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Comments
All correct.
Agreed TLD is a welcome return to Fleming.
Well said !
YOLT > TLD
We have a great pts and I love the “Fill her up please.” line. Telling that the light aircraft was of the female form, this is James Bond after all, haha.
We have a decent villain in Kamal Khan from Louis Jourdan, an Oddjob style henchman in Gobinda (what’s more impressive - the golf ball or dice crush?). Maud Adams returns as Octopussy, bringing along the greatest cheekbones in Bond movie history. Then, along with a great host of minor characters we have a really fun Bond adventure. For me, Sir Roger’s second best 007 movie.
Now, controversial ranking coming up, always ranking based on enjoyment at time of watching, therefore:
New ranking:
Octopussy
Goldfinger
Spectre
Next up: Diamonds Are Forever
Exactly where I would put it ,above those 2 films.
Bravo Shark !
I still love that,during the tuk-tuk chase,the man on a bicycle goes flying between the 2 tuk-tuks.
Even more so because he wasn't part of the stunt, and was a normal citizen who cycled into the area by accident !! hahaha.
Its the plainly obvious rubber nails on the bed,when Bond throws a goon on it,that gets me everytime.
Since days I'm struggling to decide how to get into the Bond films again. I watched GoldenEye but then I was stuck.
Your method is to watch the first of each decade, then the second, third etc?
I personally have never considered OP to be a particularly good looking film though, and also not an especially colourful one. Perhaps that's because some of the cinematography isn't to my liking and is clouding my overall perception. I'll definitely look out for this when I view it again.
I'm with you on the OP post-titles sequence as well. Really well done and Barry's score elevates it. However, despite my appreciation for the sequence I wouldn't want to lose OP's PTS (yes, I'm a huge fan, along with Rog's wink to the guards to direct them toward's Bianca's shapely stems).
Good point about the similarity between the FRWL & TMWTGG PTS (Bond being there, but not being there). I noticed that too and have a feeling it was deliberate, as these are both sophomore outings with a bit of a personal twist (Bond is called in specifically in both cases).
The film has a somewhat dated 80's flavour (more so than the EON entries imho) but that doesn't take away from it. I'm probably one of the few who enjoys the video game shootout.
I enjoy the dance scene as well. Bond telling Domino what happened to his brother in the midst of a dance in front of everyone. Distinctive moment. I also like the first shot of the scene.
Could of niggles, the car in the alley thing and the car chase in Vegas - it’s a shame that the crowds on the street were all stood there watching, more like they are putting on a show for them as opposed to making a movie.
Anyway...
New ranking:
Octopussy
Goldfinger
Diamonds Are Forever
Spectre
Next up, I go from DAF to DAD.
TB is a wonderfully subtle score, but I’d pick AVTAK. Cracking action theme and fine romantic music. Great variety.
I agree that AVTAK was the last great one. "Wine With Stacey" is probably my favorite track of Barry's work post-MR.
Maybe both? New fans coming to the series learn what Bond is supposed to feel like from the entirety of the 24 films, and stitch that into some sort of an understanding. And then, as established fans, somehow look at what they're given and see in it what they've learned Bond is, maybe even reimagining past films in order to do so. (Am I right in thinking that QOS is the only time serious objection was raised, on release, as to whether the film fundamentally felt like Bond? Perhaps MR as well? Even though now I think most accept those as Bond. Each new film can modify our conception of the past films.)
I'm no great lover of AVTAK, but I've never found Stacey annoying. She might be my favorite of the main 80s girls actually. Really looking forward to your thoughts re: the evolution of the Bond girl.