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Comments
Am not sure you could call 'SP' and 'SF.' as using brighter colours? I too prefer it when Kleinman uses colour, and was glad to see it being more prevalent in 'NTTD'! I remember commenting after 'SP' came out that maybe they needed to replace Daniel Kleinman, but my faith was restored after seeing NTTD! I would like to see him stay on for the next Bond
THE WORLD IS NOT ENOUGH
Main title sequence designed by
DANIEL KLEINMAN
TWINE’s titles received one silver medal, one 5th place, one 6th place, one 7th place and one 9th place, giving it five top 10’s in total.
Unfortunately for Brosnan the Third, there were also two bottom 5’s: one 25th and one 23rd place.
Two more members did not have a place for this one in their top 20, both of them ranked it 22nd.
In total TWINE’s main title sequence received 78 points.
I like it that it is all about oil. The transition from the PTS to the titles is very cool. But it is true, that it is a bit repetitive after a while.
It s the best part of the film.
Bringing Kleinman in was a tremendous boon for the series.
My lowest rated of Brosnan's and third lowest of Kleinman's, but I still really like this one a lot. Who knew the concept of oil could be used so imaginatively? I particularly like the use of rainbow colors inspired by the sight of the sun's reflection in a patch of oil. Great way to give the titles some color. The transition from Bond falling is particularly well done too.
A VIEW TO A KILL
Main title sequence designed by
MAURICE BINDER
After some Kleinman we’re back with an 80’s Binder title, this one performing slightly better than most of its contemporaries.
Five top 10’s were noted for AVTAK’s blacklight ski trip: a 2nd, a 4th, a 6th, a 7th and an 8th spot, each on one occasion.
There were also two bottom 5’s: one 26th and one 25th place.
AVTAK’s main title sequence obtained a total of 78 points.
That’s exactly the same total as TWINE.
To decide the 17th place a very tense toss-up between these two ensued.
In addition to both obtaining one silver medal, they both ended up with five top 10’s and two bottom 5’s. Furthermore, they were awarded the same amount of top 20’s. So in the end the toss-up was decided by the one top half finish that AVTAK ended up having more than TWINE. So cheers for whoever put AVTAK 11th, you scored a golden goal.
Binder had some ideas on this one, and he had a definite aesthetic which I think worked. I also love how almost every shot of the sequence transitions organically to the next one, instead of fading out on an image and then bringing in something new.
And the reused shot of Roger turning and shooting, supplemented by the weird shooting effect (that fits with the music), is a great little moment.
The fluro paint rather dates it. Binder has done much, much better.
Same here. I had AVTAK at number 8.
IMO this is (with FYEO) Binder's best 1980s work.
I ranked it at #16.
DIE ANOTHER DAY
Main title sequence designed by
DANNY KLEINMAN
Daniel becomes Danny for Kleinman’s third title sequence of the franchise, incorporating a continuation of the plot during the titles for the first time.
Two 4th places were noted, together with a 6th, a 7th and a 10th spot, each on one occasion, DAD received a total of five top 10’s.
Two bottom 5’s were also noted, a 25th and a 26th place. Two more members placed this one outside their top 20, ranking it 21st and 22nd.
DAD’s title main sequence obtained a total of 79 points.