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I agree with everything you say. When discussing this I always fall back on a quote from John Barry - 'Who was it that Harry and Cubby asked back?'
If Monty is such a genius rather than a bloke who just struck it lucky by having his melody rearranged by one of the greatest film composers of all time then why has he never been heard of again? Except when desperately shouting from the rafters to anyone who will listen about how he alone composed the Bond theme. Methinks Monty doth protest too much lest anyone should try and take his pension from him.
Just count up the Oscars and I think the answer is fairly obvious.
But isn't the point of the first video in the post that originated this thread to show that John Barry drew upon riffs he had already done for the John Barry Seven and use them in the final version of The James Bond Theme in Dr. No? Also, once he became Eon's composer of choice, he wove those riffs into part of the title songs for Goldfinger and Thunderball. When I first heard them, I thought, "Ah, he put in some notes from The James Bond Theme." As I learned more about the origins of the theme, I concluded that Barry was using the elements *he* originated and not Norman.
Don't get me wrong. I think Barry is more talented than Norman and the fact that Eon kept asking him back is an indication of that. And he even though he's not listed as the composer (or co-composer) of the James Bond Theme, Barry's contributions were immense. I'm just saying it's not unheard of for musicians to borrow from themselves.
I always thought music consists of both composition, and interpretation or performance. I had long discussions with fellow musicians in the past on that topic, some guys claiming that the chord progression defines a song. And chord progressions are in fact quite often subject of legal problems. On the other hand, if chord progressions make a song, then what about bands like ACDC, or Rage against the Machine, who have many songs that are based not on chords at all, but on riffs and melody hooks?
The fact that said borrowed material turned into one of the most famous pieces of music in the world should be proof enough that borrowing or laziness are not negative by themselves.
Barry was given no time at all to work wonders, and I believe along with many others that he and he alone Composed the theme as we know it, all for £250 pounds!! And then not knowing how successful Bond would be, walked away from the job never expecting to hear from Eon & co again!!
Monty Norman has dinned out on this tale and the theme that was never his, all his life and still does so!!! Its earned him a lot of money and kept him all these years!?
I for one can't recall or hear anything that Monty has composed since Dr No, can you!? And certainly NOT in the same league as John Barry, who as we all should know is ONE of the most influential modern day Film Composer the world has ever known, something Monty is not!!
He (Monty) is credited with the theme, but the DNA is all John Barry and any composer I've ever spoke to about this has always agreed, including other Bond composers! >:D<