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If I can say that.
Off topic, but I love Pan book covers.
Me too.
The vintage style is fan art of course, I love seeing them.
I remember reading the book for the first time and naturally presuming Solitare was mixed race (something about her skin colour being that of whites who had lived long in the tropics/Fleming literally writing that she looks like the granddaughter of a French General slave owner or whatever. Always assumed it was a nasty euphemism of some kind for something that had gone on between that General and his female slaves).
Mr. Big is a really interesting villain though.
Well, I’d say FRWL’s plot is quite convoluted in a way (especially compared to the book with the whole idea of SPECTRE playing both sides, and it works well). And it’s very much a film of its time/has its Hitchcock influences (that’s nothing against the film - it’s my favourite Bond film and I think it shows how well made and classic it is).
But otherwise I get you. I agree, I don’t necessarily want an AI plot, although like anything I think it depends on how it’s done. You could have a FRWL type cat and mouse story with more modern tech (the Lektor device is effectively a modern piece of 60s tech). Similarly you could have a film which starts smaller scale and by the end Bond has to thwart a major attack/world changing event the villain is planning (pretty much like DN really).
I was watching GE with my dad last year and he told me that even in the mid-90s you could've done that from a laptop anywhere in the world (he's worked in software engineering since the 80s).
I always understood that she might have some Black blood too. I think Fleming could not be too explicit about this, as interracial relationship, even with mixed races, must have been at least frowned upon.
Yes, Mr Big is a great villain and pretty much "untouched" by the LALD adaptation. I can even think of a few actors who would fit the bill perfectly. Steve Tientcheu would be my top choice. He pretty much played a Mr Big kind of character in the season 3 of Lupin.
For me it felt euphemistic not about interracial relationships , but rather the French colonial slave owner in question outright raping those slaves and having a daughter who passed enough to be raised in the household. Not nice, but I know it’s something historically that did happen on occasion. It can definitely be read as a more consensual dalliance though. Could well just be me reading something that’s not there at all, and I think modern readers have a tough time associating Solitare’s face being ‘born to command’ with the line about that slave owner (ie. We don’t automatically see that as a positive association and instead look at the lines about her pallor being that of white families who have lived long in the tropics, the high cheek bones etc). Not read the book in a while though, and not sure what Fleming had in mind off the top of my head/if he ever discussed it.
Good shout. I can see Tientcheu playing a Bond villain.
The Man from Univex (1st choice for title)
Univex
The Exporter - tagline: 'He's an importer of goods exporting the bad'
for consideration: 'import' (in Latin): Importàre or Exportaré (I will export)
We literally need @Univex in here 😉
Also, Broccoli and Wilson's appreciation of an original concept is often quite limited. Purvis and Wade, for example, have already described having pitched fairly radical proposals to Eon and that each time their ideas had been rejected when they went too far outside the usual framework. They proposed to have a voiceover narration like a film noir or to have Bond evolving in a closed place, and it was rejected.
My only reservation about Tientcheu is that he might be a fairly limited actor. I haven't seen him in enough things to pass judgment. But in Lupin I think he was so perfectly menacing. I can easily imagine him as Mr Big, at least in physique.
SPECTRE, having targeted Univex, puts on the stranglehold:
The large harbour (Port Jackson) would be ideal for a boat chase. Bond vs Spectre boat assassins or water drones. B-)
I'd love to see the Sydney Opera House featured, but the scene would need to be very different from the Tosca scene in QOS. Less action centric maybe?
More like TLD opera scene?
Haven't seen it in a while. I was thinking of something tense and suspenseful, but somewhat slow. Maybe Bond must identify a villain, or he meets a villain but cannot confront him because of his surroundings.
I have… arrived ;)
We need you for this mission.
And not sure if it isn't more fitting for an old fashioned crime fiction story, but emeralds as a MacGuffin and villain's motivation could also work for a Bond film. Let's say an emerald trafficker with ties to terrorist organisations and kleptocrats. Use elements of LALD and DAF, maybe even TMWTGG...
done in the same way as an octopussy or The Living Daylights.
China, Iran, North Korea, the EU etc.
They have this talk of "Is Bond still relevant?", but how can he be relevant if you're not willing to place him in our world?
Bond could expose a Chinese secret police station in Birmingham where he uncovers a SILVERROSE with a code on it, which analyzing the DNA on, leads him to Beijing to party at a Chinese Garden. Etc.