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Comments
That just makes me think of the fake nipple from The Man With The Golden Gun. [-(
Lets see what he can do with a more serious Bond.
The mere thought frightens me. :(
It should have happened after TWINE.
Maybe yes. Sorkin is a talented guy.
Seriously, I'd rather have Kevin Smith write another Bond screenplay than P&W.
Time to hire Logan and Morgan!
After QOS > David Arnold
After Skyfall > Judi Dench ?
After Bond 25 > Daniel Craig ?
After Bond 24 > Pervis and Wade ?
Classic Balje!!!! Much as I despise P & W even I think that a Hemming/Lamont writing tag team might not be that brilliant. That said if it got rid of the unsackable clowns (theres a film title there - I'm going to start workign on a plot outline) I would be preapred to give it a try.
After intially thinking a modern update of Sherlock Holmes would be diabolical and then seeing what they did with it and how faithful they were to the character I'm coming round to the thought that Moffat and Gatiss have to be given the job sooner rather than later. They might need a bit of supervision that they dont camp it up too much into Roger territory but I'm sure they would piss all over P&Ws spewings at the very least.
Let the Coen Brothers write a Bond film for Ridley Scott to direct, for example, but that's not gonna happen.
We're stuck with these guys.
Need to come up with an appropriate one liner.
http://cdn2-b.examiner.com/sites/default/files/styles/image_full_width_scaled/hash/b7/02/b70241c3a9ab178bbf8dbe06f06f691b.jpg
"I'm Mister Kil." "Now there's a name to die for"
or
"Who sent you?" "Yo mama!"
Now I know a lot of people will disagree with me here when I say I think the remake of The Italian Job was a surprisingly good movie. However, Purvis and Wade were originally hired to write it, but the script was terrible and were let go by Paramount (Their names are still on some promotional posters). God knows what mess the film was in before Donna and Wayne Powers stepped in.
I just think that these two have a very good relationship with EON and EON are afraid to (to paraphrase Mr Dalton) give them the boot.
Personally, I think P+W come up with the plot brief and then it goes out to others to put real meat on the bones.
That given, they should have been booted after the mess that was plot of QoS.
Before DAD's Release.
http://www.hmss.com/films/dad/p&w/
After CR's Release.
http://www.hmss.com/films/casinoroyale/interview/
Naturally, what was he going to say? Anything less than that would've been an easy way to put his foot in his mouth. However, his passion on the subject struck me somewhat, and I guess there's always a chance that we'll never fully know how exactly it was all done.
The only time they were the only credited writers of a Bond film was DAD. That should tell us all we need to know about them.
I really hope they get new writers for Bond 24.
Ah that was when I was on my NSNA craze. I still enjoy it but now I think TB, YOLT and FRWL are better Connery films.
I still think TWINE is great though. Honestly don't understand why it gets so much criticism.
That is interesting. Perhaps he's sick of Haggis getting most of the credit for the film, because lets face it, he does, and probably will for a long time, and that's simply because of Purvis and Wade's reputation since DAD. The only way to redeem themselves is to write a damn good script, without anyone else attached. Then they'll get more credit where credit's due.
And that's never gonna happen.
They're not even good at coming up with new stories, let alone fleshing them out.
I would be seriously shocked if they had not actually read the books. That said, if this was the sole qualification for scripting a Bond film then half the members on here could have got the job.
Wouldnt mind him having a crack at a Bond film actually - very good director.