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Comments
I’ve always liked it, but hearing how it’s woven into the score really enhances it for me.
Being a part of the whole thing helps. it doesn't feel like a separate entity, which we haven't had since CR really.
Having BE collaborating with Zimmer was really a smart move.
I imagine so and I agree they should have to work with the composer, this example illustrates that, I think this and YKMN are my favourite songs of the era and there is a reason for that as well as they are good songs.
They are thematically and musically part of the film as opposed to a song on the credits. If only Newman hadn't been so precious about incorporating SF into his score.
I don't know if this has been posted yet.
Could we ever see miss Elish as a Bond girl herself? Let's see how her career matures.
Now the song used over the end titles, also employed as part of the score during the movie, is an entirely different story. Although (or maybe because) it's 52 years old. And a constant candidate for my favourite Bond song (not theme).
Yes.
Yeah, I thought it worked well. And I'm sure it brought in some of the young crowd, and there's nothing wrong with doing it for that at all.
Funnily enough, having seen it, I kind of think the casting of Billie Eilish was perhaps a little off. Craig's run starts with him as a hotheaded 'young' agent in CR, and yet for that one we got an ageing rocker with a voice like he smokes cigarettes in his sleep doing the song from Bond's POV; and now for Craig's final Bond film where he's a mellowed, retired agent in his late middle age we get a song by an 18 year-old :) Maybe it would have worked better the other way around?
Imagine NTTD having a song by a sort of Johnny Cash type, looking back on his life, that sort of thing.
“indecipherable”?
Either way, I still cannot make out most of her lyrics.
Thank you, BT3366, for that invitation. I shall take a look and contribute, if I feel I have anything of value to offer.