It Seems There Are More QoS Appreciators Than Thought Before

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  • LeonardPineLeonardPine The Bar on the Beach
    Posts: 3,996
    Venutius wrote: »
    I thought that was a pretty good gag, tbf - all blond white Westerners look the same, etc.

    Plus Bond had nicked and was wearing Slate's jacket...😁
  • VenutiusVenutius Yorkshire
    edited June 2023 Posts: 3,152
    Yes, indeed. Gah, it's no use - I'm going to have to raid youtube and watch the Slate fight again now!
  • LeonardPineLeonardPine The Bar on the Beach
    Posts: 3,996
    Venutius wrote: »
    Yes, indeed. Gah, it's no use - I'm going to have to raid youtube and watch the Slate fight again now!

    It's a good one...enjoy! 😁
  • VenutiusVenutius Yorkshire
    edited June 2023 Posts: 3,152
    I love everything about that whole sequence, from Bond breaking into Slate's hotel room to him knocking the guy off the motorbike. 'Well, I missed'! Brilliant stuff.
  • Creasy47Creasy47 In Cuba with Natalya.Moderator
    Posts: 40,968
    @dramaticscenesofQOS, thanks for the explanation. I'd probably say Mathis, just because he's a brilliant original character who deserved more time in the era. Camille is always missed - a fantastic Bond girl who deserved a return - and, while it may not make sense, I also do miss the Bond and M at the end of QoS. They feel like an entirely different duo when SF rolls around.

    Ahh, that Slate fight, what gold. Frenetic, fast, bloody, and a real highlight of the movie for me. I remember how jaw-dropped my 17 year old self was when I first saw it in theaters. I was already dying to see it again in full as soon as Bond left the hotel room.
  • VenutiusVenutius Yorkshire
    edited June 2023 Posts: 3,152
    I've often thought that the Bond who killed Slate would've slapped Patrice off the top of that train in no time, tbh! :D
  • Creasy47Creasy47 In Cuba with Natalya.Moderator
    Posts: 40,968
    Venutius wrote: »
    I've often thought that the Bond who killed Slate would've slapped Patrice off the top of that train in no time, tbh!

    The Bond of QoS would've absolutely decimated Patrice. I still like to think Bond would've had him if Eve didn't mess everything up but seeing him struggle that much made it instantly apparent that this is not the same Bond I was enjoying four years prior.
  • VenutiusVenutius Yorkshire
    edited June 2023 Posts: 3,152
    Yes, definitely. It's one of the reasons I felt that there was a longer time jump in the internal world of QOS-SF than there was in the actual four years between the films. There's a huge drop in the level of the hand-to-hand stuff in SF from that in CR and QOS - that guy can't be only four years older than the one who killed Slate, right?
  • Creasy47Creasy47 In Cuba with Natalya.Moderator
    Posts: 40,968
    The fighting and action made up some of my most favorite elements of QoS, so it was inevitably another disappointment for me, after a lengthy four year wait, when SF didn't have the same feel and atmosphere.
  • Posts: 7,418
    Creasy47 wrote: »
    The fighting and action made up some of my most favorite elements of QoS, so it was inevitably another disappointment for me, after a lengthy four year wait, when SF didn't have the same feel and atmosphere.

    Yep! 100% with you on that!
  • Mathis1 wrote: »
    Creasy47 wrote: »
    The fighting and action made up some of my most favorite elements of QoS, so it was inevitably another disappointment for me, after a lengthy four year wait, when SF didn't have the same feel and atmosphere.

    Yep! 100% with you on that!

    SF was the anti QoS.

    DC was having so much fun throughout filming it. Not that that's a bad thing but the part where Silva gives his opening speech, is when during production DC was smiling and laughing having a blast.

  • edited June 2023 Posts: 4,139
    I do find that fight with Slate in QOS a wee bit too fast. I think it even took me a second viewing to realise that Bond had stabbed him fatally in the leg. Otherwise I like it and find Craig's physicality/the choreography well done.

    In a way, QOS set up the precedent that SP and NTTD expanded upon later. In SP ordinary Spectre goons are almost incapable of taking him out (to the point where he can escape while being tied up). In NTTD he gets shot several times and can still break Safin's arm. The guy's near indestructible.

    Personally, I find it much more interesting when Bond is in some way at a disadvantage during a fight. SF works better for me in the sense that he's more equally matched against Patrice. The idea is certainly there in CR with him not quite being able to keep up with Mollaka's parkour, or him struggling and getting bloodied during the stairwell fight. Heck, I'd argue it's more in-keeping with the precedent set up in earlier Bond films (we often see Bond being the underdog when fighting a henchman such as Jaws, Oddjob, Red Grant etc.)
  • Creasy47Creasy47 In Cuba with Natalya.Moderator
    Posts: 40,968
    It's an interesting idea (an injured Bond being held back in his abilities) but, much like TWINE, his injury is only in play when the script calls for it. He can't manage a single shot to save the life of Severine but he can whip that large suitcase filled with money around with no issues?

    Granted, that's me nitpicking, as I hold no real love for SF and mostly loathe that I never got a proper QoS follow-up in the same vein and with a similar atmosphere, both cold and relentless.
  • VenutiusVenutius Yorkshire
    Posts: 3,152
    Yes, same. QOS was exactly what I wanted. Still is...
  • edited June 2023 Posts: 4,139
    Creasy47 wrote: »
    It's an interesting idea (an injured Bond being held back in his abilities) but, much like TWINE, his injury is only in play when the script calls for it. He can't manage a single shot to save the life of Severine but he can whip that large suitcase filled with money around with no issues?

    Granted, that's me nitpicking, as I hold no real love for SF and mostly loathe that I never got a proper QoS follow-up in the same vein and with a similar atmosphere, both cold and relentless.

    I suppose it’s not something I’ve ever noticed in either film (I don’t think Bond’s injuries were completely incapacitating in either). I even got the sense that him losing his aim in SF wasn’t fully to do with the injury and was in part psychological (Bond certainly does a lot of pills and booze in the first half of that film, and there’s definitely a sense he’s ‘lost his way’). I mean, there’s a nice little internal logic with Bond getting his aim back by using his father’s rifle. That said it does establish Bond being able to do a great amount of pull ups and sit ups, run etc. and, at least in front of others, do it well enough. So in the context of the film he can do this stuff, even if his injury does somewhat hold him back.
  • VenutiusVenutius Yorkshire
    Posts: 3,152
    Isn't the whole point of the MI6 assessment that it shows that Bond can't do what he once could, though? Ok, it's not due to his age or fitness, it's due to the irradiated bullet frags leaking toxins into his system, but still: his aim's off, he's restricted by his wounds, he struggles with the pull-ups and slumps to the floor once he's alone. There's also the deleted sequence of Bond running in Regents Park prior to the MI6 assessment, but having to stop because he just couldn't keep going. I really wish they'd kept that in - it would've been a great contrast with the later run down Whitehall. That full-speed run to the committee meeting did a good job of signalling that Bond was back to his best after the irradiated frags had been removed, but it would've had a bit more resonance if it'd been contrasted with the earlier failed run.
  • Posts: 4,139
    I suppose that scene in Regents Park was cut because the idea of Bond struggling in private was already there during the pull up scene. It would have repeated that note one too many times. Plus Tanner’s in the middle of his exposition dump during Bond’s physical evaluation so practically speaking they are the more important scenes to include. And there’s already enough call backs with Bond failing to shoot a target twice but ultimately succeeding with his father’s rifle at the end of the film.

    Also by having the marksmanship and psychological evaluations follow each other it puts more emphasis on Bond’s state of mind. Like I said Bond’s inability to shoot is also psychological, and it’s an interesting idea the film plays with - that Bond isn’t only physically hurt but damaged and potentially irrelevant in the modern world.

    Bringing this back to QOS, one of the things that I find missing from that film is some of that vulnerability Craig’s Bond had during CR and SF. I remember at the time people saying that some of the fight scenes in QOS felt a bit fake after seeing just how much Bond got hurt during CR (in fact it was one of the big things about Craig’s Bond at the time - the fact that he got bloodied after a fight, that he even had to recover in hospital after the torture scene. It just wasn’t something audiences were used to seeing with the cinematic Bond and even felt distinct from the Bourne movies). It’s a shame because there’s genuinely great moments of emotional vulnerability from Craig during that film (the scene with him getting drunk on the plane and the end with Camille being stand outs). And yet I don’t think the concept of Bond having to go ‘off grid’ ever has the right level of tension in that film because he’s so in control otherwise. I do wish, for instance, we’d have seen Bond struggling more against Green during the ax fight at the end - maybe have him sustain an injury that puts him at more of a disadvantage. As it is while Green is a physiological match for Bond (he’s a wonderfully nasty character who gets inside people’s heads, and it’s never exploited fully in that film) he’s certainly not a physical one, and I never feel like Bond could actually be killed (certainly not compared to the near suicide moment with Camille that follows, which is great).
  • Creasy47Creasy47 In Cuba with Natalya.Moderator
    Posts: 40,968
    I just always found Bond grappling with his injuries and substance abuse to be rather superficial in the grand scheme of SF. It's an installment that tries way too hard to be an awards darling and something "smarter" than our usual Bondian fare, all while having its own series of missteps and issues. I just don't see the masterpiece in that one (like most do) the way I feel about QoS (like few do).

    I'll always love QoS and yet will forever be upset we didn't at least get one more installment in 2010 that served as another follow-up with the exact same feel and style. It would've made the segue from Craig's second to third installment much easier for me to swallow. I saw SF five times in theaters, convinced I was missing its brilliance, yet I never located it. QoS? I think I knew not even 20-30 minutes in that it was going to stand as one of my favorites of all time for the franchise.
  • edited June 2023 Posts: 4,139
    Creasy47 wrote: »
    I just always found Bond grappling with his injuries and substance abuse to be rather superficial in the grand scheme of SF. It's an installment that tries way too hard to be an awards darling and something "smarter" than our usual Bondian fare, all while having its own series of missteps and issues. I just don't see the masterpiece in that one (like most do) the way I feel about QoS (like few do).

    One could say the same thing about QOS frankly. Or any of the other Craig Bond films.

    But to each their own. It doesn’t help QOS that I just have fonder memories of SF (I will say it was the last ‘big event’ Bond film, at least in the UK, coming after the 2012 Olympics and with a very popular Bond after a 4 year gap. I remember going to see it as many times as you did, and each with a different set of friends. It just had that word of mouth, excitement and momentum behind it).

    I do like QOS but much like SP and NTTD I feel its imperfections keep it from being as great as it could be. But it’s due for a revisit on my part. May even give it a watch alongside SF just out of interest.
  • Creasy47Creasy47 In Cuba with Natalya.Moderator
    Posts: 40,968
    007HallY wrote: »
    Creasy47 wrote: »
    I just always found Bond grappling with his injuries and substance abuse to be rather superficial in the grand scheme of SF. It's an installment that tries way too hard to be an awards darling and something "smarter" than our usual Bondian fare, all while having its own series of missteps and issues. I just don't see the masterpiece in that one (like most do) the way I feel about QoS (like few do).

    One could say the same thing about QOS frankly. Or any of the other Craig Bond films.

    But to each their own. It doesn’t help QOS that I just have fonder memories of SF (I will say it was the last ‘big event’ Bond film, at least in the UK, coming after the 2012 Olympics and with a very popular Bond after a 4 year gap. I remember going to see it as many times as you did, and each with a different set of friends. It just had that word of mouth, excitement and momentum behind it).

    I do like QOS but much like SP and NTTD I feel it’s imperfections keep it from being as great as it could be. But it’s due for a revisit on my part. May even give it a watch alongside SF just out of interest.

    One definitely could. Craig's work stands out a lot in that respect. Personally, I find his first two to at least be entertaining enough that I don't find it as heavy-handed in trying to be a high profile drama or anything like that. SF's action never really excited me, as hard as I tried to love it. That's just me though. I know I'll always be in the minority in not particularly caring for SF (and perhaps less so in outright loathing SP), but damn, if I didn't try as hard as I could to find some love for it.
  • edited June 2023 Posts: 4,139
    Creasy47 wrote: »
    007HallY wrote: »
    Creasy47 wrote: »
    I just always found Bond grappling with his injuries and substance abuse to be rather superficial in the grand scheme of SF. It's an installment that tries way too hard to be an awards darling and something "smarter" than our usual Bondian fare, all while having its own series of missteps and issues. I just don't see the masterpiece in that one (like most do) the way I feel about QoS (like few do).

    One could say the same thing about QOS frankly. Or any of the other Craig Bond films.

    But to each their own. It doesn’t help QOS that I just have fonder memories of SF (I will say it was the last ‘big event’ Bond film, at least in the UK, coming after the 2012 Olympics and with a very popular Bond after a 4 year gap. I remember going to see it as many times as you did, and each with a different set of friends. It just had that word of mouth, excitement and momentum behind it).

    I do like QOS but much like SP and NTTD I feel it’s imperfections keep it from being as great as it could be. But it’s due for a revisit on my part. May even give it a watch alongside SF just out of interest.

    One definitely could. Craig's work stands out a lot in that respect. Personally, I find his first two to at least be entertaining enough that I don't find it as heavy-handed in trying to be a high profile drama or anything like that. SF's action never really excited me, as hard as I tried to love it. That's just me though. I know I'll always be in the minority in not particularly caring for SF (and perhaps less so in outright loathing SP), but damn, if I didn't try as hard as I could to find some love for it.

    I think as Bond fans we all have films like that in the series. For me it’s TB. It’s not a film I can ever love no matter how many times I rewatch it.

    I will say that QOS certainly has its fans on this forum. While to me it’s somewhat surprising, I’m glad its virtues are being pointed out. I think it’s getting a fairer deal than it did back in 2008, even with its flaws.

    Like I said, I think I’ll make time to rewatch both QOS and SF. I don’t think they’re even quite as different as some people here may think.
  • Creasy47Creasy47 In Cuba with Natalya.Moderator
    Posts: 40,968
    I've always said it's what makes this place great: the differing opinions. I personally think TB is one of the weakest of Connery's era but I do enjoy seeing love for it at the same time. This place would be so dull if we agreed all the time.

    And yes, it does seem like the appreciation and love for QoS has grown over the years but still has a small set of us die-hard fans propping it up. Whether that's due to the passage of time or general reanalyzing after we've had more installments, or both, I'm not sure, but I love to see it.
  • Posts: 15,117
    Ludovico wrote: »
    That might comes off a silly, but I found the receptionist in the Haitian hotel quite pretty. So I wished we'd seen more of her and for Bond to bed her.

    Her eyesight wasn't too clever! Albeit, Bond and Slate had a slight resemblance...

    For all we know she wasn't the one who gave Slate the keys.
    Venutius wrote: »
    I thought it was a pretty good gag, tbf - all blond white Westerners look the same to her, etc. A nice way to undermine an old racist trope.

    It's actually a true thing: we tend to be less perceptive of the physical differences outside our own ethnicity. Nothing to do with racism per se, although one could use this to comfort his own racist views. So it's very possible that, if she had minimum contact with Slate, she could confuse him with Bond.
  • VenutiusVenutius Yorkshire
    edited June 2023 Posts: 3,152
    Yes, indeed. The hotel's a bit if a dive too, so the receptionists aren't going to fawn over the guests like they do in the one where Bond and Fields stay and they'll just have general impressions. Bond and Slate look similar anyway and he's wearing Slate's jacket to cover the signs of the fight. Makes perfect sense to me that she'd think he was Slate. But it was funny too.
  • Creasy47Creasy47 In Cuba with Natalya.Moderator
    Posts: 40,968
    MGW was clearly playing an undercover spy who bribed her to not give it too much thought and let Bond proceed with his mission. What a gentleman.
  • mattjoesmattjoes Julie T. and the M.G.'s
    Posts: 7,021
    Speaking of MGW, I want him to get a really big cameo in Bond 26. For example, Sope Dirisu says hello to Moneypenny, and she says M and Tanner are waiting for him. Dirisu walks in and Tanner is played by Bill Nighy, while M is played by MGW.
  • Creasy47Creasy47 In Cuba with Natalya.Moderator
    Posts: 40,968
    I'd love to see MGW get another speaking or even named character cameo soon enough. His appearance was quite blink-and-you'll-miss-it in the last two, SP especially.

    I don't know about him playing M but the thought of Nighy playing ANY character in the Bond realm, let alone Tanner, is so exciting to me.
  • Posts: 15,117
    007HallY wrote: »
    Creasy47 wrote: »
    It's an interesting idea (an injured Bond being held back in his abilities) but, much like TWINE, his injury is only in play when the script calls for it. He can't manage a single shot to save the life of Severine but he can whip that large suitcase filled with money around with no issues?

    Granted, that's me nitpicking, as I hold no real love for SF and mostly loathe that I never got a proper QoS follow-up in the same vein and with a similar atmosphere, both cold and relentless.

    I suppose it’s not something I’ve ever noticed in either film (I don’t think Bond’s injuries were completely incapacitating in either). I even got the sense that him losing his aim in SF wasn’t fully to do with the injury and was in part psychological (Bond certainly does a lot of pills and booze in the first half of that film, and there’s definitely a sense he’s ‘lost his way’). I mean, there’s a nice little internal logic with Bond getting his aim back by using his father’s rifle. That said it does establish Bond being able to do a great amount of pull ups and sit ups, run etc. and, at least in front of others, do it well enough. So in the context of the film he can do this stuff, even if his injury does somewhat hold him back.

    Off topic but I always thought that in SF there was a slow and steady increase of Bond's skills after his fall (real one and metaphorical.) When he trains, he's pretty much at his lowest, then improves his skills, gets the better of Patrice (but just), then is a more capable fighter at the casino, then his shooting improves, and so on until the battle at Skyfall when he's back at the top of his game.

    Regarding QOS, because he's mostly on his own with close to little backup, he does not "need" to face a Jaws of an Oddjob.
  • mattjoesmattjoes Julie T. and the M.G.'s
    Posts: 7,021
    Creasy47 wrote: »
    I'd love to see MGW get another speaking or even named character cameo soon enough. His appearance was quite blink-and-you'll-miss-it in the last two, SP especially.

    I don't know about him playing M but the thought of Nighy playing ANY character in the Bond realm, let alone Tanner, is so exciting to me.

    Yeah, I wasn't being serious about MGW playing M, but I fully agree that he should get a substantial cameo role again, a speaking one. And I'd love to see Nighy there too.
  • Creasy47Creasy47 In Cuba with Natalya.Moderator
    Posts: 40,968
    I'm still hopeful they can amass a really solid cast for the new MI6 crew that doesn't require huge A-listers that end up demanding more screentime than is necessary. I don't think I can stomach a goofy phone call with Moneypenny during a chase sequence again.
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