It looks like you're new here. If you want to get involved, click one of these buttons!
^ Back to Top
The MI6 Community is unofficial and in no way associated or linked with EON Productions, MGM, Sony Pictures, Activision or Ian Fleming Publications. Any views expressed on this website are of the individual members and do not necessarily reflect those of the Community owners. Any video or images displayed in topics on MI6 Community are embedded by users from third party sites and as such MI6 Community and its owners take no responsibility for this material.
James Bond News • James Bond Articles • James Bond Magazine
Comments
UDO KIER is great in these scenes.
The last time I got sick............around 1992.......... and lost my dinner............I pretended I was UDO here.
He starts talking communism and class and spoils the mood.
Some theaters would play this weekends at midnight a'la ROCKY HORROR.
One of my favorite theaters growing up showed double features of older and classic films. I distinctly remember them playing this with the FRANKENSTEIN film. I wouldn't have dared ask my dad to take me to this and I couldn't have gotten in without an adult.
So I never saw this on the big screen.
Now she meets Dracula in the bathroom.
He's wearing a black tunic and talks about his deceased wife. Kier is great in t his scene as well.....................now he gets aroused again.
She just now see's he has no mirror reflection.................and screams!
"THE BLOOD OF THESE WHORES...............IS KILLING ME!!!!!!!!"
Great line.
She reveals she had once been engaged.............great reaction shot by Udo of this news.
I prefer the color timing as well. Sometime I should track down a copy of that version.
I believe this film and the FRANKENSTEIN one were edited differently for different markets.
The mother catches him and fires him.
He's wearing a tunic similar to Bela Lugosi in OLD MOTHER RILEY MEETS THE VAMPIRE.
The black satin cape is quite short with a midnight blue lining.
As popular as the Coppola film was in terms of costuming, that designer, Eiko Ishioka wasn't too familiar with the character and history and was given artistic licence to create her own concepts for the character.
Beautiful costumes, IMO, but Gary Oldman in that film, I felt only had one or two outfits were remotely true to the character.
Beautiful music score by Claudio Gizzi.
A cult classic film in it's own right.
I tend to rank UDO's interpretation of the Count fairly high............so here are my top 10 actors in the role of Count Dracula. Ranking is based on performance, closeness to either Stoker's Count or the Hamilton Deane re-visionary concept, originality, style, nostalgia, overall bad-assness, and look.
1. CHRISTOPHER LEE - really tied with Bela. Lee based his interpretation on Stoker in spite of script limitations. A legend.
2. BELA LUGOSI - flips with Lee as #1 for me. The most iconic Count of all time.
3. JACK PALANCE - a great performance as Dracula- truly frightening, yet with human qualities
4. FRANK LANGELLA - the most suave, romantic Count.
5. JOHN CARRADINE - Another Stoker inspired performance.
6. UDO KIER - one of the most unique Dracula's.
7. GEORGE HAMILTON - the best in terms playing the role in a comedy. Inspired by Lugosi as well as other matinee idol stars of the 1930's. Another romantic Count. I love the white lined cape.
8. LON CHANEY JR - massively underrated. He pre-dates Lee in terms of physical strength. SON OF DRACULA is a great Universal entry, IMO.
9. LOUIS JOURDAN - faithful version of the book- yet Jourdan is Jourdan. Either way he's oily and creepy. Great costuming as well, IMO.
10. FRANCIS LEDERER- finally a Dracula brought into the 20th century that works despite a difference in look and costuming. Lederer is believable and creepy.
Honorable mention goes to: GARY OLDMAN, MAX SCHRECK, PAUL NASCHY, and DUNCAN REGEHR.
RKO logo!!! ROBERT MITCHUM
FAITH DOMERGUE!!!
CLAUDE RAINS!
Now he's tending to a young girl. Maureen O Sullivan is his girlfriend nurse.
Faith Domergue has attempted suicide.
Mitch is smitten already.
Great performance by Faith here IMO. She's completely nuts.
Mitchum falls for her anyway against his better judgment.
Mitch is cheating on his loyal girlfriend with a femme fatale.
In noir that can only lead to tragic results.
I showed this film to a woman I was dating ages ago and she was completely aroused by Mitchum here.
This is noir cinematography at it's finest, IMO/
Beautiful lighting.
That said a well tailored loose fitting suit can look damn good. Mitchum looked at his peak here. Completely masculine and bad ass.
Farrow also directed Mitch in HIS KIND OF WOMAN (1951)
Not a nice character here. SO good at playing villainous type roles.
He's suave and oily here.
Bond had a similar experience if I recall.