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No Time for Fries
I should've known
My waist has grown
Just goes to show
That the pounds you eat
Are now the pounds you own
I wanted a pear
But I saw Wendy's there
Too much hunger to bear
Work is my life
But work is far away from fair
Was I stupid to sleep late?
Was I hangry as hell?
Was it obvious to everybody else?
(chorus)
Well, I've fallen cuz I'm high
Wendy's rest stop at my side
Was late once, was late twice
Gotta get to work; it's 8:55
Working hungry makes me cry
There's just no time for fries!
Calories burn
Food is no longer my concern
But temptations from the past return
If I stop for food, I'll be late for work
(chorus)
Well, I've fallen cuz I'm high
Wendy's rest stop at my side
Was late once, was late twice
Gotta get to work; it's 8:55
Working hungry makes me cry
There's just no time for fries!
NTTD has won Best Song at the Hollywood Music in Media Awards.
The vibe & lyrical content are especially apposite for NTTD and I love its use throughout the score.
Has everyone seen this:
Thank you very much for sharing; very interesting. Those 70s and 80s ballads (from Nobody Does It Better to All Time High) do move away from the typical Bond sound. I feel Moonraker is the most Bondian sounding of them.
As for NTTD, another tip of the hat to the Bond theme is that brass phrase one minute into the song, quoted verbatim from the theme of course. Also, I think the Bondian quality of that chord progression the woman points out is even more noticeable right when Billie Eilish begins singing (at 0:27 to be exact), as the voicing of the chords in the piano is such that you get to hear B-C-C# (the vamp) very clearly (well, in the instrumental version anyway).
I'm interested in Jon Burlingame's comment that the bebop has become more prominent than the guitar melody in the scores. Off the top of my head I can see his point. That said, I think the most important Bondian backbone of the scores these days is the vamp.
I love that they played a bit of the gunbarrel theme from Moonraker.
It's certainly way better than Sam Smith's attempt and I like some of the lyrics, but for the most part, it's not one to linger with me after the film's done.
Billie Eilish new single TV. It's nice. It starts slow, but then the lyrics hit hard on the 2nd verse and I love the mixing on the outro (has a Lana del Rey vibe).