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Comments
I rather like this sequence. It basically tells the story that takes place between PTS and film. These titles go remarkably well with the song too, which is a surprise given how "speshul" Madonna's song is. In a way, Kleinman made Madonna's song better, or at least better suited for the film.
I've never really thought about the text placement in any given title sequence until I've seen you guys mentioning it here over the past couple of days. Now I see what you mean.
I quite like how the titles show Bond captured, tortured and in an unseen position.
I also like that it is part of the story. Unique in the series.
The producer credit is one of the weird ones....
It's very refreshing in that regard, like the incredible CR title sequence.
Yes, that is another one. And FYEO.
FYEO is one of my favourites!
FOR YOUR EYES ONLY
Main title sequence designed by
MAURICE BINDER
The only title sequence to feature its singer, Sheena Easton in this case, ends on top of its 80’s contemporaries and just manages to squeeze into our top 15.
FYEO’s best ratings were one 4th, two 5th, one 8th and two 9th places. Two bottom 5’s were also noted: one penultimate place and one 23rd spot.
In total FYEO’s main title sequence received 81 points.
I am surprised that QoS does so well ...
I had FYEO at 5! I think its one of Binders best! The colours are gorgeous and it matches the song very well. I dont mind Sheena appearing at all, Binder blends her into the images seamlessly!
Of the ones you name, definitely Shirley Manson could have worked!
Yes, she could have been a dancing, singing sexy silhouette, coming out of the shadow and towards the camera towards the end- like Craig in the CR sequence.
In any case, at least Michael Wilson didn’t offer Ms. Easton a role in FYEO as a fencing instructor or something!
....the world's kitty cats have hacked the voting :))
Ice skate instructor might have been an option for this particular film ;)
It worked well with the visuals. At least dear old Maurice Binder was trying something different.