It looks like you're new here. If you want to get involved, click one of these buttons!
^ Back to Top
The MI6 Community is unofficial and in no way associated or linked with EON Productions, MGM, Sony Pictures, Activision or Ian Fleming Publications. Any views expressed on this website are of the individual members and do not necessarily reflect those of the Community owners. Any video or images displayed in topics on MI6 Community are embedded by users from third party sites and as such MI6 Community and its owners take no responsibility for this material.
James Bond News • James Bond Articles • James Bond Magazine
Comments
I love practically all of the Bond scores and I wouldn't replace any of them. Perhaps have Barry score the entire DN one, but that's about it.
Glad Serra's GE seems to have more fans than ever. It's one of my absolute favourites. I'm also a big fan of his Luc Besson scores.
Newman's about the only one whose work I don't like in the series - and for him to return and essentially regurgitate some of the very same tracks in SP? Huge disappointment.
Having said that, his 'Skyfall' track really is brilliant. I remember the sense of foreboding and doom it gave me the first time I saw the film in theaters.
Also, I don't think Newman's style is far away from Serra's, because they both aim for the unorthodox.
I'd really take issue that he didn't do romantic or atmospheric: his pieces for characters like Severine are dripping in old school romanticism and his atmosphere for environments like Skyfall (the bleakness and sombre feeling he got out of that arrival cue are dripping in atmosphere I don't think we'd have got from anyone else).
The NTTD score isn't bad; it's nicely big and bombastic which a Bond score should be, but you're right that's it's missing those things. I think it's quite interesting that it takes elements from both the Newman scores and Arnold ones: it feels like an odd mix of the two (whilst not really adding all that much). But I don't mind the lifts from OHMSS at all.
SP was a very lazy cut and paste rehash of SF, I find Newman a bit drab and too restrained for Bond,
I remember the first time watching SF in the cinema, many times during the film I was calling for the music to ramp up and go for it.
My opinion may have some bias as SF and SP are two of my lowest ranked films in the series.