It looks like you're new here. If you want to get involved, click one of these buttons!
^ Back to Top
The MI6 Community is unofficial and in no way associated or linked with EON Productions, MGM, Sony Pictures, Activision or Ian Fleming Publications. Any views expressed on this website are of the individual members and do not necessarily reflect those of the Community owners. Any video or images displayed in topics on MI6 Community are embedded by users from third party sites and as such MI6 Community and its owners take no responsibility for this material.
James Bond News • James Bond Articles • James Bond Magazine
Comments
I wonder if Bond vs. Necros on the net would count, for a Dalton entry? Obviously it's the opposite of a confined space, but they're sort of "confined" to the net? :P
It's an interesting thought, they're definitely confined in a way. Or could I even toss in something like Green Four vs. Necros? Doesn't include Bond and it's not as closed in as some of the others but I've always loved that fight. The former's one of my favorite minor characters in the series.
Yeah I think the Hinx fight is pretty good- I especially like how Bond starts to tire out and is losing at the end. I totally see why thedove didn't include it though as it's not really 'confined' as such.
I watched the two fights linked to on the previous page and for me the OHMSS one is the better of the two. The DAF one actually started to bore me after a while, it does go on a bit, doesn't it?
It's still FRWL on top for me.
Ooh that is a cracker.
Great stuff from the academy! I will tabulate the results soon and announce a winner!
Grant versus Bond FRWL 14 votes
Che Che vs Bond OHMSS 6 votes
Franks vs Bond DAF 3 votes
Jaws vs Bond TSWLM 0 votes
Slate vs Bond QOS 0 votes
Now it's time to award a Klebbie! This will be awarded to worst song. The nominees are:
Madonna...Die Another Day from Die Another Day
Sheryl Crow...Tomorrow Never Dies from Tomorrow Never Dies
Lulu...The Man with The Golden Gun from The Man with the Golden Gun
Jack White and Alicia Keys Another Way to Die from Quantum of Solace
Sam Smith The Writing on the Wall from Spectre
Time to hear from the academy, which is the worst title song from a Bond movie?
I have taken that train, and those luxury compartments were pretty empty. They aren t for the regular passengers.
The opening bars are amazing, but then Sam starts whining.
I like Another Way to Die anyway, but you all should give it a break just because of the brilliant opening riff. It's like a new version of "Bond Back in Action", and they should have made a regular cue out of it....
Like all awards shows even the Klebbie's have their controversy!
Oh, sorry, Die Another Day.
I can't imagine why @ProfJoeButcher considers FYEO to be the worst Bond theme song of all...it's a middling offering to my ears, neither particularly wonderful nor particularly awful. But to each their own...
@ProfJoeButcher
I definitely agree about FYEO. I absolutely despise that song as well as the film's score from Conti. It's a main factor on why I have it last in my overall film rankings.
These are my feelings as well, I didn’t know FYEO was so controversial.
"All Time High" is one of the weaker theme songs to my mind as well. Although we don't seem to have any objective criteria to judge this particular topic, here's one of mine... I like a theme song that at least mentions that movie's title somewhere in the song's lyrics. They don't all have to be "GOLLLD-Fingah! (Bwah-BWAAAH-Bwah...)" ...but even "Nobody Does it Better" does mention that "the Spy Who Loved Me...is keeping all my secrets safe tonight." I'm sorry, but I don't think "All Time High" has any lyrics pertaining to Octopussy...or "AWTD" mentions anything about a Quantum of Solace. So these songs just plain lose points own my own internal scorecard.
That's the problem right there : they didn't think at all.
I like FYEO...as possibly the only part of the soundtrack for that movie. Nothing great or exciting, but ok. It's in the same range as All Time High, though not quite as bland.
Chaotic song for a chaotically-edited movie. How can you go wrong?