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By the 80s it was becoming quite a big thing to be asked to contribute a Bond song, and often we have seen capable artists freeze in the head lights (Madonna is the best example), almost as if the responsibility stripped them of their abilities.
Now we have situations where Eon are approaching artists who are singers and or rock stars first and song writers second. And while Adele and Sam Smith are good singers and capable song writers they are being given the impossible task of matching the great output of John Barry. It's prestigious for them of course, and a sure fire hit song, but the recent dumming down of the music industry thanks in no small part to the X Factor culture of instant celebrity means we are happy to accept good Bond songs at the expense of great ones. Because todays young generation have not lived through the times when great songs were being churned out every day of every year.
Sam Smith has written a lovely, melodic song which will probably infiltrate the soundtrack of Spectre really nicely, and many will think it a great addition to the Bond song cannon. Yet, in reality it is merely adequate and no more. Simply because John Barry polished off a string of great Bond songs, probably whilst wearing his pyjamas and before his first cup of Earl Grey.
bumping this to the new page ... :)
@CommanderRoss, I agree with you. I also miss SirHenry's input as a seasoned musician. I do think the song "dwindles away" as you say. But in the theater it should be okay, at least not so obviously mediocre because it will not be on its own. It will have all the fab opening titles happening along with it, and I do hope Newman adds some more orchestration (that is now my recurring hope) for this song in the actual film.
@Mrcoggins, I too want a 'like' button at times. :) So here is NicNac's comment bumped to this page, too.
Nic, you made some very good points. Especially your opening statement that "The media fuss that we have now when a Bond song is due has come about simply because John Barry inadvertently set the bar so very high back in the 60s and 70s."
Truer words were never spoken. Spot on. :-bd
Yet I am really open to different kinds of songs. Just give me some good music, with enough appropriate Bondian influence.
Sam's song is not so horrendous that it deserves the extreme criticisms I am reading. It is not as awful as DAD or AWTD. It is simply disappointing. It could have been wonderful and special; it is not.
I also want to turn my thoughts now to the opening titles sequence. Any thoughts about this?
I am sure it will be interesting and vivid, imaginative. I have a good feeling about that because Kleinman is awesome. I trust him. I'm hoping it will not be as dark as Skyfall's (though Skyfall's was totally appropriate for the film) ... and it will undoubtedly have danger in it ... indeed possibly the 'spectre' of Blofeld. ;) No, I do not know if the character named Blofeld will actually be in this film. And I don't want to know - I want whatever the story is to unfold pretty much unspoiled for me. But this film being called SPECTRE leads to all kinds of wonderful things for the opening titles sequence. With Mexico City's colorful pageantry set, I expect that to be part of the opening titles, too.
It is getting tough to go into any thread these days. But I'm hanging for a little while longer. ;) Please chime in with you thoughts - thanks! I'm off to work soon, but will check back later.
I also don't think the song needs to portray Bond as yearning (because of the voice it feels very like teenager in love struggle), lovesick, wrangling with his torn heart and what to do. Even when Bond's personal feelings are felt in a film - and I think Daniel Craig is a very good Bond indeed and portrays Bond's feelings very well - the song does not need to go overboard in conveying this. And it does feel quite overdone, for my tastes. I will get criticized by others who love this song for simply saying that it does not sound like James Bond - but I feel that is a valid thing for me to say. This song does not sound like the James Bond I know and have enjoyed thru all the Fleming stories and various actors who have portrayed the character. It doesn't fit Bond. Not for me.
I do think my opinion of it will lessen only to the extent that it will be submerged in the film and I will still be able to enjoy the opening title sequence, no problem. The melody (which is not memorable when listening to just the song) will fit into the score nicely, though.
However, your enjoyment of Die Another Day surpasses what I am capable of ;)
From Russia With Love
Goldeneye
Thunderball
All Time High
License to Kill
The Living Daylights
The Man With The Golden Gun
Writings on the Wall
Another Way to Die
Die Another Day
Usually Die Another Day and Another Way To Die fight it out to be the very bottom of my list.
I didn't say "ugh" though .... :|
In fact, I still love "Ray of Light" very much.
From Russia With Love (crap)
Goldeneye (loved it)
Thunderball (crap)
All Time High (mega-crap)
License to Kill (passable)
The Living Daylights (loved it)
The Man With The Golden Gun (Really loved it)
Writings on the Wall (okay)
Another Way to Die (crap)
Die Another Day (loved it)
Musical tastes are SO subjective, eh?
;)
It would simply be interesting to see which Bond songs are at the bottom for people's enjoyment.
All are welcome to participate nicely on this, if you'd like.
The Bond Theme Songs you like the least (5 to 10)
:)>-
My bad in order of release:
FRWL
TB
FYEO
ATH
AWTD
AWTD
TB
FRWL
FYEO
ATH
I like the song a lot better than the film.
@Birdleson, you gave so many categories! And nicely descriptive ones. I like the "exists without offending me" and "Dull Crap"
My list was just ... meh to pretty awful to crap. ;)
@Birdleson, "Thunderball" to me is classic early Bond, but still to me rather ... silly. :)
I do think Sam's song will be perfectly passable for the film ... and really might lend itself well to be throughout the score a bit. On its own, just middle of the road rather not memorable. But I don't hate it and it shouldn't be a negative for the whole opening experience. The opening bit is Bondian, sure. But almost like they threw us a bone ...
So I guess I won't be popping into the title song thread anymore .. sigh. I did not read any spoilers but just saw on recent page someone saying that other people were posting spoilers. So I am not risking that any further! Mainly this thread and waiting to read 2nd part of @Kerim's interview - so looking forward to that. :-bd