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Comments
Indeed. We should stop while we're ahead before we jinx it and that's what they actually end up doing.
So what? If it works with the story - fantastic.
1. UAE (Dubai or Abu Dhabi)
2. Greece (Athens or Santorini)
3. Monaco (Monte Carlo)
Could be epic. Over the tragic, I mean.
Though Thunderball counts, and Paris studios were a major part of the Moonraker production. Plus Charles de Gaulle International Airport and and Drax's "California" estate south of Paris.
It was original for Skyfall to have the location set there et al, but it's overdone and overstayed its welcome now. Back to tradition is the way it should be done.
Ugh. The topic will be relevant, maybe, for a few weeks before/at/just after release. But it won't age well.
EDIT: True. I hope they just avoid it entirely but it will be difficult to do. Perhaps a passing mention, like the Hong Kong situation for TND, would suffice.
I don't mind Venice being used, but I could think of other places I'd send Bond. Greece isn't a bad option. Should be relatively cheap to shoot there you'd think ;)
After watching LALD this past week, I thought an updating of the novel LALD would be a neat send off for Daniel Craig. So many great elements to that book that could be used (ok so they've all been used before, but what Bond film hasn't reused stuff before), the keelhauling, Felix Leiter, Mr. Big. Obviously some of the characters might need a name change so it wasn't a direct remake, but story wise it could work. And some of the story.
I'll just be happy to get some actual news regarding Bond 25 to be honest.
100% agree with this. Aside from that, London is probably the most overused destination in big budget American movies. What with Marvel and Mission Impossible constantly choosing it, and I must have lost count of how many times London has been reduced to rubble in the Marvel and various disaster movies. Even the recent Transformers movie got in on the act.
http://www.denofgeek.com/uk/movies/james-bond/54437/bond-25-why-is-james-bond-relevant-in-2019
I agree with the overall thesis: find what makes Bond relevant, and start forming a story (my note: a story with strong ties to an original Fleming story).
As the writer of the article says, making a good film is tough, making a great one is a serious challenge-- especially when it involves such a legendary character as Bond.
As noted, in the Craig era, they were able to breakthrough twice (CR and SF), and that's when the filmmakers were challenged to find relevancy of the character in today's world.
I wish all of them the best of luck for 25!
As I've mentioned many times in the past, SF resonated with me primarily because of the visuals, the score (yes, the score which I found quite fresh), the characterizations and the central conflict between M & Silva. I really didn't pay attention to Bond's childhood 'manor' or his resurrection or his relevance. All of that was secondary to me (and to my friends and family members who I've asked about the film). In fact, to a degree, Bond himself was secondary to me in that film. Furthermore, many of the classic pre 90 Bond films (which it has become fashionable for some talking heads to dismiss) don't speak to relevance, and yet they are just as enjoyable today as they ever were.
I agree with the author however that gadgets, cars, violence and sex shouldn't be the focus, but rather should support a strong story.
I'm a simple man. For me to be happy. there just needs to be a good story told well. One with meaningful motivations and memorable characterizations, with actors who show up and aren't phoning it in, with wonderful cinematography, with top notch exotic (and previously unused) locations, with memorable dialogue, with death defying stunts (absent obvious or apparent CGI), with action that's non linear and unexpected, and with a half decent composer who doesn't recycle prior efforts. Most importantly, I'd also appreciate not being satiated with overly obvious throwback scenes (done poorly) that only make me miss the past.
SP's problem wasn't that it relied on formula, as the author contends. Rather, it was that it executed on that formula poorly imho.
Today, it looks like a French firm will take over the Carillion contracts - we cant even build road or rail track any more. That would be unthinkable in the SC era.
So does Bond confront and face this scenario or does he exist in a fictional universe where the lion still roars as it did in the 60s?