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But seriously, I’d be up for more Zimmer. However, I’d love to see a revolving door of different composers throughout the years. There’s so much talent out there that it would seem a waste to not bring in new blood.
This below is quite honestly the most moving, powerful and sublime piece of John Barry-eque film-scoring I have heard this century :
He is one of few who can match Barry's intricate interplay, emotional nuance and layered orchestration - he could potentially deliver a new OHMSS or TLD score. Seriously.
Completely agree!! He is the only reason I would entertain Damien Chazelle as director. Hurwitz needs to do a Bond score!
I’m happy with Team Zimmer for the most part but in an alternate universe I think he’d have been a great fit for NTTD.
Beautiful score.
Sign me up.
Hard to assume/predict exactly who should score it -- I mean, we don't yet know the substance of the film, its tone, the director or even the Bond actor. And the composer has to be the right fit with both said film and director. (I'd love to find out the real reasons, but I'm assuming Dan Romer's work was a fit with the latter but not the former, which led to the replacement).
But, yes. A drum I'm sure I'll beat many times in the next few years: Any of Hans Zimmer, David Arnold, or Steve Mazzarro would be incredible choices in my book.
Justin Hurwitz is fantastic and I love First Man both film and score, but I wouldn’t want them to go for something so on the nose Barry sounding. I’d love for Ludwig Goransson to give it a go, I think his experience in hip hop production is quite interesting and could provide some value for a really fresh new title song.
This is the only thing I remember that was posted about the end credits.
James Bond Theme. Heard in:
Action motif. Technically, this is also part of the James Bond Theme, but it's innovative enough that it should be classified separately. Heard in:
Action/mystery motif. Heard in:
No Time to Die. Heard in:
We Have All the Time in the World. Heard in:
Other motifs and themes
Good list. Thanks, this will make re-listening to it interesting.
I think it is a mix of the end of “What have you done” and the James Bond theme from “Back to MI6”.
Yes, after WHATTITW during the end credits they play a mix of Square Escape, Home, What Have You Done and Back to MI6.
All the feels!
"Final Ascent", "Home", and any other moment where a lush reprise of the chorus of NTTD works its way into the score are all among my favourite pieces of Bond score ever, but that explosion of strings at 0:30 in this just feels entirely like a classic "here's the guy you all love" moment a la when we first see him in FRWL.