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Comments
I think Arnold has been an incredibly consistent Bond Composer. He did say when composing TND he was coming to it as a 'Barry fan' and i think he succeeded brilliantly in capturing the 'Barry sound'
I think he brings something different to all his scores. I find his music for CR beautiful and romantic while DAD is more energetic and loud.
I think his action cues are second to none and 'White Knight' is one of the best pieces of music in the series.
Wish he'd done GE
That's why I would like him to come back for B25..totally agree with you Leonard.
Thanks. Bond 25 needs him!!!!!
A crime if they don’t get him back
Although I’m not in favor of adapting Nightfire into a film, I agree with the article in spirit especially this quote: “If you have a character as great as Bond, why waste him on emotional deconstruction and not vicarious wish-fulfilment? Nightfire embraces a Bond at the top of his saving-the-world game, for whom “nobody does it better” means something.”
1. There are chances its legacy is going to be ruined by awful rewriting.
2. NF is a beautiful homage to YOLT, TSWLM and MR combined into one.
3. NF without Brosnan's Bond is not NF to me at all!
This
Very true. I can’t think of one.
Silent Hill is the only one I don’t consider to be awful.
Yes that’s one of the reasons I’m in support of the spirit of the article (that we need vicarious wish fulfillment and fantastical elements back) but not the actual idea of a Nightfire adaptation.
That said, I'm not sure there is something inherent in a video game that makes it a poor candidate for a film adaptation.
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I agree. Giving one actor's story to another actor is a bad idea.
There’s a sweet spot between the tone he’s championing here and that of the Craig films. It’s where I presume they’ll go next.
I agree. :)
It's also his worst.
True, though I hear the unmade Diamonds Are Forever could have been pretty good!
I'll repeat a controversial opinion I placed here before : a second Bond movie with Lazenby, either with the same approach and quality as OHMSS or as he DAF we've had, would have killed the franchise.
I think there are too many variables involved to make a confident prediction. OHMSS's own promotion and reception were colored by Lazenby's departure from the role and estrangement from the producers. Had he stayed onboard and played ball, he would have received far more promotion and the film might have done even better at the box office (as many have noted, OHMSS was not a commercial or critical flop). All of that might have ensured that his second film would be received well. On the other hand, both Moore and Dalton's second films under-performed, despite their debuts having matched or surpassed the grosses of their predecessors' last films.