SirHenryLeeChaChing's For Original Fans - Favorite Moments In NTTD (spoilers)

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  • 4EverBonded4EverBonded the Ballrooms of Mars
    Posts: 12,480
    The Taliban part is jarring to us now, yes. At the time, the US really seemed to regard them as "freedom fighters" . Basically anybody fighting against communism or The Soviet Union was a "good guy" to my country. Sigh ...
  • Dear mods: another duplicate entry, lost in the course of correcting the duplication and then reconstructed. Are we to assume that every little post need be composed off-line, then cut & pasted into place? Exceptionally frustrating, I must say!
  • chrisisallchrisisall Brosnan Defender Of The Realm
    edited March 2014 Posts: 17,789
    As a kid in the Seventies (and somewhat into the Eighties) my favourite Bond movies were YOLT & DAF. So that was kind of what I looked for in a Bond film. Moore was tolerable, but lacked that harder edge. Dalton had more than enough of that hard edge, but lacked the humour (My opinion on this would change drastically after reading all the books years later). Suddenly in 1994, my Bond saviour, promised to me years before then cruelly snatched back by the evil NBC suits, was announced as the new Bond for REAL! Oh happy day!

    Goldeneye:
    I sat in the theatre in 1995 hoping for a great Bond film, and by the end I rejoiced in the fact that I'd gotten it. It was my man Remington Steele morphed into Bond up there. A bit of a hard edge, the funny quips (except the "Forgot to knock" line- I didn't like it much even back then), the adjustment for the PC era (misogynist dinosaur & all that), the sensitive Eighties Guy hold over in moments with Natalia... and a fight to rival Grants' in FRWL. With the exception of too much Boreeeesss, I couldn't have been happier.
    Until...

    Tomorrow Never Dies:
    I'll never forget using my first real computer to look up news on this one. The first pic I saw was of Bond & Lin in the skiff in Kowloon Bay. My favourite HK female action star with my favourite Bond?? NO WAY!!!
    The film was big, like YOLT, funny, like DAF, and unexpectedly moving with the killing of his former love threat, Paris.
    I had the big cardboard Heinekin cut-out of Bond & Lin I swiped from the local 7-11 on my wall. Good times.
    My #3 movie today.

    The World Is Not Enough:
    That was around the time my Wife was birthing my Son, so needless to say, I wasn't in the theatre much. I saw the movie on VHS first, and thought it was good, but it had somehow lost the charm of the previous two. It looked a bit dark & drab, but it was good to see Valentin Zukovsky again. Then he got wasted (That's a bad thing, btw). The final Christmas joke was funny IMO. 5 or 6 repeat viewings warmed me up to it considerably. I still consider this a fairly strong Bond entry.

    Die Another Day:
    The timing of this messy flick was rather perfect for my post 9-11 sombre. A big stupid MR-like film to make me forget reality. No wonder it made so much money. Pierce was pitch-perfect all the way though; it may even have been his best Bond performance, but that's hard to see amongst all the cartoon mayhem & Stephens hamming up & chewing scenery. Rosamund Pikes' brilliance balanced out Halle Berrys' Your Momma schtick. The Moneypenny VR joke was an extremely sour note, but not a dealbreaker for me back then. All in all, just what the doctor ordered.
    At the time.
    It has not aged well. No fault of Pierces'. I can still enjoy it as the comic book nonsense Bond movie it is. Roughly equal to DAF for me now.



  • Posts: 2,341
    Good observations @4EverBonded and @BeatlesSansEarmuffs

    Why the decision to use a fictitious location of Isthmus? I once read (I can recall where) that Franz Sanchez is loosely based on Manuel Noriega and the name Isthmus brings up thoughts of a canal= Panama.
    I have to agree that it was unnecessary to use a fictitious country. At the time Colombian drug lords were in the news and nowadays no one has any hesitation conjuring up Mexican Cartels so why the problem with using an actual location?

    I also understand that the original idea was to involve a Chinese drug lord and the idea of switching to Latin America came up later. The use of Asian drug lords making deals with Sanchez harkens back to their original idea about Asian drug dealers.
  • Posts: 12,466
    Like chrisisall, I'll break down the four films. But first, I'll talk about Brosnan himself. For certain, this is likely the most diverse era of all for opinions (besides maybe Moore).

    Pierce Brosnan is an above-average Bond, in my opinion. He looked the part, and he did well with all the action sequences. His "Bond, James Bond" moments were solid, and he was also great with the ladies. Doesn't sound like too much is wrong, right? I have just one major problem with Brosnan, and that is this: he wasn't innovative enough.

    He nailed pretty much every aspect of Bond, from serious to humorous and lethal to misogynist. But for me at least, he brought the least to the table of all 6 Bond actors; Connery was the first and very well-rounded, Lazenby was the most human, Moore was the funniest, Dalton was the most straight-forward and serious, and Craig was the most lethal and rugged. Brosnan is well-rounded and a very serviceable Bond, but just lacks the originality I would have liked. Anyways, onto the films of Brosnan's era:

    GoldenEye (1995)
    Like many others, Brosnan's debut film is easily my favorite of his tenure as 007. Brosnan himself seemed excited to play the role, and I had fun watching him quip one-liners and swerve his way through St. Petersburg in a tank. Alec Trevelyan, agent-turned-villain made for one of the series' best foes; he was cool, to-the-point, and a perfect physical match for Bond himself. Natalya Simonova was my favorite Bond girl of the Brosnan era as well. Side characters like Valentin Zukovsky and Xenia Onatopp were also good, and let's not forget Judi Dench's brilliant introduction as M. From the action-packed PTS to the epic finale at the satellite, GE is loads of fun for me. Overall it is one of my favorite Bond films in the whole series; always a pleasure to watch.

    Tomorrow Never Dies (1997)
    It has its supporters, but I've never been a big fan of TND. The action was great, the main Bond girl was solid, and Brosnan turned in another good performance, but there wasn't much else for me. In my opinion, it's the most generic and forgettable film in the series. I wasn't a fan of the main villain Elliot Carver or most of the minor characters (mostly because I forget them). I simply thought it had one the series' weakest stories, and it just felt pale in comparison to GE for me. I liked the PTS, car and motorcycle chases, but it just fell flat for me and came out as one of the series' weakest entries in my opinion.

    The World Is Not Enough (1999)
    Though TND was a let-down for me, TWINE, in my opinion, is a superior follow-up and probably the most underrated Bond film in the whole series. Brosnan gives what is possibly his best Bond performance, and the supporting cast is good too, especially Valentin's return. I wasn't too fond of Renard (could have been better), but Elektra King was a good villain for the series to add. Also, Desmond Llewelyn's last appearance as Q, though unintentional, was a great way to finish his canon. Granted I didn't like Christmas Jones and a few scenes, it's my second-favorite Brosnan Bond film. There's a lot to enjoy for me here (PTS is also great I should mention).

    Die Another Day (2002)
    Ah, yes; DAD must be the most hated Bond film of all, but it's not without reason. The PTS was great, and the story seemed all right, but somewhere around the half-way mark, the film just loses my interest and doesn't seem good at all. The best parts of the film include Brosnan's acting, the PTS, and the fencing match between Bond and Graves. Speaking of Gustav Graves, I didn't like him much at all as a villain. I also didn't like the main Bond girl Jinx or most of the other characters. The film kind of seems liked wasted potential for me - a few good merits, but too much CGI and lack of compelling story in my opinion. To say the least, DAD could have been better.
  • Posts: 12,466
    Agree with some of what Birdleson said, particularly on Moneypenny, TND, and DAD.

    In the end I love GE, like TWINE, and am 'meh' about TND and DAD. Brosnan was indeed a fine Bond, and is not responsible for really any negativity in his films. Overall a mixed bag, but an acceptable era for me thanks to the odd-numbered entries.
  • chrisisallchrisisall Brosnan Defender Of The Realm
    Posts: 17,789
    FoxRox wrote:
    Tomorrow Never Dies (1997) I wasn't a fan of the main villain Elliot Carver
    Pryce's Carver was deliciously twisted IMO. Possibly starting a war for ratings? We'd never seen such a positively self-destructive villain like him before (Silva would be the only other in his class). He was clearly a self-made man, and at some point I conjure he was a fairly decent one. But he was surely descending into madness. He seemed to spiral down a bit as the movie progressed. Most Bond villains are pretty messed up, but we usually don't SEE them deteriorating on screen.
    I find Carver to be far from a simple, stereotyped bad guy.
    "Soon I'll have reached out to and influenced more people than anybody in the history of this planet, save God himself. And the best he ever managed was the Sermon on the Mount."
    THAT'S what it was all about. God complex. Being able to outdo anyone who's ever lived. Not sheer greed or lust for power. The need to be worshipped.
    Not so generic IMHO.
    B-)
  • Posts: 12,466
    chrisisall wrote:
    FoxRox wrote:
    Tomorrow Never Dies (1997) I wasn't a fan of the main villain Elliot Carver
    Pryce's Carver was deliciously twisted IMO. Possibly starting a war for ratings? We'd never seen such a positively self-destructive villain like him before (Silva would be the only other in his class). He was clearly a self-made man, and at some point I conjure he was a fairly decent one. But he was surely descending into madness. He seemed to spiral down a bit as the movie progressed. Most Bond villains are pretty messed up, but we usually don't SEE them deteriorating on screen.
    I find Carver to be far from a simple, stereotyped bad guy.
    "Soon I'll have reached out to and influenced more people than anybody in the history of this planet, save God himself. And the best he ever managed was the Sermon on the Mount."
    THAT'S what it was all about. God complex. Being able to outdo anyone who's ever lived. Not sheer greed or lust for power. The need to be worshipped.
    Not so generic IMHO.
    B-)

    Ok I get it you like him. But I never said Elliot himself was generic, just the film in general.
  • chrisisallchrisisall Brosnan Defender Of The Realm
    Posts: 17,789
    FoxRox wrote:
    Ok I get it you like him.
    What gave it away?
    :-??
  • chrisisallchrisisall Brosnan Defender Of The Realm
    edited March 2014 Posts: 17,789
    Brosnan rocked.
  • 4EverBonded4EverBonded the Ballrooms of Mars
    edited March 2014 Posts: 12,480
    At work now, just to be brief - glad to see we are off to a good start discussing Brosnan!

    I'll read all the details in your posts later. Nice to see such a quick response.
    Briefly, my fav Brosnan films in order are:

    1) TND ... slightly edging his debut in ...
    2) GE
    3) TWINE
    4) DAD (of course it is last)

    Keep up the good commenting, and I'll chime in more much later today!

    Cheers! :)>-

    (I think Birdleson was not quite finished; we shall see.)
  • chrisisallchrisisall Brosnan Defender Of The Realm
    Posts: 17,789
    Birdleson wrote:
    Another aspect that plighted the Brosnan years were the return of the quips and innuendos. It was an obvious reaction to fan disappointment in the lack of lightness of the Dalton years.
    I would have liked it if Brosnan had refused a few of those myself, but he was no Dalton. Tim had it more or less on his own terms; he did a few, and probably shut down as many or more. Dalton had more direct input, as Craig does even more now, but Broz was just reading his lines. And for what he was able to accomplish during his tenure, I am happy.
  • Posts: 2,341
    Brosnan is my least favorite of the Bond actors. The 1990's are in my opinion the least enjoyable time for 007.

    What went wrong?

    Pierce Brosnan was an immensely popular Bond to most of the general public. His films made truckloads of cash. But I for one just found something lacking during his tenure. EON had an obsession to turn Bond into a shootout with lots of machine guns and OTT CGI extravaganza.

    I had almost zilch interest in seeing any more Bond films during this time. I watched all the specials that aired prior to GE (in my opinion, Brosnan's best film.) Brosnan had the looks, he moved well on screen but he just never showed me anything new or inventive to the character. EON was playing it too safe and I think this dragged the Brosnan era down for me.

    After GE, his films take a nosedive and they progressively got worst finally culminating in that train wreck of a movie, DAD. After GE, EON went into stunt casting, using popular actresses of the day in the hopes that it would sell more tickets. The strategy must have worked but at the expense of teaming Brosnan with main Bond women who had zero chemistry with Brosnan. The women are physically appealing but their acting is just so subpar and unbelievable. As bad as Terri Hatcher was, Denise Richards was much worst and Halle Berry was so bad it was a crying shame to listen to her dialogue and be brutalized by having to watch her trying to play an NSA agent.

    To use a sports comparison, I would say that Pierce Brosnan is the Dallas Cowboys of the Bond actors. For sports fans, the Dallas Cowboys are America's team. Popular and loved and hated by millions. They sell more merchandise than any other sports team in America. On paper, they look like a formidable team but when they line up following kick off, they are quickly exposed as just a mediocre average football team. I would say the same thing about Brosnan.
    He looks good, he carries himself adequately but when you get right down to it he is just a good looking guy strutting around saying, "My name is...", firing machine guns, etc. And after GE, his films like the Dallas Cowboys, don't amount to much of anything. The final three films appeared promising but too often a good idea is not fully utilized and tossed aside for some wild explosive shoot-em-up with loads of CGI thrown in for good measure.
  • 4EverBonded4EverBonded the Ballrooms of Mars
    edited March 2014 Posts: 12,480
    Good point, @OHMSS69 about the poor casting of main Bond girls in Brosnan's films except for Natalya. As you said, after GE there was some bad or "stunt" casting, with Paris, Christmas, and Jinx. I feel sure that Pierce still wishes he had had Monica Belluci with him in TND instead or Teri. We all do, I believe. Richards was such a bad actress (although All American kind of lovely, sure) and Halle was almost some caricature from another film just dropping in and spreading her stupid self impressed sassy but so not funny vibes and atrocious dialog around. Ugh! Sophie was a villainness, so if you are counting her also as a Bond girl she at least could act, yes. I loved Michele Yeoh, though. She was great.

    I also think your point - and @Birdleson's - about arming up Bond with machine guns is a good one. Brosnan blew away more people, sprayed with machine guns, far more like a regular action flick than any other Bond. I could have done without so much of that, yes. For one thing, it smacked too much of all the other action films. Bond was supposed to be different, no?

    But overall, I really liked Brosnan's James Bond - his portrayal, his style, and attitude as Bond. So we just don't see the same things in his films. I like Brosnan's films mainly because of him, although GE was quite an enjoyable film overall with very good supporting cast all around. TND is pretty much my favorite though simply because Brosnan was even better as Bond in that one - really confident, smooth, charming, appropriately serious at times, overall just excellent as James Bond in that one for me. He and Michele kicked ass together. And the music was better; we got some of the Bond theme back, thank goodness. (Heck, yes, "Surrender" should have been the main theme song. But we can delve into that mess in a bit ...)

    TND also has some scenes I especially enjoyed: the PTS, Bond waiting for Paris to show up in his hotel room, the motorbike race with Michele (all of it and culminating with the outdoor shower scene), Bond's finding Paris dead (I thought he was pitch perfect in that, so believable) and dealing with Dr. Kaufman, and all of his wonderful scenes with Q. I think Brosnan had outstanding chemistry with Desmond, and at least the scripts in his films gave the two of them some wonderful, lengthier scenes. Pierce may not have been paired with great Bond women a good deal, but he sure was given some golden scenes with Q, and the warm chemistry between those two really shows. I enjoy Q and Bond very much in the Brosnan era.

  • ThunderfingerThunderfinger Das Boot Hill
    Posts: 45,489
    Aheheh. Brosnan, hmmm... I will keep it short, being a guest and having said it all on other threads before.

    In 1992, in connection with the 30th anniversary of the franchise, several newspapers wrote that the Bond series was dead and there would be no more films. That was a bit sad to read, but I thought that 16 films was quite an acchievement and accepted the "fact". Various rumours still started to surface about another Dalton film, located in China, but nothing happened for a while. When they announced GE and Brosnan, I was happy to see the series resurrected. When I saw it I thought it was not all that bad even if it was the weakest entry yet. And I wished Dalton had stayed on.Things got progressively worse since then. Brosnan may have been slightly more Bondian in the next, but not sufficiently so for my taste.

    I will not analyze his whole era, but want to say that Roger Moore had an equal amount of silly films and cringeworthy moments. Moore still managed to elevate those films with his sheer persona, charm and star quality. Brosnan, who was terribly miscast, managed to drag those awful films further down due to his lack of the same.

    The period 1995-2002 might have been better if they had a) given us better films or b)cast a better Bond. Or preferably both, but alas. Him being Bond and his four terrible films does not bother me in the slightest. To those who enjoy his era: Do that. Enjoy. I can not, but I have a whole bunch of other films for my own enjoyment, so it is all good.
  • Posts: 11,189
    Personally I don't think 3 of 4 of his films are what I would call "terrible". Weak and/or routine perhaps but not terrible (I'm referring mainly to TND and TWINE).

    I can watch and enjoy them but am left with a "meh" feeling afterwards.
  • 4EverBonded4EverBonded the Ballrooms of Mars
    edited March 2014 Posts: 12,480

    But I really didn't. :)

    Thank you, @Thunderfinger, for reigning in your wording about your distaste for Brosnan's Bond, because I know you truly cannot stand him as Bond. :)>-

    We are lucky to have so many different kinds of Bond films over these many years, and different kinds of Bonds. You're right about that, Thunderfinger.
    Yes, I'd take Pierce as Bond any day; I totally buy him as Bond and I enjoy his Bond. But I realize others do not enjoy his portrayal, sometimes a little, sometimes not at all. I agree sometimes the scripts had issues. Anyway, I do thank everybody for their very civil posts, even when you completely disagree with me. That's fine.

    And @BAIN123, just "meh" ...? Really? We all cannot stand the mess that was DAD (that one would be the one you label "terrible", right?). However, I I honestly cannot relate when people feel blah about Goldeneye or don't enjoy TND. I can understand not enjoying parts of TND, and for me parts of TWINE were a letdown, but I don't see much to dislike in GE. Not looking at you directly at this point, BAIN123, because you didn't say you disliked GE, you just mentioned TND and TWINE.

    But again, that's me. And my main enjoyment of Brosnan's films is his portrayal. So if you do not care for him, that's well, a big chunk of the film, isn't it? Or you may like him but find heavy fault with the script and/or supporting cast. Anyway, we are discussing Brosnan's era this week, so let us continue.

    Cheers!
  • Posts: 11,189
    I grew up with the Brosnan era and GE is still one of my favourite entries, it's just I feel the other two are kind of average when looked at as a slightly older man. I don't think TND or TWINE really hold up all that well.
  • 4EverBonded4EverBonded the Ballrooms of Mars
    edited March 2014 Posts: 12,480
    Thanks, Bain123. I'm glad you still like GE. I think TND holds up okay, TWINE not really. Thanks for replying.
    And I am curious ... how many of you do not like Samantha's Moneypenny? I enjoyed her just fine, no problem. SirHenry couldn't stand her; he thought she was smutty. I'd like a vote count on that as we go along this week, please.

    Like Brosnan's Moneypenny? Yay or nay. I really don't know how most people feel about her. Let's find out! :D

    Brosnan's Moneypenny:
    Yes - 1 (that would be me, 4EverBrosnanFan)

    No - 2 (Birdleson and FoxRox, if I read the previous posts correctly)

  • edited March 2014 Posts: 11,189
    I think Samantha's very good. She can handle the quips well, never really had a problem
    with her "cunning linguist" line. Her delivery I think makes it funny.
  • 4EverBonded4EverBonded the Ballrooms of Mars
    edited March 2014 Posts: 12,480
    Brosnan's Moneypenny:
    Yes -2 (that would be me, 4EverBrosnanFan, and Bain123)

    No - 2 (Birdleson and FoxRox, if I read the previous posts correctly)

    I never minded that line either; boy some people hate it, though. I was surprised to begin with, that some people didn't like her Moneypenny. I thought she was quite enjoyable.
    OK I'll stop putting out names, just the votes. ;)
  • ThunderfingerThunderfinger Das Boot Hill
    Posts: 45,489
    She was not terrible, but no Lois. I would say no. Not enyoyable.
  • 4EverBonded4EverBonded the Ballrooms of Mars
    Posts: 12,480
    Ok, got you as a no. :)

    I'll be sleeping soon, so I'll tally up in the morning folks. Thanks for casting your note, if you liked Brosnan's Moneypenny or not.

    Yes - 2

    No - 3
  • chrisisallchrisisall Brosnan Defender Of The Realm
    Posts: 17,789
    Not a huge fan of her Moneypenny, sad to say.
  • Posts: 908
    Looking on the internet, you can find all kinds of people's opinions of course. I do not have sources for the below information; indeed, I just copied it from a question asked on Yahoo. So, I am not saying this is 100% accurate, but I did find it interesting to read and speculate about. It mentions things I had not heard about (but some of you probably did read about) - like Brosnan being hounded before the premiere of TLD, Dalton winning a lawsuit against The Globe, Gardner's books' dustjacket looking like Brosnan, etc. It does say "media speculation" talking about the producers not wanting Dalton back, but there is no source listed and that is so vague. I personally doubt the producers lost faith in Dalton himself as Bond. The ligitations dragged out too long. Media do stir up trouble when there is none (just as Mr. Carver, right?). As for popular polls saying people wanted Pierce, yes that happened but I don't put much stock in that either. That will always continue, especially now with the internet. And I do not think LTK did so very poorly at the box office, although it was hurt by the summer blockbusters at that same time. Anyway, this may be worth a look at for you (underlines are mine, by the way):

    +++++++

    "The Living Daylights" opened in London in June 1987. Pierce Brosnan and his family were in London at the time but were hounded out of their home by the British press who wanted to know what his reaction to the film would be. Brosnan did not attend the premiere and did not even view the film in a theater but instead was forced to watch it captively on a Transatlantic flight several months later, as he recalled to CNN's Larry King.
    Dalton went on to make 1989's "Licence to Kill". Faced with such summer competition as the first Batman and "Indiana Jones and the Last Crusade" starring Sean Connery (and "AVTAK"'s Alison Doody), the film did relatively poorly at the U.S. box office. The supermarket tabloid The Globe reported in August 1989 that "In a move to save James Bond from box-office disaster, producers are planning to give Timothy Dalton the boot," replacing him with Pierce Brosnan. Dalton sued the paper for libel, a case he won seven months later. The issue was moot, however, as production of future Bond films was put on hold during various lawsuits after "Licence To Kill"'s release, much like that between the Beatles and Apple Records. This litigation would leave a gap of six years between Bond films, the longest in the series' history.
    In December 1989, Kevin McClory was trying to package a new Bond film with the "Thunderball" rights that he owned, and had previously repackaged as 1983's "Never Say Never Again". This one was to be called "Warhead 8", starring Pierce Brosnan as Bond. When asked about the role, Brosnan told People Magazine that month, "My mind would be open if the possibility came up again. It's like running for President~once you decide you can do the job, it's very hard to dissuade yourself."
    McClory later licensed his Bond rights to producer Al Ruddy, who began developing a James Bond television series in early 1992. Ruddy's choice for Bond was also Pierce Brosnan, but Ruddy doubted Pierce would take the job, as his wife Cassandra had recently died after a long battle with cancer, and Pierce had children to look after. A lawsuit naturally ensued between the Bond producers and Ruddy, and the James Bond TV show was dead in the water. [McClory continued to try for many years to make a Warhead film.]
    In August 1990, there was some controversy with regard to John Gardner's latest Bond novel, "Brokenclaw". According to USA Today, the profiled figure on the dustjacket looked very much like Pierce Brosnan, and people were asking him if he had posed for it. This image had been used on other hardcover editions of Gardner's books and was actually discontinued for a time.
    Media speculation continued that MGM wanted Dalton out as Bond, if and when another James Bond film would be made. In the spring of 1992, "Die Hard" producer Joel Silver said he would like to acquire rights to the Bond films and cast Mel Gibson as Bond. This was the start of Gibson-as-Bond rumors, which continued for the next two years.
    The litigation that had been holding up production was finally settled in late 1992, and everything was clear for a new Bond film to begin, amidst contradictory signals. In June 1993, the British magazine Film Review reported that Brosnan was "back in favourite's frame" for the role, but two months later reported that Dalton was in negotiations for his third outing as Bond. In October 1993, it was reported that MGM offered Mel Gibson $15 million to play Bond, which Gibson had turned down. Meanwhile, Dalton was still telling the press that he was still James Bond.
    Despite suggestions that he jumped before he was pushed, on April 11, 1994, Timothy Dalton formally announced his resignation from the role of James Bond. He technically had not played the part for five years now, and his contract with the producers had expired though he was still the "Bond of record." British betting books immediately set odds on various actors. Pierce Brosnan, fresh off the hugely successful comedy "Mrs. Doubtfire", was the 2-1 favorite, with the newly-hot Hugh Grant (after "Four Weddings and a Funeral") and Ralph Fiennes (after "Schindler's List") both at 4-1.
    In April and May 1994, the search for a new James Bond was put to a public vote. A poll was taken on the tabloid TV show "Hard Copy", with viewers calling in to a 900 number, at 95 cents a call. Pierce Brosnan won handily with 85% of the vote; Mel Gibson, a very distant second with 7%. "Entertainment Tonight" polled under the same conditions and concluded with Brosnan the favorite as Bond, with 73% (over 10,000 votes), and Gibson again second at 16%.
    In early May 1994, at a cancer fund-raiser in Los Angeles, Brosnan told "Hard Copy" that he knew nothing about becoming James Bond (and) no one had told him anything official. Finally, on June 1, 1994, as he was setting off to New Guinea to film a new version of "Robinson Crusoe", Pierce got a formal phone call offering him the part of James Bond. After all the contracts were this time signed, a press conference was held in London on June 7, 1994, formally, and finally, announcing Pierce Brosnan as the fifth Agent 007, to star in "GoldenEye".
    Postscript: Until it was surpassed by 1997's "Tomorrow Never Dies", "GoldenEye" was the highest-grossing James Bond film of all time, with more than $350 million in ticket sales.
    +++++++

    So if any of you would care to comment about anything mentioned above, please do so! Pick it apart or add more info that you may have. Thanks!

    That's what I call condensed information. I almost did know nothing about all the things you tell about in your post, except a few of the Dalton bits. Thank you.
  • pachazopachazo Make Your Choice
    Posts: 7,314
    I like Pierce Brosnan and think that GoldenEye is a very good Bond film. Can I just stop right there and quit while I'm ahead? Yes, I think that I will.

    As for @4EverBonded's question, yes I did like Samantha's Moneypenny. She was no Lois Maxwell but who is?
  • pachazo wrote:
    As for @4EverBonded's question, yes I did like Samantha's Moneypenny. She was no Lois Maxwell but who is?

    Exactly, Pachazo. Once Connery was gone, who really COULD replace him? And who else could BE Monneypenny the way Lois Maxwell was? If the series is to continue -- which we all want to see, I expect -- then it's up to Moore, or Dalton, or now Brosnan. And Samantha. (Not to mention Dame Judi, but I'll take up her case a little later.) I thought SB was a much better Monneypenny than Caroline Bliss, and I far preferred Samantha's "cunning linguist" to Caroline's Barry Mannilow collection. So: 1 more + for Samantha as MP from this corner.
  • edited March 2014 Posts: 11,189
    pachazo wrote:
    As for @4EverBonded's question, yes I did like Samantha's Moneypenny. She was no Lois Maxwell but who is?

    Exactly, Pachazo. Once Connery was gone, who really COULD replace him? And who else could BE Monneypenny the way Lois Maxwell was? If the series is to continue -- which we all want to see, I expect -- then it's up to Moore, or Dalton, or now Brosnan. And Samantha. (Not to mention Dame Judi, but I'll take up her case a little later.) I thought SB was a much better Monneypenny than Caroline Bliss, and I far preferred Samantha's "cunning linguist" to Caroline's Barry Mannilow collection. So: 1 more + for Samantha as MP from this corner.

    Thank you. I genuinely think that anyone who prefers Bliss's MP to Bond's is insane ;) Bliss is a pure 80s caricature with little personality. Bond at least had a personality and an acting ability.
  • Posts: 11,425
    I personally doubt the producers lost faith in Dalton himself as Bond. The ligitations dragged out too long. Media do stir up trouble when there is none (just as Mr. Carver, right?). As for popular polls saying people wanted Pierce, yes that happened but I don't put much stock in that either. That will always continue, especially now with the internet. And I do not think LTK did so very poorly at the box office, although it was hurt by the summer blockbusters at that same time.

    I think you've done an exemplary job of piecing together the behind-the-scenes manuevering here, @4Ever. Well done! Given the complimentary things Dalton has always had to say about the Broccolis over the years, I think it's pretty obvious that he had Eon's full support through his entire tenure as Bond. I don't think MGM comes off well at all in this regard, though...if there was indeed behind-the-scenes pressure being brought to bear on Pierce's behalf, this is where I'd look. All of that being as it may, we must admire Dalton's sense of professionalism. Given the pressures he must have been feeling, TD made his exit from the role of Bond with exceptional grace, leaving Brosnan a clear field to pick up the role and make it his own. How well Pierce succeeded is the very next topic on our plates...so dig in with enthusiasm, everybody, our next course is about to be served!

    Sorry to throw this into the midsts of the Brosnan era, but I found a Dalton interview the other day where Tim states that far from being enocuraged to leave, EON wanted him to commit to more than one more film. He claims this was part of the reason he left. He was up for one more but didn't want to commit to more than that. This kind of makes sense, and could have led to EON agreeing it was time for him to leave. They were trying to re-establish the series after a long break and needed the actor to commit to more than one film, otherwise they'd face the prospect of starting the rebuilding all over again with the next movie.
  • edited March 2014 Posts: 11,425
    Aheheh. Brosnan, hmmm... I will keep it short, being a guest and having said it all on other threads before.

    In 1992, in connection with the 30th anniversary of the franchise, several newspapers wrote that the Bond series was dead and there would be no more films. That was a bit sad to read, but I thought that 16 films was quite an acchievement and accepted the "fact". Various rumours still started to surface about another Dalton film, located in China, but nothing happened for a while. When they announced GE and Brosnan, I was happy to see the series resurrected. When I saw it I thought it was not all that bad even if it was the weakest entry yet. And I wished Dalton had stayed on.Things got progressively worse since then. Brosnan may have been slightly more Bondian in the next, but not sufficiently so for my taste.

    I will not analyze his whole era, but want to say that Roger Moore had an equal amount of silly films and cringeworthy moments. Moore still managed to elevate those films with his sheer persona, charm and star quality. Brosnan, who was terribly miscast, managed to drag those awful films further down due to his lack of the same.

    The period 1995-2002 might have been better if they had a) given us better films or b)cast a better Bond. Or preferably both, but alas. Him being Bond and his four terrible films does not bother me in the slightest. To those who enjoy his era: Do that. Enjoy. I can not, but I have a whole bunch of other films for my own enjoyment, so it is all good.



    I just wanted to say that this pretty much sums up my views and I think is very well put. Like @Thunderfinger I had almost given up hope of another Bond movie by the early 90s. The break between movies spanned the period in my life between junior school and university - an eternity at that age. Although I was a Dalton fan, when they finally announced Bond was back with a new actor, I was just happy to know they were making another. But when I saw the film I felt Brosnan and the whole tone was just a huge step backwards. I felt Brosnan was attrociously miscast and the film was indeed the weakest so far.

    I used to feel quite angry about Brosnan and what I saw as a wasted decade, after 6 lost years without a movie. And the other thing that grated throughout the Brosnan era was that I thought Dalton was so massively underappreciated - I couldn't get how people preferred Brosnan, who seemed such a lightweight actor. But time has moved on. We have a much better Bond now in Daniel Craig (although the films remain a bit patchy in my view) and Brosnan is the distant past. I think partly because of what Craig has done with the part, people have come to see Dalton's Bond as less leftfield and more of a trail-blazer.

    I also agree with the comparisson between Moore and Brosnan above. I never really understood what Brosnan was trying to achieve with his portrayal. His acting seemed unconsidered and directionless. Not something I would ever say about Moore. Yes Sir Rog had perhaps too many slapstick moments, but when the scene required it, he brought deadly seriousness, gravitas and screen prescence. Not something I think Brosnan ever achieved. I would still never choose to rewatch any of the Brosnan films, but understand that many people still like him. I now find it amusing to hear people defending Brosnan, just as I used to have to defend Dalton.
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