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IFM, people!
Panchito isn't even trying anymore.
[-(
He's back under a new name. Banned before. Don't remember the old nickname.
And I couldn't care less of what he thinks. He's only jealous of my posts, all the stuff I have found this past year.
@JamesCraig @CraigMooreOHMSS @mtm
Thanks guys for the support :-)
Scenery: Faroe islands, Port Antonio and Langvann, Norway
___________________________________________________________________________
(Can't find the proper thread for these) Casino Royale - Bahamas seaplane shoot
Casino Royale - Venice Grand Canal, Yacht shoot
Can't wait to see the Faroe islands on film, btw.
…and the Atlantic Road of course ;-)
@Univex Thanks man!!
I would buy you an expensive gift if it weren't for the fact that I'm extremely cheap :))
Back in Feb when tickets opened, the BFI IMAX indicated they wouldnt, which was a massive shame. Hopefully they have changed their minds.
I think I read there's only one 70mm film print of Tenet in the UK. I had no idea they were so rare.
Not just in UK but whole of Europe.
Looks like only Nolan's getting that treatment now. Thankfully enough we always have that Manchester IMAX...and hopefully by November the Science Museum in London finishes its refurb!
Here in Hamburg one cinema is showing 70mm screenings of TENET.
I think in total only 5 theatres in Germany have 70mm projectors.
He escapes with the Toyota because there’s Mathilde with him and Madeleine. He probably leaves the V8 close to her house and we also know Swann drives his V8 in the very end with the girl in Italy so makes sense.
Wow I didn't realise that. Makes a NTTD 70mm seem even more unlikely.
The Lichtburg in Essen is also showing a 70mm print of Tenet. So that makes at least two in Germany.
And the Lichtburg is extremely proud of showing these "special" versions. I have no idea how any of this works, but if there is a way for them to ask for a print from the distributor they will definitely do it.
Let's ask @antovolk
I ask cause it's been more than 6 months I block EVERYDAY (& multiple time par day) ALL the accounts who publish images of Eilish, but it's an endless fight, even I have a blocked hundreds and hundreds account (and probably thousands), there is each day 30 new cancerous ones I have too block everyday...
Same here. Blocking everyday. But at the same time there's not much NTTD content. You can also find stuff sometimes on the Craig page:
https://www.instagram.com/explore/tags/danielcraig/
Plus I'm checking crew members, aston martin, pinewood studios insta. Sometimes a crew member can post something and tagging another crew member. And by checking out the tagged member one can find new stuff
Should have clarified - only IMAX 70mm print in Europe. There's quite a few non-IMAX 70mm prints of Tenet around the UK and world - IMAX 70mm is different.
It is all digital now...except select cases like Tenet, or last year Once Upon a Time in Hollywood (that had both 35mm and 70mm prints). Film rolls are still superior quality wise - around 4-6K digital equivalent for 35mm and 12-16K for 70mm and IMAX 70mm (which runs horizontally and has a taller frame, 1.44:1 as opposed to 2.20:1).
For most films that are shot digitally and also finished digitally too (which is the case for No Time To Die actually), that doesn't matter but for Nolan's films, since for anything that's not a VFX shot (which are done at 6K if not more, usually it's 2K or 4K) he processes with analogue methods instead of scanning into digital, quality is unparalleled. That's why Nolan pushes for the format in terms of how the film is shown in cinemas, not just shooting (and Tenet was shot on both IMAX 70mm and Panavision System 65 70mm cameras). There's also the aesthetic factor of showing the movie from film rolls - which is what Tarantino loves and pushes for, and there are a lot of repertory cinemas showing older films specifically from film. Even Netflix splurged out on film prints of Roma (though it was shot digitally and was a pure awards season buzz move) and Uncut Gems earlier this year.
In the case of No Time To Die (shot 35mm, IMAX 70mm, and some Panavision System 65 70mm - all finished digitally at 4K), the key point with 70mm IMAX prints specifically is that in the UK (save for going to Manchester, or hopefully the London Science Museum will finish the refurb of its IMAX), it's the only way to see the film with the IMAX sequences presented in its intended format, with the full image filling the entire screen. (Eg at the BFI IMAX, you'd still get some blank space top and bottom if the film was shown digitally there)
Damn.
Can't be only IMAX 70mm in Europe.
The Savoy in Hamburg is not an IMAX cinema. It's showing a "normal" 70mm print:
https://savoy.premiumkino.de
So there are non-IMAX 70mm prints on mainland Europe aswell.
In Amsterdam they also have an original, normal 70mm projector.
Yeah that's what I'm saying! But only one IMAX 70mm in Europe, and that's in London.