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Agreed. I was suprised how much i liked it all of a sudden when I rewatched it last year.
Great villain, great Bond Girl, beautiful Locations, very good Soundtrack. MR has a lot going for it
Highlights for me in MR are Moore and of course Lonsdale. If one watches Roger's performance closely in MR vs. TSWLM, one will note how different he is tonally. Yet, he is spot on for both films.
Sean would have rocked a version with the silliness removed.
However, more recently I realized that it had to be this way, to differentiate it from TSWLM, which it aped in so many other ways. EON/Gilbert were looking at the big picture in the context of the Moore entries and I'm glad they gave us this film, which complements the earlier one and serves as the height of extravagance and ambition in the Bond oeuvre. It represents the apex of the 70's Bond films in terms of budget, scope & sets - but doesn't take itself too seriously on account of the outlandish premise.
That is the problem, isn t it? If they had settled for equalling TSWLM, it probably would have been a great film. But no, they had to try to top it. That has been the problem several times during the series run, they get carried away. You can see this clearly in the older commercials-BIGGER! BETTER! No, bigger does not equal better.
-My least favorite Moore performance as Bond. He’s not bad, but of his 7, this one felt like his most autopilot and least memorable to me.
-Jaws falling in love and becoming good... it just doesn’t work. The scene where he first sees Dolly is just... ugh. I just didn’t like it for his character.
-The Bond girls are not that good - at least to me. They are some of the least memorable and bland of the series’ Bond girls.
-I still haven’t warmed to the idea of sending Bond to space. I guess in theory it could be okay maybe, but it just doesn’t seem to fit? Anyway, it happened because of Star Wars, and I don’t like Bond being a trend-follower rather than a trend-setter.
-Feels like a weaker TSWLM, which did pretty much everything better.
-The silliness goes too far. Double take pigeon, space laser battle, Jaws with a girlfriend, etc. IMO, this is when it went too over-the-top.
Those are my biggest gripes. The things I like most about MR are the PTS and title song. They’re both pretty good. Drax isn’t too bad either. I just think it’s one of the series’ weakest, but a weak Bond film is far from the worst kind of movie out there.
I think Moore's acting was very good early on, particularly in the centrifuge scene but even the nuances in his interactions with Drax and Goodhead. It does steadily dip into autopilot later on but to me that's because he played Bond so naturally.
Don't the sets or score or effects or anything impress?
I don't mind the Bondola or space lasers anymore, really. But I still find Jaws' comedic love story quite jarring indeed.
Bad move all round,changing everything because some little brats demanded it.
Tell us the truth. Weren t you one of those brats in the late 70s?
I was indeed a brat (I was 9 when MR came out),but not one of those brats.
This sums up my viewing experience with Moonraker pretty well. Could add the gondola chase, as well, but that's at least more entertaining than annoying.
that's how I see it...it was the time factor,for sure.
If you go in with the mindset that it's Saturday matinee fun for the whole family then you may enjoy it more.
Also, I don't understand how anyone can not think that music and imagery like this is sublime.
I'd much rather watch this in fact than either MWTGG or AVTAK.
You have to have a clear mind as a Bond fan and enjoy the ride. If you can do that, it's great fun.
If I'm honest, MR actually does enter my top ten list as it's the sort of Bond film I always crave for, even if it's more akin to a Derek Flint film rather than a James Bond thriller... And Moore's 70s films surely did have a lot of influence in build from the Flint films.
I still like the PTS, right up until the point when Jaws starts flapping his arms like wings as he pile-drives straight into a circus tent. In fact, it's pretty damn great up until then. Little did I know at the time but the introduction of the circus tent was a subliminal message that signalled that from now on Bond was about to become a three-ring circus act of spectacles and slapstick entertainment. Though the cinematography. music and sets were nice.