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https://www.wsws.org/en/articles/2023/01/30/dwxa-j30.html
And then the video ends with the "Germany above all" part of their national anthem. How foreboding.
It was the Nazis who perverted this yearning for a common nation for their purposes by turning "Deutschland über alles" to mean that Germany should reign above all other nations. And it is not surprising that today's Germany does not consider the first stanza of the "Deutschlandlied" (however harmless it may seem in context) its national anthem, but only its third stanza: "Unity and law and freedom/For the German fatherland/That's what we should all strive for/Brotherly with heart and hand" etc. Let's don't get into the discussion whether "fatherland" and "brotherly" fit into today's politically correct discussion, but we'll doubtless see more of that as well.
Don't worry, I'm not here to woke-over history. But, as you said, it was the NAZI ideology that abused the (already controversial) stanza. But as we were talking about AH's ascent, I thought that to indeed feel omnious.
And then there's that rather wide interpretation of where German people live(d). The Maas/Muse runs through France, Belgium and into the Netherlands. The Memel through Latvia and Belarus (hence incorporating Poland into Germany), and the Adige finally runs through Italy. All in all, rather... imperialistic.
Still, the song is pretty good. I can imagine why they stuck with the melody.
Really? Didn't know. Will check out the rest of it!
Interesting also: After unification, some people suggested establishing a new German national anthem as a mixture of the West German and East German anthems. It was discovered that the words of the East German anthem could be sung to the tune of the West German one and, of course, vice versa. "Einigkeit und Recht und Freiheit" (FedRep) vs. "Auferstanden aus Ruinen" (GDR). Anyway, it never came about. Not least because the East German words were never sung since the early fifties because they mentioned "Deutschland, einig Vaterland" (Germany, united fatherland).
But yes, I'm happy we do not have a national anthem that has this belligerent touch and which is not a marching tune. Unlike "the rockets' red glare" and "le jour de gloire est arrivé".
I don't know, that song always reminds me of the French in the film 'Those Magnificent Men in Their Flying Machines'. It feels quite fitting.
https://www.dw.com/en/100-years-on-germany-looks-back-at-hitlers-coup-attempt/a-67331669
The Haydn theme was written for the then emperor of Austria-Hungary. It was not the national anthem, but "the emperor's song".
It also makes up the beautiful second movement of the "Kaizer Quartet" he wrote around the same time, a piece I have had the pleasure of performing on many occations.
It is said to have been performed heavily during the Napoleanic Wars as a piece of comfort when the Austrian's were humiliated on the battlefield.