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Comments
Cruise is a different animal entirely. MI revolves around him. He is MI and he is a megastar. The character is a bit of a cipher despite attempts to flesh him out recently.
I would not put Craig in that league, despite what he is currently being paid to be James Bond.
My 2 suggestions would be either
Lee Byung-Hun (although he is turning 48 years old in 2018)
Or Iko Uwais
;)
I find that really offensive. If only I were a mod...
There once was a franchise about a fellow named James bond which used exactly this approach ( maybe even invented it ). I wonder what ever happened to them?
You have the rest of your life.
There are worse things than dying, hombre.
Potential title for B25? lol
So the obvious title for BOND 25:
MI6.
(And they can still use the "This Time It's Personal" tag line.)
They should reuse the Ghost Protocol poster, changing nothing but the title.
The reasons: Too much bloody angst. Everyone is running around as if they're going to burst a blood vessel (especially Cruise). Not cool. In fact, I think they forgot the 'cool' in this film and they also forgot about 'atmosphere' as well. Instead, it's all action interspersed with mushy sap. Additionally, such action is edited in that schizophrenic manner which was all the rage back then due to Bourne's success. The Chesapeake Bay Bridge–Tunnel attack in particular is such an interesting concept on paper. I mean, they had a helicopter and a drone attack there, and the editing makes it all seem less than it was. Locations are poorly utilized as well, including Shanghai and the Vatican. Abrams makes this one feel like a right soap opera at times, which is regrettable.
Having said that, there's stuff to like too. Michael Giacchino's score is very good and Philip Seymour Hoffman is outstanding as Owen Davian. The manner in which he calmly confronts Hunt on the plane is creepy. The plot is fine as well. I wasn't too keen on Laurence Fishburne or Billy Crudrup's characters. Jonathan Rhys Meyer and Maggie Q didn't make too much of an impression either, although Q is very easy on the eyes.
I'm glad they changed course for MI:4.
On the plus side, the opening scene is great. It conveys very well the idea that Ethan is utterly powerless, and that nothing he can say will change the situation.
It does set the tone, definitely. Unfortunately, it's not a tone I appreciate, because the angst is there right from the start. I had a similar uncomfortable (icky) feeling during SP when Bond runs toward Blofeld to stop the release of the White video ("turn it off!!!!") and during the ensuing scream torture. Not my cup of tea I'm afraid. I like my heroes in control or at least calm under pressure (as Hunt was when captured in MI:RN or like how Bond was while his bollocks were being crushed in CR).