NTTD Main Titles & Gunbarrel - Designed by Daniel Kleinman (SPOILERS)

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  • NickTwentyTwoNickTwentyTwo Vancouver, BC, Canada
    edited October 2021 Posts: 7,588
    Ryan wrote: »
    Someone suggested in one of the review threads that it is actually Bond getting shot this time around and that's why there's no blood. That's a fun thought. I already figured the white fade was symbolic (as well as practical as we fade to the snow), but I hadn't considered that other possibility.

    Yeah, I'd read somewhere here that the gunbarrel was foreshadowing the end of the film with no blood and Bond fading into white. I'm into it.

    I'm refreshing Rattling Stick's website every hour to see when they post the NTTD title sequence, lol. I want an HD image of that PPK Double Helix for my future-custom-NTTD-box-art!
  • That’s a cool symbolic reading of the gun barrel, I can definitely buy that.
  • mtmmtm United Kingdom
    edited October 2021 Posts: 16,574
    Yeah, I like it too. As I was saying in that thread, does it seem in this video like the gunshot sound comes slightly before Bond shoots? Maybe we shot first!
    vzok wrote: »
    Is this the USA version?



  • RyanRyan Canada
    Posts: 692
    Ryan wrote: »
    Someone suggested in one of the review threads that it is actually Bond getting shot this time around and that's why there's no blood. That's a fun thought. I already figured the white fade was symbolic (as well as practical as we fade to the snow), but I hadn't considered that other possibility.

    Yeah, I'd read somewhere here that the gunbarrel was foreshadowing the end of the film with no blood and Bond fading into white. I'm into it.

    I'm refreshing Rattling Stick's website every hour to see when they post the NTTD title sequence, lol. I want an HD image of that PPK Double Helix for my future-custom-NTTD-box-art!

    Speaking of box art, there's been so many posters for this film that I do wonder what will end up making the cut for the standard Blu-ray, the inevitable steelbook, etc...

    Although part of me hopes a 60th Anniversary 4K set gets announced alongside the home video release so I can decide whether it's worth buying the standalone release or just going for the box set.
  • I don't like the Universal dots. Glad I'm in the U.S.

    We haven't had a 100% normal gunbarrel since 1999. I was kind of annoyed about the no blood thing until I understood the symbolism.

    Then again, what is a DC Bond movie without a gunbarrel with a twist?

  • MinionMinion Don't Hassle the Bond
    Posts: 1,165
    Ryan wrote: »
    Someone suggested in one of the review threads that it is actually Bond getting shot this time around and that's why there's no blood. That's a fun thought. I already figured the white fade was symbolic (as well as practical as we fade to the snow), but I hadn't considered that other possibility.
    On my second viewing, I swear the gunshot occurs before Bond has finished turning around.
  • RyanRyan Canada
    Posts: 692
    Minion wrote: »
    Ryan wrote: »
    Someone suggested in one of the review threads that it is actually Bond getting shot this time around and that's why there's no blood. That's a fun thought. I already figured the white fade was symbolic (as well as practical as we fade to the snow), but I hadn't considered that other possibility.
    On my second viewing, I swear the gunshot occurs before Bond has finished turning around.

    Someone on YouTube mentioned that and while I didn't catch it myself, I assumed at most that it was just slightly mistimed. Not a huge deal. Now you've definitely made me rethink that...
  • mtmmtm United Kingdom
    Posts: 16,574
    Minion wrote: »
    Ryan wrote: »
    Someone suggested in one of the review threads that it is actually Bond getting shot this time around and that's why there's no blood. That's a fun thought. I already figured the white fade was symbolic (as well as practical as we fade to the snow), but I hadn't considered that other possibility.
    On my second viewing, I swear the gunshot occurs before Bond has finished turning around.

    Interesting that you thought that too- I mentioned it a couple of posts above.
  • RyanRyan Canada
    Posts: 692
    mtm wrote: »
    Minion wrote: »
    Ryan wrote: »
    Someone suggested in one of the review threads that it is actually Bond getting shot this time around and that's why there's no blood. That's a fun thought. I already figured the white fade was symbolic (as well as practical as we fade to the snow), but I hadn't considered that other possibility.
    On my second viewing, I swear the gunshot occurs before Bond has finished turning around.

    Interesting that you thought that too- I mentioned it a couple of posts above.

    I totally missed you saying that (despite it being just a couple posts above), but rewatched it with that in mind and think you may very well be on to something.
  • Posts: 2,402
    DCisared wrote: »
    I love the bond in the tunnel one that was at the end of loads of the trailers that some thought wouldn't be in the film.

    Love the V8 driving into the tunnel and don't miss the blood from the beginning one as much as I thought I would if I'd of thought about it before hand.

    Are there just the THREE in the film?

    A shot that I've not seen ANYONE mention is at the beginning of the climax when Nomi and Bond are about to ascend this spiral staircase, the camera tilts up so we're looking at the staircase from below for a split second, and it looks VERY much like a gunbarrel to me.
  • Posts: 2,402
    mtm wrote: »
    Yeah, I like it too. As I was saying in that thread, does it seem in this video like the gunshot sound comes slightly before Bond shoots? Maybe we shot first!
    vzok wrote: »
    Is this the USA version?



    60 years of that bastard shooting me, I finally got him! :)) :)) :))
  • mtmmtm United Kingdom
    Posts: 16,574
    mtm wrote: »
    Yeah, I like it too. As I was saying in that thread, does it seem in this video like the gunshot sound comes slightly before Bond shoots? Maybe we shot first!
    vzok wrote: »
    Is this the USA version?



    60 years of that bastard shooting me, I finally got him! :)) :)) :))

    :))
  • edited October 2021 Posts: 4,410
    It looks as though the first images and interview with Kleinman discussing the titles is online. I cannot access it as it is behind a paywall, however, we do have our first clear look at the DNA helix made of guns. Probably one of the more inspired images in a fairly drab sequence. I enjoy the bold use for the colour in the background. Also, I believe these screencaps are in the IMAX aspect ratio......

    https://www.creativereview.co.uk/james-bond-title-sequences/

    Ti010_4200_comp_default_output_primary_v051_main_1036.jpg?auto=compress,format&q=60&w=1536&h=1074
    FBkRpWrXoAURO4E?format=jpg&name=large
    Ti010_3100_comp_default_output_primary_v128_main_1250-1024x716.jpeg

  • I actually really enjoyed the title sequence, one of Kleinman’s strongest even.
  • mtmmtm United Kingdom
    Posts: 16,574
    Awesome, thanks!
  • Posts: 490
    I liked it but I'd grown used to the Skyfall and Spectre sequences that heavily previewed scenes from the movie. This one was far more abstract.
  • Posts: 144
    Seeing No Time To Die in 3D is well worth it just for the titles alone. I'd ranked these 3rd overall behind Skyfall and No Time To Die as far as the Craig era is concerned.
  • JamesBondKenyaJamesBondKenya Danny Boyle laughs to himself
    Posts: 2,730
    Best credits since CR. I love the colors, no more dark and broody stuff. Great visuals, especially in the context of the film.
  • edited October 2021 Posts: 7,532
    I also think it was one of Kleinmans best! Much improved from SF and SP ( though I like a lot of the latter!)
  • DenbighDenbigh UK
    edited October 2021 Posts: 5,970
    If I was to rank the titles, I think No Time To DIe is my least favourite personally.

    1) Skyfall
    2) Casino Royale
    3) Quantum Of Solace
    4) Spectre
    5) No TIme To DIe
  • NickTwentyTwoNickTwentyTwo Vancouver, BC, Canada
    Posts: 7,588
    It looks as though the first images and interview with Kleinman discussing the titles is online. I cannot access it as it is behind a paywall, however, we do have our first clear look at the DNA helix made of guns. Probably one of the more inspired images in a fairly drab sequence. I enjoy the bold use for the colour in the background. Also, I believe these screencaps are in the IMAX aspect ratio......

    https://www.creativereview.co.uk/james-bond-title-sequences/

    Ti010_4200_comp_default_output_primary_v051_main_1036.jpg?auto=compress,format&q=60&w=1536&h=1074
    FBkRpWrXoAURO4E?format=jpg&name=large

    THANK YOU!
  • Posts: 2,402
    I've come around massively on this sequence and now consider it the third-best of the series behind GE and (a likely eternal #1) CR.
  • Posts: 1,976
    Ryan wrote: »
    Someone suggested in one of the review threads that it is actually Bond getting shot this time around and that's why there's no blood. That's a fun thought. I already figured the white fade was symbolic (as well as practical as we fade to the snow), but I hadn't considered that other possibility.

    Now it makes sense why there was no blood.
  • George_KaplanGeorge_Kaplan Being chauffeured by Tibbett
    Posts: 700
    The title sequence was a real highlight for me, in fact I think it might be my new favourite of the whole series.
  • RyanRyan Canada
    Posts: 692
    As much as I wanted to return to a more Brosnan-esque gun barrel design, I have to say I really liked the design this time around. It just worked for me and I love the zoom up the barrel into the opening shot.
  • Posts: 2,402
    Ryan wrote: »
    As much as I wanted to return to a more Brosnan-esque gun barrel design, I have to say I really liked the design this time around. It just worked for me and I love the zoom up the barrel into the opening shot.

    I've said it a couple times now but I really don't mind if they keep with a more modern 8-sided rifling barrel in future, although I think they could still do a little bit better with getting the coloring just right to match Kleinman's barrel during the Brosnan era. Whether or not the scene reflects into the barrel as it fades in, and regardless of where on the screen the dot opens up, I'm also open to having the barrel not disappear.
  • 4EverBonded4EverBonded the Ballrooms of Mars
    Posts: 12,480
    Love the MGM lion. And I really like the gunbarrel a lot. It foreshadows the ending, which I did not fully get till later.
  • matt_umatt_u better known as Mr. Roark
    Posts: 4,343
    I think this may be the strongest Main title sequence since CR.
  • mtmmtm United Kingdom
    Posts: 16,574
    Ryan wrote: »
    As much as I wanted to return to a more Brosnan-esque gun barrel design, I have to say I really liked the design this time around. It just worked for me and I love the zoom up the barrel into the opening shot.

    Tracking out of the barrel into the scene makes so much sense in hindsight it almost seems crazy it hasn't been thought of before! :)
    I'd quite like to see that in 3D, even.
  • QBranchQBranch Always have an escape plan. Mine is watching James Bond films.
    Posts: 14,663
    Like at the end of GE's title sequence.
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