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Comments
It had it's moments. But not enough for a full fledged film. EON had a better story than DAD.
I agree.
You're right. Only the first half is good
I agree. Now, Nightfire on the other hand...
I say start over now then have to do it later just kick Craig out the door find a new actor and get on with it
There will be plenty of pressure to move on. They need to start with a new distributor on the right foot, and if Craig is in no hurry, EON can't hang around. I wouldn't put it past them usually, but in this case they have to keep the distributor happy.
She's got some life in her yet. Will you hand me that hammer there, @Getafix?
No, the bigger one. The sledge.
Somewhere C. Bong is kicking up his heels in sheer delight...
Now there"s a blast from the past!
Speaking of DAD, if Babs would just "put her back into it" maybe we could get a new film by 2018!
Sorry, that's my favourite line from DAD.
But seriously, dear Barbara, heir to Cubby, the franchise resides in your capable hands!
Please, rescue it from the cliff it seems to be so perilously hanging from.
Do fashion that parasail and save the day!
"The children will be so thrilled"
News will be along sometime, soon maybe sooner than later.
I don't mind the wait. Bond 25 will be a truly special film, and like any important event, it will take time. Not only can we expect a better product if more time is spent on the preparation and execution, but the gap is a great means of building natural anticipation.
Bond fans by now ought to know better than to blindly subscribe to such thinking. Needing time isn't really the issue. EoN's problem is more fundamental than that. In any case I'll believe Bond 25 will be special when AND only when I see it.
Yes, EON's problems are fundamental, which is why they need time to fix them. They need to go back to the drawing board in a lot of ways, and that, well, takes time. There's no other way about it. And Bond 25 will certainly be special, for no other reason than it has to be. They can't afford mistakes, not this time.
I suppose that depends who you ask. In favor of your view, the ubiquitously popular GoldenEye and Casino Royale came out after two long hiatuses. And we do feel due for a tonal shift, which is promising.
This.
The extra year waiting for Mendes was well spent wasn't it?
The two best things they can do from here are:
1. Monitor and supervise whoever is writing the script rather than assuming it will be alright on the night.
2. If they must have everything connected going forward then plan it properly rather than making it up as you go along and reverse engineering it all.
Yes. I was reading some old articles about TSWLM and it is clear that during that hiatus, Cubby hired many, many writers to hammer out the story. I don't understand why they don't put their efforts predominantly there this time, and every time.
Cubby was insistent that the most important thing was to figure out the villain and his or her scheme. That's the area where the recent scripts have been lacking.
Bingo! Thank you.
Given MGW has been taking a back seat recently why don't they create a new less demanding position for him in a 'director of football' role where he oversees script development?
Babs and Gregg (I'd prefer someone else but there's no point crying over spilled milk) would do producing duties and MGW would supervise the writers and do a bit of polishing of the script.
It's ludicrous that the guy with the most Bond screenwriting talent on the firm hasn't done any writing duties since 1989.