going to need something more to reignite interest in this series stateside. I'm not sure what that could be, but hopefully the distributor helps them along on that front. Cast will be critical.
I don´t see where any scene should remind of classic MP, but I find Harris´ acting as MP poor. I don´t blame her, because I´ve seen her in films she was younger and less experienced in, yet gave terrific performances, for instance 28 Days later, or Miami Vice.
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Regarding the future: If it's true that EON has been meeting with all these directors and asking them to submit proposals and ideas, I wonder if that has been strategic. After all, these concepts and who came up with them are now part of their brand IP which they can leverage in the future if/when MGM decides to either sell itself, IPO or in case EON ever decides to move on from Bond. They provide an acquirer with possible avenues and direction without having to reinvent the wheel & they may be willing to pay more for such a privilege.
The 2012 Olympics short.
The Rhythm Section? If they can't make a Bond film in 2 years, and so need 3 or even 4 years, why are they wandering off to do other films?
I wonder if he's aware that doesn't really count?
2. It's not "media talk". Deadline.com has reported it. John Hodge is writing the screenplay of Bond 25 as we speak.
3. " It’s very tempting of course -- I love the movies, I love the books" - It's clear that all Boyle needed was the right incentive (more money / creative freedom /smaller than usual budget), and it seems that he got it this time.
Another tweet like the one with Craig from February 17th.
I'd watch it!
I got word from someone close to EON this morning that the reason they never committed to the Purvis and Wade script and why production only just started on the Danny Boyle script is due to prior commitments. Supposedly, The Rhythm Section and Film Stars were the priority going into the new year. Bond 25 work only officially begins April. I presume this is when Eon go full-time on Bond. But the delays to The Rhythm Section have made Eon rethink hence why Danny was engaged at this late stage. I’d bet any money that had Eon not had this impromptu gap, we’d get the Yann Demange/Purvis & Wade film. Blame Blake Lively’s hand…
https://www.reddit.com/r/JamesBond/comments/80djzn/so_what_is_actually_happening_with_bond_25/
More word from this CashleyPersia fellow on Reddit. I suppose we look out for news in March or April then? According to this of course.
I laught. :D