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I agree with all the positives. As for the plot, I think it's cool that the film actually requires Batman to do some detective work, but a little side-mission as it were, a story told parallel to the Riddler case that deeply involves Batman / Bruce Wayne, could have "oomphed" things up a little bit. That said, I honestly enjoy the quiet, dark, and slow build of the film.
And yes: a big shoutout to Giacchino! Fabulous, haunting, melodic score -- has seriously become one of my very favourites in the pantheon of Batman scores.
Odd mashup of HK martial arts, and ET. Though the Greek scenery is a lovely backdrop, and while it isn't on par with her other HK films (or even some of her US films) Rothrock delivers the goods as usual.
I just purchased De Palmas 'Carlitos Way' in 4k, dont think I've watched it since the cinema!
I agree, same with the Penguin. Next to Lex and Zod for Superman, these two Bat-Villains need a break. I hope Robin and Clayface (as a shape-shifter) are in Part 2. I'm curious to read The Riddler: Year One prequel by Paul Dano.
Yes, I wanted cheap entertainment with Indy 5 and I got it. I feel that Lucasfilm hasn't done enough with Indy as a brand as they could have. There's A LOT of reasons why, but there are a few people who deserve the blame.
Also, I didn't mind PWB as a character. I would mind her writing an Indy novel or two. My family and I said the most off-putting thing about her was that big birthmark on forehead. It got REALLY distracting at times, in particular on the big screen. I also think that Sallah and Marion should have come along for the adventure. It would have been a good send for all the characters that started the series. Hopefully, a novelization of the film will be released one day.
I'm just curious, but is that still a thing? They often put out novelizations decades ago because it took forever for people to be able to see a film a second time after its cinematic run.
I don't think so, or not as common. After Quentin Tarantino wrote Once Upon A Time In Hollywood, I kind of wish it would become more in style. I still think that Bond should have them, if IFP has a recurring author, and EON if they don't have screenwriting problems. Skyfall would have been perfect. Lucasfilm always does them for Star Wars movies, and the other Indiana Jones movies. Let's keep the tradition alive!
That’s one I’ve meant to see for suuuuch a long while now and have failed to do so. I gotta get around to it soon. I take it you love it?
Right, I never had the faintest thought of reading the novelization of a film What sense does it make?
Terrific movie. Pacino is marvellous. And Sean Penn is equally good, splendid thriller
Looking forward to watching it again
I have read a few in my life. GoldenEye, TWINE, the complete (then) Alien trilogy, and Asimov's novelization of Fantastic Voyage come to mind. GoldenEye was okay, TWINE was a delight because it proved some of my points, and Fantastic Voyage was great because that book was in the hands of a master who actually added more science to the story.
The Alien trilogy, by Alan Dean Foster, was interesting. Knowing the films by heart, I discovered a few surprising discrepancies between films and books (probably because novelizations were often commissioned even before filming had wrapped up.) Foster's prose is furthermore an acquired taste, and it was a bit of an endurance test for me too, as the main stories were well-known to me.
After reading these titles, I decided that I wasn't going to read novelizations anymore.
But what about the comic book alternative? Tons of Star Wars and other titles out there, re-telling a film, only faster. And this time, it's a visual medium as well. I guess I'm a sucker for some of these. The Burton/Schumacher Batman films, for example, were adapted faithfully but still with a lot to enjoy. Since they eat up less of my time, I guess I'll continue tracking them down.
Great score too!
Agreed it puts the viewer on edge at times, the streets are not a safe place to be in this movie.
John Carpenter’s Magnum Opus. My absolutely favorite horror film of all time, and perhaps my favorite film of all time?
I am currently watching that classic, amazing practical effects brilliant movie, along with Alien the very best in the genre.
Shame to view it so soon after Terry Funk's demise but he's one of the featured names along with other quote 'national treasures' Jake Roberts and Mick Foley. These guys put themselves through hell to reach or fulfil a certain endeavor and unless you take an inside look into their personal battles you kind of miss out on the bigger story.
I am so happy for the reappraisal that THE THING has been granted over the years, chaps. What happened upon its release in '82 is a grandiose oversight, a legendary dishonor the film shares with that other Magnus Opus, BLADE RUNNER.
Carpenter's THE THING is an exceptionally well-made horror flick, original, Lovecraftian, and bloody tense from start to finish. Its effects are a true delight; the casting of nothing but relatively old, "ugly" men is bold; the claustrophobia is effective; and the paranoia keeps haunting me to this day. This film is so far ahead of its time, we still haven't seen anything that can compete with it.
The only thing I regret is that Carpenter didn't (fully) write the score but left that duty to Morricone. And while the score is effective, one can only dream of a 'Prince Of Darkness'-like score for this film.
I got this superb 4k steelbook of Robin Hardys cult horror movie. There are still a few ropey shots that they couldnt clean up, but generally it looks superb ( the final shot is stunning!)
The story about a staunch Catholic policeman (Edward Woodward) called to the island of Summerisle looking for a missing child, and encountering a pagan diocese overseen by a Lord ( Christopher Lee) where everyone is behaving oddly, it culminates in a terrifying climax involving The Wicker Man of the title! Written by Anthony Shaffer, it has a fascinating history, with missing scenes and the bizarre story of Rod Stewart trying to get it banned because of his then wife Britt Eklands nude dancing scene ( bizarrely, as a body double was used!!) I've seen lots of different cuts over the years, this is meant to be the final one. Using crazy folk music and a cast including Ingrid Pitt, Horror legend Lee always stated it was his favourite role!
Thanks for the correction, @j_w_pepper. I should have spotted the error as I spent six years studying Latin too. But typing on my smartphone is ridiculously difficult with the autocorrect function thinking it knows everything better. 😊
I agree with everything you said. It’s such a huge shame that this film didn’t land with audiences back then the way it does now. It’s also a huge shame that Carpenter never had the chance to do more big “studio” films after this.
Norris-Thing!!! Yeah that was a great effects! Poor Charles Hallahan had to be strapped to that table all day while they rigged that effect. Still one of the greatest sequences in the film! Palmer-Thing is my personal favorite transformation! I also really like how the film doesn’t show the monsters true form. That was one of the mistakes the 2011 film made imo.
One of his best.
There are some good documentary's of cast member's going through scenes on the ARROW edition, Angie Dickenson really did like the film a lot she considered it her best acting role.
Behind the scenes you really do see how meticulous De Palma was when it came to detail, which to be fair shows in most of his movies.