It looks like you're new here. If you want to get involved, click one of these buttons!
^ Back to Top
The MI6 Community is unofficial and in no way associated or linked with EON Productions, MGM, Sony Pictures, Activision or Ian Fleming Publications. Any views expressed on this website are of the individual members and do not necessarily reflect those of the Community owners. Any video or images displayed in topics on MI6 Community are embedded by users from third party sites and as such MI6 Community and its owners take no responsibility for this material.
James Bond News • James Bond Articles • James Bond Magazine
Comments
Same with Spectre. Classic storytelling item. Love it.
Good catch, whoever it was, still bugs me I can't find where this was mentioned or I would've directly replied to the poster.
Damn, much longer back than I thought, that explains it. I went back six or seven pages and thought "No, don't think it was that long ago." Thanks, guys!
@goldenswissroyale, I'm glad we had the same thought there. It's totally them too, mustache on one and the facial hair on the other perfectly match the few shots we see of them beforehand. That's the whole jarring aspect of it to me, how dead and disposed they look, despite them dying mere seconds prior.
I don't mind them at all if done right - I believe that breathtaking ski/parachute stunt that caps off the PTS of TSWLM is slightly slowed down.
Tomorrow never dies, abandon ship, sinking of the Devonshire
I think the way Michael Kamen scores that scene is over the top. Mind you this was the 80's with slow motion in lots of films of the day. I just think it's not really needed for that scene. Is that a director call or a director of photography call? Or does the editor get licence (pun intended) to insert these speciality shots?
Forgot this one. I think it works in this scene. It feels a bit more dramatic.
I really like this one. The score is terrific, too.
How does Necros know about the Blayden safe house location?
I've always wondered this, too. It's not like he was on a timetable of any sort, and hell, he had gotten away with building so much of his secret rocket base in the Amazon and more without anyone else noticing, so such a highly publicized theft seems unnecessary.
I'm guessing this is a joke too? @Revelator
Yeish.
Ok @mattjoes
Years ago I owned a CD featuring film music. It was mostly re-recordings, I think. I don't know if they were all made simultaneously for the CD or taken from different sources. Anyway, early into the album (probably no later than tracks 5-6), re-recordings of Thunderball and Goldfinger were included, one after the other, and I don't know in which order. They were instrumentals, with what I seem to remember was a synthesized sound. Does this album ring a bell for anyone? I looked it up but came up empty. I'd love to find out exactly what it was.
If it was synthesizer music I suggest you google for Ed Starink. He made a line of "Synthesizer Greatest" albums and not bad at all...just not the originals of course. I don't know if GF and TB were among them.
Yes I remember that CD. I bought it hoping to have all the original theme tunes and music. It was my holiday present for the r the summer of 1989. I was sorely disappointed.