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Glad you agree.
If James Bond isn't "007" for one film, for the sake of shaking things up and keeping it fresh, I don't think it will be an issue. And it's funny that you mention Batman, because if you read the comics, MANY characters have taken over for Batman over the years. Dick Grayson, Damian Wayne, Jean-Paul Valley, and Jim Gordon, to name a few. And guess what? The franchise is still Batman, and Bruce Wayne is Batman 99% of the time. Comic book fans are some of the biggest nitpickers on planet earth and I have never heard a backlash against these characters filling in for Batman that was 1/100th as loud as the outcry against Bond not being 007 for one bloody film.
...and it becomes even more interesting when this character is also a Bond girl, making the capable agent-type of Bond girl we're used to getting more fresh and interesting, and incredibly fitting with the way Bond's role with women has developed over his era - which is exactly what the film is meant to be doing considering it's literally the end of an era.
I think it's also a great idea because the first time we saw him he was a cocky fresh agent who had just been given the 007 number: it's a great bookend to his time to do that again.
Watermark-collection
Is FlyingDarkCreatureMan the Robert Pattinson one? It sounds good.
(Even if the logo would look a bit rubbish!)
Yes please!!
Didn’t SKYFALL do that at the casino?
We'll have to see what Fukunaga's come up with. He did also have quite an action-filled long shot in Maniac:
The tracking shot from True Detective S1 was something he fought for personally, and it was a major factor into the rift with Nic Pizzolatto. Fukunaga kept on explaining that they needed to introduce some action into the story, even if it was unrelated to the main plot, to prevent the episodes from getting too static. And he probably lobbied for this subplot as it would be a good fit for the tracking shot. Pizzolatto didn't like at all that somebody would make changes to his script, but Fukunaga got the production on his side.
On the second season of True Detective, there's a scene that involves a director who's half-Asian, wears his hair in a bun and appears to be a jerk and an airhead. Some people assume it was a dig by Pizzolatto at Fukunaga.
Also, Fukunaga's tracking shots are really one continuous single take. No digital stitching of multiple takes, unlike Sam Mendes on Spectre and 1917 or Alfonso Cuaron on Children of Men and Gravity.
I'm not sure there is such a thing. Hitchcock did this with Rope; the entire film looks like it is one take, but it isn't. He has "wipes" in that film, as does Inarritu on Birdman.
Mendes' work on SP led to the "continuous shot" approach on 1917. Again, there are "wipes" throughout that.
Wouldn’t have been possible to attempt a tracking shot that shows Bond walking through the streets, then through a hotel, and then over the rooftops. I don’t care if there’s editing involved, I just like seeing the process of Bond moving about.
My mind might be playing tricks on me, but I seem to remember one of the numerous articles mentioning that the forest sequence features a long take, and that it had the added effect of heightening the tension as Bond is being hunted during that scene. I could be wrong but I can see the words printed very clearly in my mind for some reason.
Anyone else recall this?
That is a good point: there’s something about that car flip shot which suggests it might be done in that way to me.
https://en.m.wikipedia.org/wiki/Russian_Ark