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Great ending. Been at least a decade since I've watched that.
Now I want to find the other two films.
FRANKENSTEIN (1931)
I'm really in the mood for FRANKENSTEIN MEETS THE WOLF MAN, but somehow do not have a copy left in my possession. Hmm.
Edward Van Sloan prologue. He looks older and slightly heavier here than just a few months earlier in DRACULA.
Shot at Universal Studios.
Wonderful atmosphere.
He is so different as Fritz compared to Renfield. Great performance.
Here is the moment later spoofed so well in YOUNG FRANKENSTEIN.
Fritz sneaks in to the lab classroom to steal a brain.
Abnormal brain of a criminal mind.
For whatever reason, she's replaced by Valerie Hobson in BRIDE OF FRANKENSTEIN.
John Boles plays Victor Moritz, Frankenstein's buddy who seems to fancy Elizabeth for himself.
An amazing set, Frankenstein's laboratory.
Possibly because YOUNG FRANKENSTEIN spoofs the idea of Frankenstein having an assistant named Igor.
In the original Universal films, Ygor was a completely different character.
To me that's like confusing General Gogol with Felix Leiter.
Here begins the classic and iconic creation sequence.
In the novel the Monster is described as having black hair, and yellowish skin that barely covers the arteries and insides. I picture a transparent flesh in the novel.
The electrodes were battery plus and negative sides that were glued to the neck.
In addition, Pierce added wax to Karloff's eyelids to weigh them down.
Most film books, Wikipedia, etc etc will describe the make up as green. Most Universal merchandise will color the Monster green as well. That distortion of facts has gone on for so many decades green is the accepted hue.
A few weeks ago there was quite a heated discussion on a Frankenstein Facebook page regarding the Monster's make up coloring. Several film historians, (who knew many involved in these films) chimed in and all confirmed the gray tones. One even presented a recorded interview with Jack Pierce himself who confirmed the Monster's sky-gray hue.
Interestingly, there is home movie color footage of Karloff on the set of SON OF FRANKENSTEIN, clowning around with Jack Pierce. It's available on various documentaries, and on Youtube. It was cheaply transferred to video by Sara Karloff with Fotomat and, yes does look a bit greenish in the crappy transfer.
Pierce later used the same greasepaint for CREATION OF THE HUMANOIDS (1962).
Worth checking out if only to see what the Monster's make up coloring would have looked like on set.
The Jack Pierce interview also confirmed the Monster's clothes as being all black.
That's something I've wondered for years.
One of my all time favorite films.
BILLY THE KID VS DRACULA (1966)