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Yeah I’ve got a lot of time for her; I think she’s ace.
Might even be tempted to say best Moneypenny in fact!
Another....
...and another:
....in their defence, MI6 aren't really a 'scoops' kinda place. They offer a really valuable archive and encyclopedia for Bond. you'd struggle to find anywhere on the internet more thorough and that has over 15 years worth of Bond stories in real time.
An external agency/editors usually employed by the distributor or, in this case, EON. The previous Craig films (though not 100% sure on CR) were all done by the same team, who have started their own agency around the time of SP going into production - http://chinagraphlondon.com Given since SP they’ve also continued the EON relationship by working on Film Stars Don’t Die In Liverpool and The Rhythm Section, I’d be surprised if they didn’t do the NTTD trailer/s.
The director does sign off on marketing materials. But editing trailers is usually considered to be a very different sort of task requiring a different skillset, a more commercially-minded point of view, and most crucially some distance from the material.
Yes, one would think that they would release another one of these seeing they did decide to do one.
Steven Soderbergh took control over all aspects of marketing for Logan Lucky. He desperately wanted that control.
Didn't turn out so well.
That's 100% correct, plus the film's editors simply do not have the time to concentrate on such a task.
Two things:
- extras were going to come back in October, but they haven't been called... Overbudget, apparently. Time to start cutting...
- It seems the filming is ending for real (next week?).
Everyone needs a place.
Also if you didn't start editing till the end then if things aren't working you can't easily do anything about it. Editor's give the go ahead for sets to be struck when they have had the footage and know that everything works. You don't want to find that an additional shot is needed for a scene to no longer have the set.
Yep, that's is all true. The editors and their team are onboard from day 1 of filming and by the end of the shoot, or a week or two after, (depending on the amount of footage) the editor and the team will have assembled a first cut of the entire film.
I’d still just kind of want Star Wars to be a little out of the way.
You read that wrong.
Exactly. And it's not just about general audiences - the press and social media will be debating/analysing/covering that trailer for days to come. Something that Bond wouldn't get, as it doesn't have the same sort of modern hyperactive fan base or geek media appeal.
As much as SW may not be in some people's good books post The Last Jedi (which it itself is extremely debatable), any content that comes out from those films will get an insane and outsized amount of coverage compared to virtually everything else...the only thing on that level today would be Marvel, followed by Nolan.
First cut in November, not final.
And CGI/VFX will be done throughout this post production period too, together with polishing the edit down after the first assembly cut is complete. For a film like NTTD one would expect that cut to run over 3 hours...that first cut is literally everything in script order edited together
I think Panchito is a fake account created by Michael & Babs to divert our attention. ;)
But, is NTTD now officially in post production or...? :-??
I agree on this one. But the question remains, where is a good ´scoops´kinda place?
Can't be many!