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Yeah, I'd read somewhere here that the gunbarrel was foreshadowing the end of the film with no blood and Bond fading into white. I'm into it.
I'm refreshing Rattling Stick's website every hour to see when they post the NTTD title sequence, lol. I want an HD image of that PPK Double Helix for my future-custom-NTTD-box-art!
Speaking of box art, there's been so many posters for this film that I do wonder what will end up making the cut for the standard Blu-ray, the inevitable steelbook, etc...
Although part of me hopes a 60th Anniversary 4K set gets announced alongside the home video release so I can decide whether it's worth buying the standalone release or just going for the box set.
We haven't had a 100% normal gunbarrel since 1999. I was kind of annoyed about the no blood thing until I understood the symbolism.
Then again, what is a DC Bond movie without a gunbarrel with a twist?
Someone on YouTube mentioned that and while I didn't catch it myself, I assumed at most that it was just slightly mistimed. Not a huge deal. Now you've definitely made me rethink that...
Interesting that you thought that too- I mentioned it a couple of posts above.
I totally missed you saying that (despite it being just a couple posts above), but rewatched it with that in mind and think you may very well be on to something.
A shot that I've not seen ANYONE mention is at the beginning of the climax when Nomi and Bond are about to ascend this spiral staircase, the camera tilts up so we're looking at the staircase from below for a split second, and it looks VERY much like a gunbarrel to me.
60 years of that bastard shooting me, I finally got him! :)) :)) :))
:))
https://www.creativereview.co.uk/james-bond-title-sequences/
1) Skyfall
2) Casino Royale
3) Quantum Of Solace
4) Spectre
5) No TIme To DIe
THANK YOU!
Now it makes sense why there was no blood.
I've said it a couple times now but I really don't mind if they keep with a more modern 8-sided rifling barrel in future, although I think they could still do a little bit better with getting the coloring just right to match Kleinman's barrel during the Brosnan era. Whether or not the scene reflects into the barrel as it fades in, and regardless of where on the screen the dot opens up, I'm also open to having the barrel not disappear.
Tracking out of the barrel into the scene makes so much sense in hindsight it almost seems crazy it hasn't been thought of before! :)
I'd quite like to see that in 3D, even.