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By that logic it shouldn't matter what his gender or sexuality is either, just saying. :-??
I already said that.
If you think the gender and sexuality of the character doesn’t matter, fair enough.
Ha, no. Never said it. Just holding you to own logic, and wondering why it shouldn't apply.
If you don't feel like answering, that's fine by me. ;)
Though as far as sexuality goes, I’d only go as far as being open to Bond being bisexual, as that at least appeals to his hedonistic predilections and opens more avenues in terms of him being a manipulator.
Hotel Porter: Secrets. Wishes. Letting go of the past. Getting rid of old things, in come the new.
All of a sudden, NTTD does feel poignant and melancholic now. I never saw that coming. Hmmm.
They're not the same thing, but your logic of "its the 2020's, it shouldn't matter" should apply equally.
Is there any reason why it shouldn't?
My goodness, your shocking foul mouthed rant has deeply upset me, how could you be such a brute 😜
Agreed about Skyfall: I guess Bond being the ‘old way’ is really a theme of the whole series: he’s all wood-panelling and classic suits where the villains are all modernist lairs and nehru collars. Regardless, and as much as I enjoyed it in SF, I wouldn’t mind them not stressing his old dog ways too much again as it feels a bit done.
That’s definitely different logic. They’re not the same thing, and some aspects of Bond’s makeup are more important than others. By the logic you’re using that everything is of equal importance we could say Dalton was all wrong for Bond as he was the wrong shoe size.
That Bond is a man or desires women is much more important to the stories and his personality than his eye, hair or skin colour, which are just incidental details, especially in the modern day.
That Bond enjoys casual sex is certainly a key element, but the genders seems like another arbitrary characteristic, again if we're working on the logic of "its the 2020's so it shouldn't matter". What changes about TND, to use makeshifts example if Bond is nonbinary? I'm not seeing what justification makes it different, other than you just stating that it is the case.
That Bond is extremely alpha male masculine and personifies both the best and worst traits of that is absolutely key to him, I feel like you must be aware of this, even if you don’t know what all the films are called ;)
What is never important to the stories or his character is the colour or shape of bits of him. Well okay, we can infer some bits of him are probably quite large from “my mouth is too big” ( :D ) and funnily enough his eye colour does come up in NTTD with Madeline(!) but if it were green it wouldn’t change anything.
Can't you just have an alpha female though? Or alpha nonbinary? Is that Alpha energy locked up in him using he/him pronouns, that the second he changes it goes away like Austin Powers losing his mojo. Can't he maintain the same temperament, the same traits just with different genitalia? Why would something arbitrary like what he has downstairs make the difference? Is him being a man really what matters, or having traits that are traditionally asscoiated with masculinity, because you know anyone can have those, right? It is the 2020's afterall, it shouldn't matter, should it?
That's the one thing that's come out of this deal is it's given NTTD a different light. It did feel melancholic during first viewing, but I reasoned that was as it was Craig's finale.
Perhaps the Dr No dots in the title sequence held more significance than we realised, for example.
At the end of the day, whichever day in the future it may be, Bond shouldn't be a vehicle for false 'emancipatory' (woke) ideas. Bond is a white character with lore et all, just like Shaft has his. No one EVER in the future will even BEGIN to think to make Shaft white instead. That is pure hypocrisy. Somehow some people push for these changes because we 'owe' it to minorities. I stress Bond owes nothing to anyone, Bond is white and should remain so. He isn't there to serve perverse ideological agendas concocted by others who don't care.
To be honest I think it’s a bit moot as, without wanting to be accused of going on an outrageous tirade that might make more delicate folks faint, we’re where we are in the current politicised world order and due to who owns him he’s going to stay white this time I would expect.
I’m not even passing comment on whether that’s a good or bad or indifferent thing.
You’re just saying random stuff to be argumentative now, none of that makes sense. If you think a woman being masculine is the same thing as a man being masculine then I can’t help you.
Oh gosh yes, I hadn’t thought of that. Whether intended or not, it does work as a bookend.
Just vaguely gesturing at a difference without actually having any means of putting it into words.
Yes you are failing to put your argument into words, glad we agree.
Look, either you can see how the world and people function or you can’t, it’s not my job to educate you. I think you know you’re talking a load of nonsense, especially as you’re taking the position of something you don’t actually believe in by simplistic over extrapolation where everything is the same as everything else in order to try and make some sort of childish point. It’s a stupid conversation.
Yes. Correct. Those DN dots too. Eilish's whispery, soulful Bond song, Bond's death feels emotional now. Everything about NTTD suddenly clicks and the film really does feels like the end of an era now.
Had Barbara made the decision to kill Bond off because she knew the Amazon deal was on the horizon, and she knew she would ultimately have to sell out, then I can understand a bit more the reason to kill Bond off at the end of NTTD. In some strange way I even respect it. Cinematic Bond was her family creation, born with her father and killed off by the daughter.
But, as others have mentioned here before, if the Amazon deal was not on the horizon, then I still do not understand the reckless need to kill off Bond in NTTD. For me it was unforgivable, the biggest single damage she did to her father's legacy.
This is why I am pleased, ecstatic even, that Amazon are taking over. It remains to be seen what they will do with it, but I am far more hopeful for Bond 26 now, than I was this time last week under EON's reign.
If the character is still supposed to be Ian Fleming's James Bond, then I think it should stay as close to the literary description as much as possible - character traits, personality, description, everything.
If however, Amazon's reign presents the title poster of Bond 26 as simply `James Bond', rather than `Ian Fleming's James Bond', then yes you are right. They can do whatever they want with the character, they could make him Chinese or Indian origin, they could make him black, they could make him mixed race, they could make him gay, they could give him a massive long ginger beard, ZZ Top style.
They could scrap the suits and have his wardrobe now only consisting of faded Levi's jeans, Adidas sneakers and a hoodie, Axel Foley style, because they are working from a blank canvas, no longer restrained by the literary version, and no need to honour the previous cinematic versions either.
They could even scrap the Aston Martin and give Bond a Del Boy yellow Robin Reliant 3 wheeler van to drive around in.
I'm not sure how many fans they will win over in the process of doing this though, just because we are now in the 2020's...
Killing Bond was part of the novels and was long overdue coming in the films.
In the end, she did it at the right time I guess.
Now, everything in NTTD has a double entendre.
Killing Bond wasn't part of the novels. He only attempted it once in FRWL, but even then he left it open, and also rectified it in the next book by making sure Bond was saved.
NTTD did no such thing in its final scene with Bond. There was no ambiguity with Bond's death.
I agree with you that killing off James Bond was "the biggest single damage she did to her father's legacy."
- and it tainted her tenure as producer. With her father passing she was able to cast whoever she wanted. She cast Daniel Craig and despite the naysayers the Craig era was a success. You have proven the critics wrong, the films are profitable and then you say "I got a great idea. Let's kill off our intellectual property! The fans will love and respect us for killing off a 60 year long action hero franchise!"
??????
A mad, self-destructive decision unless Eon had decided to call it a day when they were in pre production of NTTD. Maybe MG had said "that's it, I'm retiring after NTTD" and Barbara thought "shall I continue or not? Daniel has made it clear he's never coming back so I don't see any reason to continue. At some point after NTTD is released I'll retire."
Perhaps Barbara Broccoli will give an interview in a few years time and be asked if she made the decision to kill off Bond because she had decided to retire after NTTD?
NTTD was complete at the end of 2019 or very early 2020. The original release date was February 14th 2020 but covid happened and everything was delayed, but Eon had five years to work on a screenplay for Bond 26 and Broccoli said there is no script:
Her comments would suggest Eon had no enthusiasm to work on Bond 26. Zero development for almost five years. It's reasonable to assume Eon had decided No Time To Die/and Bond dying was their exit plan. Maybe the Amazon purchase of MGM changed the precise timing of Eon's exit. It's possible Eon's legal team suggested stalling Amazon for few years to make Amazon increase their offer to buy Eon's share or to buy creative control - or maybe Amazon had said "enough of this delay" and threatening legal action.
I think all the evidence - certainly the lack of any development of Bond 26 - suggest Eon had decided to retire after NTTD. Maybe killing off Bond was the way to facilitate Eon's retirement. By killing off Bond it resulted in five years of zero development of Bond 26 and Amazon 'persuading' Eon to relinquish creative control.
I haven't watched NTTD in probably over two years now, but I'll revisit it soon. I'm sure it'll take on a whole new meaning
Same here! Best thing to happen to the franchise since CR.
But, gotta say, the positivism is creeping in slowly, even if we don’t have nothing concrete as of yet. It can be quickly shot down, fragile as it is.
To be fair, Shaft’s skin color is a lot more ingrained to his stories than Bond’s. The closest I can think of Bond’s whiteness actually serving under any context may be LALD where he shows up as the outsider in Harlem, but that’s about as far as his skin color had held relevance to the plot. It’s never relevant otherwise in the conceit of a gentleman spy globetrotting the world.
EON needed Bond to work, that's the difference.