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In TWINE M is used more sure but at the time, it was an original idea, having her be part of the plot.
In GE she's more fleshed out than Lee or Browns M and her relationship with Bond is clearly different but she doesn't have much screentime, she's not an important part of the plot and she doesn't leave the office. In TND we cur back to her often in the PTS but she's not speaking to Bond. Robinson is at first but once shit starts going down and bullets start flying, Bond is on his own, as he should be. Then after the titles we have the standard briefing scene and again, M is not featured at all after this.
In DAD she's featured a bit more but still not to the level of TWINE, QOS and SF, and again it made sense in the context of the plot.
And then Q and Moneypenny in the Brosnan Bond films aren't used more often than they ever were, they get the usual amount of screentime. So I don't see how this whole team dynamic thing is something that started in the Brosnan era. It's a Craig era staple.
I agree though that it's getting ridiculous now and I'd much prefer to see Bond on his own again. I think the worst offender is QOS, Calvin Dyson pointed this out in his review: M gets more screentime than ever for no apparent reason. She jets off to Italy, Bolivia, Russia, etc, getting her hands dirty when she really (as the head of MI6) had no need to. There's no story reason for her being used more and you get the sense that the only reason she's flying all over the world following Bond is because Judi Dench is playing her.
Just another reason to dislike QOS ;) At least TWINE and Skyfall had a good story reason for her being used more.
I don't think there is a comparison for YOLT, as M is only seen in the submarine at the start and end of the film. In Thunderball, he is on his own a lot of the time: such as infiltrating Palmyra and finding the atomic bombs himself. Of course, Bond has allies and assistants in all the films, but it is true that M does feature a little too much during the Craig era.
I think these are all interesting ideas, especially 4.
CR had a decent third act, but I will grant you TND, TWINE, DAD, QoS, and SF.
Well, it seems that our common "wish" at no# 3, "James Bond in the snow/Ski scenes", is slowly becoming reality guys ;-):
http://www.mi6-hq.com/sections/articles/bond-24-report-20140820-austria-locations?t=&s=&id=03733
And perhaps this wish too: "Time to soak up the cultures of escapist locations, smarter use of it"
Well yeah, you're right. But serious, don't you agree? In all Bond films post-Brosnan/Craig there were several films without any Aston Martin or any other car. Even in Fleming's novels Bond only got a Aston Martin in TB no? Not to mention his Bentley.
Andddd, it seems that our common "wish" at no# 10, "Memorable henchman/henchwoman (Tilda Swinton?)", is also becoming reality ;-):
http://www.mi6-hq.com/sections/articles/bond-24-report-20140822-henchman-casting?t=&s=&id=03734
Only if it makes sense, in CR the sinking house was sh&te.
In SF the final battle was just the result of stupid actions both on 007 and M's account. By all means the result should have Bond booted out of the service.
Well,if any Bond (except Moore in AVTAK of course) looked ready for retirement it was certainly Craig. I am still shocked how old a 45 year old man can look!
Indeed. I'd be very pleased to look that way when I'm 45.
Regarding his look in Skfayll, though, the more ragged look worked for the film, as it's about pitching Bond and MI6 as older relics in a changing world with different threats and so forth. It makes sense to make Bond look older as a result of that, IMO. That said, though, the decision to go in that direction with the story just off of the heels of two films of "rookie Bond" made absolutely no sense to me.
And, you're right, what was Craig's Bond up to in his "prime". My feeling is, if you're going to reboot a franchise, then reboot it all the way. M should have been recast, some of the trappings that make a Bond film a "Bond film" should have fallen by the wayside, and they should have really started out by crafting a series of films about Bond starting out as a Double-oh and then progressing through his career, perhaps ending with adaptations of You Only Live Twice and The Man with the Golden Gun. Instead, they go from rookie Bond in Casino Royale and Quantum of Solace to old man Bond in a film that is an odd mixture of elements from GoldenEye, The World is Not Enough and Ian Fleming's You Only Live Twice and The Man With the Golden Gun.
I am 45 and if I looked like him I would feel VERY troubled! I'm not talking about his body though. I'd be quite pleased with that one,that's for sure (even so mine doesn't look to shabby I might add)!
1. A brilliantly-designed, jaw-dropping, practically-created lair worthy of Ken Adam himself, where Bond will lead an all-out raid, guns blazing, mercenaries rappelling, helmeted thugs hurling over railings from grenade blasts, for the grand finale. Countdown to destruction a must.
2. The Bond babe to survive through to the end credits...and still be with Bond...and in a romantic capacity. Water nearby would be nice, but I'll take what I can get.
3. Gunbarrel where it belongs.
4. Bond enjoying life for a bit (cards, cars, gals, drinks, food, culture, simply being awesome at anything and everything and yet shrugging it off like it ain't no big thing)—as opposed to enjoying death, I guess. :P
5. A classic henchman who'll give Craig a truly memorable physical fight or two / fun, inventive gadgets that save the day in creative, rewarding ways / a big, brassy, theme-rich score that celebrates James Bond's dangerous, sophisticated, jet-setting lifestyle.
Something like Thunderball mixed with You Only Live Twice would do me nicely.
Oh, and stunning location shooting that really shows off some spectacular areas of the world. They could be cityscapes, alpine settings, jungle, oceanic, rural. I don't mind where. Just show us the world like never before.
Put your money where your mouth is and show us a photo of you then so that we may pass comment on you.