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I'm coming round to the opinion (long held by many others) that he was short changed by EON. I used to blame him for much of it, and I now think that's unfair.
He had the potential to be a much better Bond (as did Dalton) and I think both were somewhat limited due to circumstances imho.
It's a real pity that Brosnan had to do The Tailor of Panama as a sort of mid-stint audition to show EON what he was capable of with the right strategic vision.
I think you are correct: Brosnan's best performances were in GE and DAD. My biggest change is TWINE: I thought it was the strongest of the three Brosnans when it came out in theaters because it dared to go dark, but now I just see it as a tonal and casting mess, and Brosnan's worst performance by a large margin.
I still like Marceau (how could you not? With a better script she could have been truly mysterious and dangerous, up there with the best Bond women), but Carlyle's character makes no sense and lacks menace (compare him to Cigar Girl, who is ironically afraid of him), and the less said of Richards, the better.
OHMSS: from my least favourite Bond film to my personal Top-5 thanks to getting older and understanding Peter Hunt's directing style.
Tomorrow Never Dies went from one of my fav Bond songs to one of the worse after repeated hearing. It gets old fast.
-Used to not like George Lazenby's performance as Bond or OHMSS very much when I first saw OHMSS. Now, OHMSS ranks as my #2 favorite Bond film, and Lazenby is my third favorite Bond.
-FYEO used to rank as one of my least favorite Bond films ever - around #18-20 I think. Now it is my #12 and one of my favorites from Roger Moore.
-TMWTGG used to rank a lot more highly on my list - I think as high as #12 or 13 before. Now it is #20.
-TWINE also used to rank much higher for me than it does now, which I think may have even been a Top 10 Bond film for me once. It's at #19 on my list right now.
I still think the beginning and fight with Kananga are quite weak, along with Pepper, but I liked the actual ending on the train. On the whole, the movie's pretty solid and has moved into my top ten (albeit barely).
Now I think I'm going to task myself with liking TMWTGG, which I've always considered to be Moore's worst and just hard to like, lol.
Yes, that was an excellent scene, and reminded me of Laz in OHMSS when he resigned. Same character.
I completely agree, but again I believe that is on account of the dismal direction he was given from his superiors. After seeing the last effort, I realize that Brosnan isn't the only one who was seriously short changed by the producer's ineptitude (assuming Craig didn't have a say in some of the nonsense that made its way into SP).
Moonraker has proven to be the ultimate style-over-substance Bond film, nonsensical but my goodness it's gorgeous, epic and amusing throughout.
Tomorrow Never Dies is in my opinion a spectacular film that also nods to the power of mass media which relevant even more today.
Furthermore, I have a much more favorable view of Pierce Brosnan the last couple of years. I think Pierce is an incredible James Bond and he's become one of my favourite actors.
But don't worry I'm still and always will be a big Dalton fan ;).
Tomorrow Never Dies was another big shift for me, but it went down unfortunately. It was just too by the numbers. A few rewarding moments and I still find both Carver and Wai Lin excellent but it just felt retread and a bit cliched, with a rather lackluster final act. The first half of the movie is solid but from there on it goes into a downward spiral IMHO. It's a shame that such strong elements of a Bond flick weren't tied together better, but I wouldn't say it's nearly as guilty of such a failure as TWINE.
You are right that Brosnan could have been better served, but the interesting thing for me is that Dalton was the driving force behind the change in his film's from Roger's. I also don't think Brosnan could have acted that type of Bond, though of course he could have improved on what he did given the right material. In the end though I think it was a definite miscast.
Ultimately though, as some have speculated, I don't think Brosnan entirely had the trust of Babs. So I don't think he necessarily had the same leverage on direction as Dalton had with Cubby. Craig is her vision, for better or for worse, depending on the point of view.
I will look out for that, as I was a while ago and then forgot about it.
@bondjames You guessed correctly, my #1 is Brosnan. I've been meaning to update my rankings in the appropriate thread as there has been some movement since my last post.
I've begun to reassess Brosnan more positively of late, but not so much that I can move him up yet. Maybe after a few more positive viewings of his films.
1. Craig
2. Brosnan
3. Moore
4. Connery
5. Lazenby
6. Dalton
Now it is
1. Moore
2. Connery
3. Brosnan
4. Dalton
5. Craig
6. Lazenby
Here is what I think. They are so completely differant that its really hard to compare, and I love them both but in differant ways. However, Moore is far more consistant at giving a good performance then any other bond actor so thats why he takes my top spot.
Now I think that period represents the series's lowest point. OP aside, each of the other four would probably be in my lowest tier of Bond films.
Why the Dalton ones, especially TLD?
+1