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Comments
Yes, this could really open up several more Bond releases from from LLL. EON had no interest in these for so long, I wonder what made them bite this time.
That's a great question. I suspect, given his hands-on involvement with this project, David Arnold has had something to do with convincing them.
And with some relief disc two isn't just Madonna remixes.
The very best part!
But the song's main cues were incorporated to the soundtrack. @JMY remixed it himself.
And sweet remix!
Oh, I love that cue with Bond rolling down the Dome. Short but great.
Right, now I'm truly excited!
LLL are saying that they tried to include the song, but that Madonna turned them down.
Seriously though, I actually don't mind Madonna's song. But I also don't think its absence will turn anyone off from buying this.
I wouldn't necessarily assume so. But it's certainly good that Arnold and Eon are in touch.
I'm hopeful though that THE CLASH will be featured in the score, since I've always loved how "London calling" segues into Arnold's ominous orchestral piece.
+2
Oh, I see what you mean now that I've looked it up. If that's the version they've included I won't be able to recreate it like in the film.
I'd always assumed that part was meant for the scene in the plane instead of "London Calling". Thanks for the info.
That makes sense.
I won´t be buying DAD, because I already got a limited promo release of the full score. I made myself a nice compilation of about 70-80mins I think. The score in its full runtime has just too many filler noises. But as I have it now, it´s totally incomparable to the official release, which takes singular tracks totally out of context and throws them without any love or respect together.
Besides, I just shelled out a little fortune for Lalaland´s expanded release of the Sky Captain soundtrack, which is so worth it! If they were to release full scores from TMWTGG on, I´d be happy to sell my car to support them.
The full soundtrack is nearly or about two hours long.
Probably not. The release I´ve got features the JB theme we hear when Bond sits in the 747 segueing into the part we hear when Graves makes his parachute jump.