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Comments
Any continuation cannot possibly sharpen the focus of or expand the meaning of the first film, only devolve into
A) a battle for freedom! YEA fight scenes!
or
B) an escape to some kind of enlightened sanctuary! YEA chase scenes!
or
C) a handoff to new characters who must stay strong in the struggle even in the face of their own pain & loss! YEA darkstuff!
Any continuation cannot possibly sharpen the focus of or expand the meaning of the first film, only devolve into
A) a battle for freedom! YEA fight scenes!
or
B) an escape to some kind of enlightened sanctuary! YEA chase scenes!
or
C) a hand-off to new characters who must stay strong in the struggle even in the face of their own pain & loss! YEA darkstuff!
If anything they should do a remake based on Blade Runner, that way you can ignore it if it's crap like Total Recall and Dredd.
Although I admit liking Dredd to some extend. Karl Urban is just so cool in anything.
Love those films, is Tim still alive
;) Think Trancers was Helen Hunts debut. The first film is classic.
b-(
The Thing prequel was shocking and utterly unnecessary, the CG bit in the ship at the end was embarassing beyond belief.
I don't see how it respected it at all, if it had have respected it wouldn't have bothered, that film doesn't need a prequel or a sequel. If you are looking for examples to defend the action you need to pick a better example than that garbage.
The pedigree of who is involved in BR2 gives the impression it will be more than just some pointless cash in but there is no guarantee. I'm glad Ridley isn't directing because I haven't seen a film from him that I've enjoyed since American Gangster.
Villeneuve and Deakins give me the best hope for this that and the quality of the cast.
[-(
I bet it is. Didn t like the Carpenter version, but the original looks great.
Loathes Brosnan's Bond, doesn't care for Carpenter's 'The Thing'; we WILL find a movie that we agree on.
Just now read your comments on the first page, so yes, this counts! Favorite version of the film, if any?
I'm also curious as to how they'll handle the fate of Deckard, as I've heard plenty of different theories over the years from Ford and Scott himself, and since there are quite a few different versions of the movie, this could go a couple of different ways.
I think my favourite version is the one I first saw back in the 80s with the Ford narration, but it also definitely works without it.
@Creasy47 I was aware of that, a part of me wanted it to be good and a part said leave it alone but when I heard they'd substituted the practical effects with C.G.I I knew it was the final nail in the coffin for this film.
As for Hawks 50's version I think it's a quite quaint version but men a suit films never did it for me and it's got nothing to do with the original novel.
I personally think this is Carpenters best film, to think some critics just said the EFX are just there to shock, criticism of this film was not favourable at the time of release despite now it's rightly regarded by many as a masterpiece.
The EFX enhance the film they don't take you out of it, Bottin's efforts a sickening and memorable but they serve the story aren't just there to shock.
Carpenter & Cundy give the film a sense of unease, it really gets under your skin. The cast are excellent, a great ensemble despite Russell emerging more as the film goes on.
Not forgetting Moriconnie's score, not one of his best but the simplicity of it is just right.
I can't really praise this film enough, only Alien betters it in my book.