The Award Winning : 'Bond...comments while you watch...'

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Comments

  • Posts: 16,162
    Bond and Felix blast off in little rockets.
  • Posts: 16,162
    That looks like fun.
  • Posts: 16,162
    I love that Felix partakes in the action here.
  • bondjamesbondjames You were expecting someone else?
    Posts: 23,883
    ToTheRight wrote: »
    Starting training for a new job this afternoon.

    The job location looks a bit like the NSNA Schrublands.
    Nice! I wouldn't mind working in a place like that surrounded by greenery.
    ToTheRight wrote: »
    Bond hanging out at the bar while some nice easy listening music plays.
    ToTheRight wrote: »
    I far prefer this interaction to the DAD version years later.

    I'm all yoursh.
    Me too. "You affect me James", delivered with thick accent.
    ToTheRight wrote: »
    I do like Sean's restrained sports jackets in this one.

    He looks old school and classy.
    Well put. Connery does look great in NSNA, and he wears those suits supremely well, as he always did.
    ToTheRight wrote: »
    HOLD ON

    HOOOOOOOOOOOOOOOOOOOOOOOOLD!
    I've always felt DAD homaged that sequence with the Jinx CGI dive.
  • Posts: 16,162
    As far as somewhat weaker Bond climaxes go, at least it's not over long.
    This battle is rather short as is the little fight underwater.

    I'll take this over SPECTRE's ending any day.

    Same with TWINE, DAD and QoS.
  • Posts: 16,162
    bondjames wrote: »
    ToTheRight wrote: »
    Starting training for a new job this afternoon.

    The job location looks a bit like the NSNA Schrublands.
    Nice! I wouldn't mind working in a place like that surrounded by greenery.
    ToTheRight wrote: »
    Bond hanging out at the bar while some nice easy listening music plays.
    ToTheRight wrote: »
    I far prefer this interaction to the DAD version years later.

    I'm all yoursh.
    Me too. "You affect me James", delivered with thick accent.
    ToTheRight wrote: »
    I do like Sean's restrained sports jackets in this one.

    He looks old school and classy.
    Well put. Connery does look great in NSNA, and he wears those suits supremely well, as he always did.
    ToTheRight wrote: »
    HOLD ON

    HOOOOOOOOOOOOOOOOOOOOOOOOLD!
    I've always felt DAD homaged that sequence with the Jinx CGI dive.

    True. The location looks similar. That section is probably one of my favorite scenes in DAD.
  • Posts: 16,162
    ............and Domino spears Largo. Damn I should watch TB later.

    Another fine viewing of NSNA under my belt.
  • bondjamesbondjames You were expecting someone else?
    edited June 2018 Posts: 23,883
    What I personally like about NSNA is that it's Connery by way of Moore. Given he made this film when he was already in his early 50's, there's a certain calmness and mellowness to him here which he didn't have in his earlier EON efforts. In that respect he reminds me a lot of Moore's interpretation, which is perhaps to be expected, since Moore began in the role in his mid 40's. They're both a bit Cary Grant'ish (for lack of a better description), but Connery still has remnants of his lethal edge of yore.
  • mattjoesmattjoes Julie T. and the M.G.'s
    Posts: 7,021
    ToTheRight wrote: »
    Shinsh you took over shirr.
    Youve had little ushe for the double osh.
    Never Say Never Again - Deluxe Blu-Ray:

    Included subtitles:
    English
    French
    Spanish
    Connery


    ToTheRight wrote: »
    What IS that weird weapon Lippe uses here?
    Indeed...

    ToTheRight wrote: »
    Bond and Felix blast off in little rockets.
    Do they actually exist, these rocket-like vehicles?

    bondjames wrote: »
    What I personally like about NSNA is that it's Connery by way of Moore. Given he made this film when he was already in his early 50's, there's a certain calmness and mellowness to him here which he didn't have in his earlier EON efforts. In that respect he reminds me a lot of Moore's interpretation, which is perhaps to be expected, since Moore began in the role in his mid 40's. They're both a bit Cary Grant'ish (for lack of a better description), but Connery still has remnants of his lethal edge of yore.
    This is true.
  • RichardTheBruceRichardTheBruce I'm motivated by my Duty.
    Posts: 13,789
    With Never Say Never Again--the commentary by the director is recommended. It gives interesting insight into the musical score, the budget problems affecting sets and other production items toward film's end.
  • peterpeter Toronto
    Posts: 9,509
    mattjoes wrote: »
    ToTheRight wrote: »
    Shinsh you took over shirr.
    Youve had little ushe for the double osh.
    Never Say Never Again - Deluxe Blu-Ray:

    Included subtitles:
    English
    French
    Spanish
    Connery


    ToTheRight wrote: »
    What IS that weird weapon Lippe uses here?
    Indeed...

    ToTheRight wrote: »
    Bond and Felix blast off in little rockets.
    Do they actually exist, these rocket-like vehicles?

    bondjames wrote: »
    What I personally like about NSNA is that it's Connery by way of Moore. Given he made this film when he was already in his early 50's, there's a certain calmness and mellowness to him here which he didn't have in his earlier EON efforts. In that respect he reminds me a lot of Moore's interpretation, which is perhaps to be expected, since Moore began in the role in his mid 40's. They're both a bit Cary Grant'ish (for lack of a better description), but Connery still has remnants of his lethal edge of yore.
    This is true.

    I don’t understand how this is true outside of one’s interpretation.

    To me: Connery is Connery.

    In NSNA he never reminded me of Cary Grant, but especially not Moore.

    Connery played his aging agent in the only way he could: the Connery way. That’s what made him so unique.
  • bondjamesbondjames You were expecting someone else?
    edited June 2018 Posts: 23,883
    Perhaps I should clarify my earlier remarks to avoid unnecessary confusion. I'll start by saying that of course Connery is Connery and Moore is Moore. Of that there can indeed be no doubt. Both Bond greats and each very unique imho. The best.

    I didn't mean what I said literally. I generally see Moore as the most nonchalant, unflappable and weary Bond. I think my perception is framed partly due to the fact that he got the part later in life and partly because of who he was and how he interpreted the character. Additionally, while Moore's age was never acknowledged in the EON films, it is apparent to most of us due to how he moved (clumsily at best) and because he generally and frequently had to rely on his wits and smarts to get out of tight jams rather than use brute force.

    In NSNA, I see less of the young, aggressive & assertive panther Connery of the early EON days. Rather, I see a more aged, less intense, more laid back and calm character. One with more wisdom and who's a little more worn out & mellow. Not only is his age directly acknowledged (unlike with Moore, where it was apparent despite no direct mention), but he's also seen wise cracking his way out Fatima's death trap with a gadget and furthermore using his urine to dispatch Count Lippe after having an awkward (dare I saw Moore'esque) fight. He's even calm as a cucumber as the bomb goes off in the wrong room. Those again are qualities I associate with Moore and also with the unflappable Grant in his various later colour Hitchcock and Donen efforts when he was similarly in his 50s. It's very noticeable to me because there's a big gap between DAF & NSNA and consequently a lot has changed in Connery.

    This is of course just my opinion on the matter, framed by my own perceptions.
  • mattjoesmattjoes Julie T. and the M.G.'s
    edited June 2018 Posts: 7,021
    bondjames wrote: »
    Perhaps I should clarify my earlier remarks to avoid unnecessary confusion. I'll start by saying that of course Connery is Connery and Moore is Moore. Of that there can indeed be no doubt. Both Bond greats and each very unique imho. The best.

    I didn't mean what I said literally. I generally see Moore as the most nonchalant, unflappable and weary Bond. I think my perception is framed partly due to the fact that he got the part later in life and partly because of who he was and how he interpreted the character. Additionally, while Moore's age was never acknowledged in the EON films, it is apparent to most of us due to how he moved (clumsily at best) and because he generally and frequently had to rely on his wits and smarts to get out of tight jams rather than use brute force.

    In NSNA, I see less of the young, aggressive & assertive panther Connery of the early EON days. Rather, I see a more aged, less intense, more laid back and calm character. One with more wisdom and who's a little more worn out & mellow. Not only is his age directly acknowledged (unlike with Moore, where it was apparent despite no direct mention), but he's also seen wise cracking his way out Fatima's death trap with a gadget and furthermore using his urine to dispatch Count Lippe after having an awkward (dare I saw Moore'esque) fight. He's even calm as a cucumber as the bomb goes off in the wrong room. Those again are qualities I associate with Moore and also with the unflappable Grant in his various later colour Hitchcock and Donen efforts when he was similarly in his 50s. It's very noticeable to me because there's a big gap between DAF & NSNA and consequently a lot has changed in Connery.

    This is of course just my opinion on the matter, framed by my own perceptions.

    Absolutely. He comes across as more mellow and calm than in the earlier films, in which he feels more volatile and dangerous. He is also mellow in DAF, by the way, but in that film he has an undercurrent of smartassery which threatens to turn into cruelty, a quality which is absent from NSNA. Of the earlier films, I figure GF and YOLT are probably the closest to NSNA in terms of Connery's performance, though there are still differences, for sure.

    @peter, in this case, 'true' was just a word to express agreement. It's indeed a matter of interpretation.
  • ClarkDevlinClarkDevlin Martinis, Girls and Guns
    Posts: 15,423
    Birdleson wrote: »
    I want to see a spin-off film made where Sir Donald Munger and Colonel Smithers go to war with each other, using all of their respective department's resource.
    Oh, and the twist is that when we learn Sir Donald Munger becomes an undercover (retired) Judge hiring two adventurer rich playboys to do the heavy lifting for him.
  • bondjamesbondjames You were expecting someone else?
    edited June 2018 Posts: 23,883
    mattjoes wrote: »
    bondjames wrote: »
    Perhaps I should clarify my earlier remarks to avoid unnecessary confusion. I'll start by saying that of course Connery is Connery and Moore is Moore. Of that there can indeed be no doubt. Both Bond greats and each very unique imho. The best.

    I didn't mean what I said literally. I generally see Moore as the most nonchalant, unflappable and weary Bond. I think my perception is framed partly due to the fact that he got the part later in life and partly because of who he was and how he interpreted the character. Additionally, while Moore's age was never acknowledged in the EON films, it is apparent to most of us due to how he moved (clumsily at best) and because he generally and frequently had to rely on his wits and smarts to get out of tight jams rather than use brute force.

    In NSNA, I see less of the young, aggressive & assertive panther Connery of the early EON days. Rather, I see a more aged, less intense, more laid back and calm character. One with more wisdom and who's a little more worn out & mellow. Not only is his age directly acknowledged (unlike with Moore, where it was apparent despite no direct mention), but he's also seen wise cracking his way out Fatima's death trap with a gadget and furthermore using his urine to dispatch Count Lippe after having an awkward (dare I saw Moore'esque) fight. He's even calm as a cucumber as the bomb goes off in the wrong room. Those again are qualities I associate with Moore and also with the unflappable Grant in his various later colour Hitchcock and Donen efforts when he was similarly in his 50s. It's very noticeable to me because there's a big gap between DAF & NSNA and consequently a lot has changed in Connery.

    This is of course just my opinion on the matter, framed by my own perceptions.

    Absolutely. He comes across as more mellow and calm than in the earlier films, in which he feels more volatile and dangerous. He is also mellow in DAF, by the way, but in that film he has an undercurrent of smartassery which threatens to turn into cruelty, a quality which is absent from NSNA. Of the earlier films, I figure GF and YOLT are probably the closest to NSNA in terms of Connery's performance, though there are still differences, for sure.
    Good points. I agree that GF/YOLT is probably the closest to his work in NSNA and also with your assessment of a tinge of cruelty in DAF (which I also saw in Roger's portrayal in the following two Hamilton entries). He still shows shades of his patented edge (most notable when he threatens the Greeter/Bouncer), but is overall more genial.
  • Posts: 16,162
    bondjames wrote: »
    Perhaps I should clarify my earlier remarks to avoid unnecessary confusion. I'll start by saying that of course Connery is Connery and Moore is Moore. Of that there can indeed be no doubt. Both Bond greats and each very unique imho. The best.

    I didn't mean what I said literally. I generally see Moore as the most nonchalant, unflappable and weary Bond. I think my perception is framed partly due to the fact that he got the part later in life and partly because of who he was and how he interpreted the character. Additionally, while Moore's age was never acknowledged in the EON films, it is apparent to most of us due to how he moved (clumsily at best) and because he generally and frequently had to rely on his wits and smarts to get out of tight jams rather than use brute force.

    In NSNA, I see less of the young, aggressive & assertive panther Connery of the early EON days. Rather, I see a more aged, less intense, more laid back and calm character. One with more wisdom and who's a little more worn out & mellow. Not only is his age directly acknowledged (unlike with Moore, where it was apparent despite no direct mention), but he's also seen wise cracking his way out Fatima's death trap with a gadget and furthermore using his urine to dispatch Count Lippe after having an awkward (dare I saw Moore'esque) fight. He's even calm as a cucumber as the bomb goes off in the wrong room. Those again are qualities I associate with Moore and also with the unflappable Grant in his various later colour Hitchcock and Donen efforts when he was similarly in his 50s. It's very noticeable to me because there's a big gap between DAF & NSNA and consequently a lot has changed in Connery.

    This is of course just my opinion on the matter, framed by my own perceptions.

    I got the Cary Grant comparison and agree.
    I would say, though that I felt Moore's age was acknowledged in an extremely subtle way. Tracy's tombstone for instance gives the 1969 year of her passing, thus making Bond around 50. Or at least pushing 50. The backstory involving Major Dexter Smythe some years previously also implies that by 1983 Moore's Bond was older. Finally, Bond's reactions to Zorin give me the impression he very much remembers WWII and has an extremely distaste for Zorin's Nazi background. I always think of Moore's Bond as being the best in the field to the point that he simply didn't abide by the standard age retirement of 45. He just stayed on and remained a double-O.
    The age angle for Connery in NSNA is far more directly acknowledged. I personally think that film did a marvelous job having Bond come back as an older agent. I prefer their approach of that theme to SF, in which it was far too early for Craig to be burnt out and over the hill.
  • Posts: 12,466
    The Palio - one of my favorite Bond soundtrack songs.
  • edited June 2018 Posts: 16,162
    DIAMONDS ARE FOREVER

    Old VHS copy here............begins with a silent United Artists logo................
  • Posts: 16,162
    This 20th Century Fox home video version was an old rental copy from around 1983................


    The colors look like the film did on ABC.
  • Posts: 16,162
    Kind of fun watching this on VHS.

    Bigger sound, actually.
    The focus is a bit soft, but decent color timing.

    Connery looks cool in the black polo and brown sports jacket.
  • Posts: 16,162
    The mud goes up his nose.
  • Posts: 16,162
    Controversial opinion: I like Charles Grays' Blofeld more than Christoph Waltz.
  • Posts: 16,162
    An enjoyable PTS for me. I always liked it,

    The cat's meow is the traditional MONO version. Cubby's name is before Harry's in this copy.
  • Posts: 16,162
    Although Sean didn't exactly have enough time to get into his normal Bondian shape after agreeing to the role, his suits compliment him well here, IMO.
    He looks damn suave in the M scene.
  • Posts: 16,162
    Wint and Kidd!!! I love Bruce Glover here.

    When he drops the scorpion down Dr Tynan's shirt never fails to make me laugh.
  • Posts: 16,162
    This 20th Century Fox home video copy is the same transfer and the CBS/Fox version.
  • Posts: 16,162
    As I comment the scenes play so fast they're over by the time I get a post out.

    The letter U is for....................you know the rest.
  • Posts: 16,162
    I love this Moneypenny scene.

    She's only in this for a minute ...........yet the chemistry, flirtatious banter is all there.

    No need for a Scooby Gang in this one.
  • Posts: 16,162
    Bond meets Tiffany Case. A classic Bond girl introduction.
    Jill St John is great, IMO. Though I tend to picture Fleming's Tiffany looking a bit more like Lauren Bacall.
  • Posts: 16,162
    Pan and scan............really hurts the finger print comparison.
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